Literature & Fiction

HC3, the Hightower Course Correction Center, “recruits” LGBTQ+ people to participate in a program that will help them get the jobs they need to survive in the dystopic conditions of AMCONS City, center of a post-American territory run by a fascistic military. All they have to do is adopt cisgender, heterosexual identities. Ash, who is black, non-binary, and asexual, meets Aubrey, a white, trans, gay man, at a job fair where they face rejection after rejection… until they get recruited.

It’s summertime at Treemeadow College and the living isn’t easy. Theatre professors and adorable couple Nicky, Noah, and their thespian troupe stage an original musical adaptation of the King Arthur Legends entitled, Knights in Tights. Queens blissfully shout, “King me,” until critics drop like their scathing reviews.

Patrick O’Hara is back. It’s been five years since his summer as his niece Maisie and nephew Grant’s caretaker after their mother’s passing. The kids are back in Connecticut with their dad, and Patrick has relocated to New York to remain close by and relaunch his dormant acting career. After the run of his second successful sit-com comes to a close, Patrick feels on top of the world . . . professionally. But some things have had to take a back seat. Looking down both barrels at fifty, Patrick is single again after breaking things off with Emory.

A collection of intersecting stories about Indigenous love and loneliness from one of contemporary literature’s most boundless minds.

Wyatt Wallace is a practical, super organized director of TV commercials. Biz Petterelli is a child-actor-turned-magazine-writer who thrives on spontaneity. Though polar opposites, they are fully committed to their relationship and their life in Brooklyn with their dog, Matilda. They’re also about to have a baby together. And they’re freaking out. They’ve both dreamed of becoming parents, but now that it’s happening, they’re doubting everything. Their baby is due in a few weeks and instead of flying to California just before the birth as planned, Biz has a better idea.

When sixteen-year-old Shae meets Cam, who is new to their small town in West Virginia, she thinks she has found someone who is everything she has ever wanted in a companion. The two become fast friends, and then more. And when Shae ends up pregnant, Cam begins a different transition—trying on clothes that Shae can no longer fit into and using female pronouns. Shae tries to be fully supportive as Cam becomes the person she wants and needs to be.

As Morrissey once said during an amazing performance of The Smiths' song 'Big Mouth' (Live at Earl's Court): The past is a strange place. My curation and edits of the following collection of poems try to preserve the raw authenticity of my earlier works.

Twenty-one-year-old Marigold Claude has always preferred the company of the spirits of the meadow to any of the suitors who’ve tried to woo her. So when her grandmother whisks her away to the family cottage on the tiny Isle of Innisfree with an offer to train her as the next Honey Witch, she accepts immediately. But her newfound magic and independence come with a price: No one can fall in love with the Honey Witch. When Lottie Burke, a notoriously grumpy skeptic who doesn’t believe in magic, shows up on her doorstep, Marigold can’t resist the challenge to prove to her that magic is real.

In “Oh, El” a dominant woman can’t stop herself from toying with the tender heart of her co-worker. The title story, “Wild Failure” is a doomed love story between an agoraphobic and a wilderness hiker. In “Half Pipe” a teen girl’s heterosexual ambivalence results in chaos at a skate park. A group of idealistic roommates find themselves the subject of a true crime podcast in “Murder at the Elm Street Collective House.” In “The Sex Castle Lunch Buffet” a woman reflects on her brief stint at a 90s strip club after she learns of the death of a former client.

Paris, 1866. When Baroness Sylvie Devereux receives a house call from Charlotte Mothe, the sister she disowned, she fears her shady past as a spirit medium has caught up with her. But with their father ill and Charlotte unable to pay his bills, Sylvie is persuaded into one last con. Their marks are the de Jacquinots: dysfunctional aristocrats who believe they are haunted by their great aunt, brutally murdered during the French Revolution. The scheme underway, the sisters deploy every trick to terrify the family out of their gold.

April, May, June, and July Barber don’t have much in common anymore. An upcoming family wedding will place the four siblings in the same room for the first time in years. But shortly before, when April spots their father, who went missing while serving overseas a decade ago, their reunion becomes entirely more complicated. While the siblings’ search for the truth about their father forces them back into each other’s lives, it also intensifies their private dramas.

Weddings should be life-changing for the bride and groom, but not for the photographer. A deadly accident at the last one I worked left me scarred physically and mentally. At least the insurance payout means I can live as I please.

Oliver Berridge has eeked out a living blogging about creepy creatures. After riding shotgun on paranormal investigations with the Critter Catchers, Demetrius Singleton and his husband Cody Bower, Oliver decides it’s time to strike out on his own. With some help from his boyfriend, Dave, Oliver pays a visit to the Morelock Motel to dig into reports of mysterious disappearances.

Every summer the peaches ripen in Port Peter, and the tourists arrive to gorge themselves on fruit and sun. They don't see the bird women, who cavort on the cliffs and live in a meadow beneath the lake. But when summer ends and the visitors go back home, every pregnant Port Peter girl knows what she needs to do: deliver her child to the Birds in a laundry basket on those same lakeside cliffs. But the Birds don't want Georgia Jackson.

Catherine Hernandez's most gripping and affecting novel yet, Behind You is inspired by a horrifying chapter in Canadian history and follows fictional characters terrorized by a fictional perpetrator. Alma is a Filipina woman who works as a film editor for a cheesy True Crime series featuring the most notorious killers of the 20th century called Infamous. On the surface she seems to live a good life with her wife Nira and teenage son, Mateo. But there is so much left unsaid.