After Miller's father dies, she agrees to a girls' vacation away from the city to reconnect with the only family she has left. Although she’s eager to make things work, Miller can’t help but worry that her mother is seeing their countryside retreat as a fun weekend getaway instead of what it really is: a last-ditch effort to repair their relationship.

Bart is 30. He is bald. He is overweight. He wears glasses. He is a fry cook. He hates cats. And kids. Bart occasionally does very bad things. He is looking for his perfect match. He has done his research.

Working at the local processing plant, Marcos is in the business of slaughtering humans - though no one calls them that anymore. His wife has left him, his father is sinking into dementia, and Marcos tries not to think too hard about how he makes a living. After all, it happened so quickly. First, it was reported that an infectious virus has made all animal meat poisonous to humans. Then governments initiated the "Transition". Now, eating human meat - "special meat" - is legal. Marcos tries to stick to numbers, consignments, processing.

These people will give anything for the idols they worship, be they rock stars, actors or authors. Or even serial killers. Lori is just such a fanatic. Her obsession is with Edmund Cox, a man of sadistic cruelty who butchered more than 20 women. She’s gone so far as to forge a relationship with him, visiting him in prison and sending him letters on a regular basis. She will do anything to get close to him, so when he gives her a task, she eagerly accepts it. She has no idea of the horror that awaits her.

Nicholas, a would-be poet, and Nakota, his feral lover, discover a strange hole in the storage room floor down the hall - "Black. Pure black and the sense of pulsation, especially when you look at it too closely, the sense of something not living but alive." It begins with curiosity, a joke - the Funhole down the hall. But then the experiments begin. "Wouldn't it be wild to go down there?" says Nakota. Nicholas says "We're not." But they're not in control, not from the first moment, as those experiments lead to obsession, violence, and a very final transformation.

After the loss of a child along with a slew of agonizing misfortunes, Nick and Jess decide to end their lives. Unable to cope with the misery that fills their days, they commit one last act together and die in loving relief. But when Nick wakes up, he soon realizes that death isn't the gentle darkness he expected. Panicked and horrified, he struggles to understand the twisted abominations and hellish world he's now trapped in.

It's a summer's evening in Amsterdam, and two couples meet at a fashionable restaurant for dinner. Between mouthfuls of food and over the polite scrapings of cutlery, the conversation remains a gentle hum of polite discourse - the banality of work, the triviality of the holidays. But behind the empty words, terrible things need to be said, and with every forced smile and every new course, the knives are being sharpened. Each couple has a 15-year-old son. The two boys are united by their accountability for a single horrific act; an act that has triggered a police investigation and shattered the comfortable, insulated worlds of their families.

The Ruins follows two American couples enjoying a pleasant, lazy beach holiday together in Mexico. On an impulse, they go off with newfound friends in search of one of their group, the young German who, in pursuit of a girl, has headed for the remote Mayan ruins, site of a fabled archeological dig.

Sadomasochism. Obsession. Death. A whirlpool of darkness churns at the heart of a macabre ballet between two lonely young women in an internet chat room in the early 2000s - a darkness that threatens to forever transform them once they finally succumb to their most horrific desires. What have you done today to deserve your eyes?

Still reeling from a brutal dismemberment, detective Kline is forcibly recruited to solve a murder inside a religious cult that takes literally the New Testament idea that you should cut off your hand if it offends you. Armed only with his gun, his wits, and a gift for self-preservation, Kline must navigate a gauntlet of lies, threats, and misinformation. All too soon he discovers that the stakes are higher than he thought and that his survival depends on an act of sheer will.

A simple DNA test is all it takes. Just a quick mouth swab, and soon, you'll be matched with your perfect partner - the one you're genetically made for. That's the promise made by Match Your DNA. A decade ago, the company announced that they had found the gene that pairs each of us with our soul mate. Since then, millions of people around the world have been matched. But the discovery has its downsides: Test results have led to the breakup of countless relationships and upended the traditional ideas of dating, romance, and love.

Fresh out of jail and eager to start a new life, Chet Moran and his pregnant wife, Trish, leave town to begin again. But an ancient evil is looming, and what seems like a safe haven may not be all it appears. Snared and murdered by a vile, arcane horror, Chet quickly learns that pain and death are not unique to the living. Now the lives and very souls of his wife and unborn child are at stake. To save them, he must journey into the bowels of purgatory in search of a sacred key promised to restore the natural order of life and death.

First published in 1986 and updated several times since, Don’t Panic is in an in-depth exploration of Douglas Adams’s cultural phenomenon The Hitchhiker’s Guide to the Galaxy - from its beginnings as a UK radio series, to its expansion into a wildly popular book trilogy, and onto incarnations in various media including stage, records, film, computer games, and even, um, tea towels.

The year is 1348. Thomas, a disgraced knight, has found a young girl alone in a dead Norman village. An orphan of the Black Death, and an almost unnerving picture of innocence, she tells Thomas that plague is only part of a larger cataclysm - that the fallen angels under Lucifer are rising in a second war on heaven, and that the world of men has fallen behind the lines of conflict. Is it delirium or is it faith? She believes she has seen the angels of God. She believes the righteous dead speak to her in dreams. And now she has convinced the faithless Thomas to shepherd her across a depraved landscape to Avignon.

Piranesi lives in the House. Perhaps he always has. In his notebooks, day after day, he makes a clear and careful record of its wonders: the labyrinth of halls, the thousands upon thousands of statues, the tides that thunder up staircases, the clouds that move in slow procession through the upper halls. On Tuesdays and Fridays Piranesi sees his friend, the Other. At other times he brings tributes of food to the Dead. But mostly, he is alone.