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Edge of Survival Edge of Collapse, Book 6
- Narrated by: Stacey Glemboski
- Length: 9 hrs and 57 mins
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Publisher's Summary
What lines will you cross to survive?
Three months after an EMP attack destroys the US power grid, starvation and disease have killed millions. With the end of winter finally in sight, the town of Fall Creek, Michigan balances on the precipice of collapse.
They have suffered and sacrificed. But to forge a future worth living, they will have to face the darkness within themselves. Each must decide - will they retain their humanity or choose survival at any cost?
Get the penultimate installment in the Edge of Collapse survival series now!
When the country goes dark, ordinary people find themselves facing the end of the world as they know it. With society collapsing before their eyes, they must risk everything to protect their home and the people they love.
From USA Today best-selling author Kyla Stone comes the Edge of Collapse series, a gripping EMP survival story featuring flawed, complex characters, and riveting action adventure. Perfect for fans of Ryan Schow, Grace Hamilton, Harley Tate, Jack Hunt, and Boyd Craven.
*Rated PG-13 for mild language and moderate violence*
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What listeners say about Edge of Survival Edge of Collapse, Book 6
Average Customer RatingsReviews - Please select the tabs below to change the source of reviews.
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- Anonymous User
- 2023-05-26
Good story
Author does a good job with all aspects of the story. Narrator is really good. Would recommend.
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- Raven
- 2021-04-09
very good 👌
well written. excellent, exciting, tense drama and heart felt. Kyla Stone once again knocked this one out of the park! Stacey is an amazing narrator , she captured all the characters with their stories of survival.
I'm so glad there will be another book to finalize the story. 7 books in a series is a good amount. we'll done!
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- Amazon Customer
- 2024-01-04
Poor written and not romantic, but entertaining
These books are 100% plot, mostly related to battles of increasing scale, with extremely light romantic subplot. They have an interesting and compelling story that kept me reading through all 8 books (1 - 7 plus the prequel), but they were somewhat poorly written.
I felt like I was a teenager reading Twilight again, with Edward's features constantly being referred to as cold and chiselled as though from marble, every other page. Every single time Hannah experienced anxiety, blood rushed in her ears, her vision would narrow, she'd look desperately around the room for something, anything, to count, and she'd slowly come back to herself. We'd get the same word-for-word schpiel every time. When characters experience pain, pain "exploded" in their ___. Why is the pain always exploding? Liam was always described as "ruggedly handsome". After reading the same description for the 100th time, you start to ask yourself whether an editor ever looked at it. Liam has striking gray blue eyes. I get it. We get it. We know. Yes, Milo loves peanut butter. Does he have ANY other traits? Do the people in this story know a single thing about this child other than a single food he likes to eat? Does he eat citrus and vegetables? Are you going to give this boy scurvy? Did you know that everyone loves classic rock? Do you? Do you? Do you wanna hear Black Bird again? Have we mentioned the song Black Bird by the Beatles?
Probably because so much of the material is re-explaining what happened in the prior books, and copying and pasting the exact same descriptions of pain, fear, anticipation, anxiety, and the major characters, this 8-book-long-series feels like it drags on and should have been abridged into one longer novel.
Throughout the first books, it also transformed from what appeared to be a slow-burn romance set during the apocalypse to a play-by-play military fiction with the slightest hint of romantic undertones. If you're reading it for the romance aspect, I wouldn't. It was weirdly sanitized and slightly religious, without any hints of anything remotely sexual, and without any swearing of any kind. One climactic moment is completely ruined by calling the evil-doer "jerkface" like it's some extremely insulting gotcha. I've read some criticisms that say, "You really think that a battle-hardened 30-something man would never say 'shit' or something similar?" I honestly find that more believable than the idea that a teenage girl with blue hair and piercings is going to unironically call someone a jerkface.
It's not all bad. Some characters had some interesting character development, like Noah. I loved the character of Quinn. Most people fail to write teenage girls with any sense of humanity, whereas Quinn was extremely interesting, complex, and subverted expectations. That said, other characters -notably, Liam and Hannah, the main protagonists - don't seem to grow all that much and were pretty one dimensional. I enjoyed the multiple perspectives, especially since it was some of the "minor" characters were the most interesting. I also enjoy it when they give perspectives of the "villains" of the story, though most of the villains were fairly one dimensional, pure-evil people. I noted that there were people of every background and nationality included in the story, without leaning into any tropes. They were just written like any people would be written. I like that approach, it makes for more believable people.
I read this in audiobook format and the narrator was great. One of my pet peeves with narration is when someone tries to transform their voice into another age, gender or regional accent that they can't accomplish, and it completely takes you out of the book. Think, a man suddenly reading in an extremely light and airy voice like he's trying to be a little girl, or a woman suddenly talking in an extremely low and gruff voice like she's trying to be a huge burly man. She changed her voice slightly to make it clear that it was a new character, and it was always clear that it was, but not in a way that took you out of the story. There's also quite a lot of shooting and carrying on, and she even made that interesting, reading out each "boom" "bang" and "pop" in a way that actually sounded pretty accurate and didn't make me physically cringe. I think the narrator saved the writing a lot of the time, honestly.
All in all, I read this series because my mom said they were her favourites and while I feel like I'll never get that time in my life back, I also can't give it less than 3 stars, because to sit through 8 books of anything says they must have been at least entertaining.
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