Rome

In this gripping retelling of one of the most momentous chapters in history, Nick Holmes presents a new interpretation of an old story. The fate of Rome was decided not just by emperors, soldiers, and barbarians but also by an environmental disaster. A catastrophic megadrought on the Asian steppes in the fourth century AD forced the migration of entire peoples—Huns, Goths, Vandals, and others—west into the Roman Empire. They met an empire weakened from war with Persia. Rome's misfortunes multiplied as it made tactical errors on the battlefield.

Tom Holland gives a dazzling portrait of Rome's first imperial dynasty. Dynasty traces the full astonishing story of its rule of the world: both the brilliance of its allure, and the blood-steeped shadows cast by its crimes. Ranging from the great capital rebuilt in marble by Augustus to the dank and barbarian-haunted forests of Germany, it is populated by a spectacular cast: murderers and metrosexuals, adulterers and druids, scheming grandmothers and reluctant gladiators.

In 89 A.D., following a failed insurrection by the governor of Upper Germania, the disgraced Legio XXI Rapax is dispatched to Pannonia, on the River Danube. The legion is purged of its senior officers and Emperor Domitian appoints the venerable Lucius Flavius Silva as the new commanding legate. A revered general, Silva famously captured the Herodian Fortress of Masada at the end of the Great Jewish Revolt, twenty years earlier.

It was a time of revolution. The Roman Revolution describes the little known "crisis of the third century", and how it led to a revolutionary new Roman Empire. Long before the more famous collapse of the Western Roman Empire in the fifth century, in the years between AD 235-275, barbarian invasions, civil war, and plague devastated ancient Rome.

No era in world history has fascinated us more than that of the Roman Empire, especially when it was at its height. The period known as the Pax Romana is generally agreed to have occurred between Octavian's defeat of Mark Antony at Actium in 27 B.C. to the death of Marcus Aurelius in A.D.180. During this 227-year period, most of the sharp military conflict was confined to the periphery of the empire, though the civil war kicked off during the Year of the Four Emperors in 68/69 was a glaring exception to this "universal" peace.

What made the Romans laugh? Was ancient Rome a carnival, filled with practical jokes and hearty chuckles? Or was it a carefully regulated culture in which the uncontrollable excess of laughter was a force to fear-a world of wit, irony, and knowing smiles? How did Romans make sense of laughter? What role did it play in the world of the law courts, the imperial palace, or the spectacles of the arena?

As emperor, Julian set about reforming the administration, conquering new territories, and reviving ancient religions. He was scorned in his time for repudiating Christianity and demonized as an apostate for willfully rejecting Christ. Through the centuries, Julian has been viewed by many as a tragic figure who sought to save Rome from its enemies and the corrupting influence of Christianity. Christian writers and historians have seen Julian much differently: as a traitor to God and violent oppressor of Christians.

Discover the prodigious global influence of il bel paese in this star-studded retelling of Italy's past-from a foremost author of historic Italy. The Shortest History books deliver thousands of years of history in one riveting, fast-paced book.

A concise, star-studded retelling of Italy's past, from Caesar and Augustus to da Vinci and Michelangelo, tracing the story of a country with prodigious global influence—from a foremost author of historic Italy.

Paul was a Roman. Yes, the apostle was raised as a devout Jew and later became a Christian, but he was a citizen of the Roman Empire. He lived in a Roman world. In his Epistle to the Ephesians, Paul wrote to an audience of Christians living in a Roman world, under Roman rule. They had all seen Roman legionnaires and were familiar with the armor and weapons carried by a typical Roman soldier. As contemporary Christians, we have a tendency to picture Sir Lancelot on his horse. We are using the wrong imagery. We miss the powerful symbolism of Paul's analogy.