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Anti-Oedipus
- Capitalism and Schizophrenia
- Narrated by: Jon Orsini
- Length: 21 hrs and 26 mins
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Written by: Jorge Luis Borges
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Performance
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Performance
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-
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- Written by: Jean-Paul Sartre
- Narrated by: Edoardo Ballerini
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- Unabridged
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Overall
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Performance
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Story
Sartre's greatest novel and existentialism's key text, now introduced by James Wood, and read by the inimitable Edoardo Ballerini. Nausea is the story of Antoine Roquentin, a French writer who is horrified at his own existence. In impressionistic, diary form, he ruthlessly catalogs his every feeling and sensation.
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The Trial
- Penguin Classics
- Written by: Franz Kafka, Idris Parry
- Narrated by: Kobna Holdbrook-Smith
- Length: 8 hrs and 7 mins
- Unabridged
-
Overall
-
Performance
-
Story
A terrifying psychological trip into the life of one Joseph K., an ordinary man who wakes up one day to find himself accused of a crime he did not commit, a crime whose nature is never revealed to him. Once arrested, he is released, but must report to court on a regular basis - an event that proves maddening, as nothing is ever resolved. As he grows more uncertain of his fate, his personal life - including work at a bank and his relations with his landlady and a young woman who lives next door - becomes increasingly unpredictable.
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Publisher's Summary
An "introduction to the nonfascist life" (Michel Foucault, from the Preface)
When it first appeared in France, Anti-Oedipus was hailed as a masterpiece by some and "a work of heretical madness" by others. In it, Gilles Deleuze and Félix Guattari set forth the following theory: Western society's innate herd instinct has allowed the government, the media, and even the principles of economics to take advantage of each person's unwillingness to be cut off from the group. What's more, those who suffer from mental disorders may not be insane, but could be individuals in the purest sense, because they are by nature isolated from society. More than twenty-five years after its original publication, Anti-Oedipus still stands as a controversial contribution to a much-needed dialogue on the nature of free thinking.
What the critics say
"Renders palpable the metaphor of the unconscious as a worker, and does it in a brilliant, appropriately nutty way."—The New Republic
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