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  • Stoner

  • Written by: John Williams
  • Narrated by: Robin Field
  • Length: 9 hrs and 46 mins
  • 4.6 out of 5 stars (112 ratings)

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Stoner

Written by: John Williams
Narrated by: Robin Field
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Publisher's Summary

William Stoner is born at the end of the 19th century into a dirt-poor Missouri farming family. Sent to the state university to study agronomy, he instead falls in love with English literature and embraces a scholar's life, far different from the hardscrabble existence he has known. And yet as the years pass, Stoner encounters a succession of disappointments: marriage into a "proper" family estranges him from his parents; his career is stymied; his wife and daughter turn coldly away from him; a transforming experience of new love ends under threat of scandal. Driven ever deeper within himself, Stoner rediscovers the stoic silence of his forebears and confronts an essential solitude.

John Williams's luminous and deeply moving novel is a work of quiet perfection. William Stoner emerges from it not only as an archetypal American, but as an unlikely existential hero, standing, like a figure in a painting by Edward Hopper, in stark relief against an unforgiving world.

©1965 John Williams (P)2010 Blackstone Audio, Inc.
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What the critics say

“A perfect novel, so well told and beautifully written, so deeply moving, it takes your breath away." (Morris Dickstein, New York Times Book Review )
“A masterly portrait of a truly virtuous and dedicated man.” ( New Yorker)
“An exquisite study, bleak as Hopper, of a hopelessly honest academic at a meretricious Midwestern university. I had not known…that the kind of unsparing portrait of failed marriage shown in Stoner existed before John Cheever.” ( Los Angeles Times)

What listeners say about Stoner

Average Customer Ratings
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    4 out of 5 stars

Amazing book

So deeply moving . It will take you with him into a ordinary life with all the disappointments....

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amazing

what a great book...nothing really happens just life...but it captures you from beginning to end...a true masterpiece....

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JRVP recommended

The Jeselnik Rosenthal Vanity Project podcast recommended this, suggesting Stoner to be their top recommendation for getting feedback from the listeners. I'm so glad I listened, it's been a ravenous experience, I've listened voraciously every moment I've been able to since I started. It does not disappoint.

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Beautiful story

I heard about this book through a recommendation. I was caught by the author’s use of deep honest truths throughout the novel, and I found that the premise - the life story of an wholly unremarkable man - to be a brilliant backdrop to illuminate this aspect of the author’s writing.

Just a remarkable novel, and a beautiful telling of an otherwise mundane man.

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Great classic

I was surprised that this book was not required in my English classes. Great description, narrative, story and plot. I need to explore more books by John Williams.

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A book everyone must read

I don’t know how to write this. The book is too realistic in depicting the faults that slip by in our daily lives, whose consequences eventually crescendo into unexpected situations that dictate our inevitable fate. Very emotional and heart wrenching.

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    3 out of 5 stars

Heavy

The narration of this book is excellent but be prepared for an oppressively heavy story. It is incredibly well written and to the very end you find yourself wishing for something good to uplift poor Stoner but alas it never happens.

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emotional draining but beautifully written

I had no issue following along with the narrator. The book itself is really sad, but it is touching.

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Excellent

A rare gem . Excellent book! One of the best books I’ve heard or read in awhile. I highly recommended this!

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    5 out of 5 stars

An effective rendering and critique of an ideologue

Up until the end this remained a 4 star read for me. Mostly because it is wildly solipsistic. Stoner is a vivid character, and the quiet intensity with which the prose reflect his stoicism and inner life is accomplished. Everything feels opaque and the inability to connect to anything, especially in the later half, make it an isolating and seemingly lacking work. It’s an intentional, near perfect rendering of a lens able to capture one subject from one, imperfect angle, yet also encapsulates a forever hazy interest in everything around it.

In many ways I felt like I was compiling a list of dings against it, until the end, when I think the final card played shows that every mark against it is the point. His solipsism and his disconnection and his stoicism are facile and detrimental regretfully necessary to asses Stoner’s life. There is enough here to conclude that the sum of his life, without a thumb on the scale, brings subjective conclusions that are unexpectedly interesting. Most of the complaints I’ve seen against the book in reviewers here are all addressed on his last reflections. Understanding that how he perceived and rendered his world—through dispassionate disassociation—facilitated a very sad existence.

But there is also dignity and some measure of grace in his eliding of a “full” life. It’s as much as a warning as it is a compilation of qualities that would benefit people. And I can always sympathize with characters unable to connect with other people well, since I have a similar affliction. It’s something you either “get”, or you don’t. Every single time I read something that captures the deep seeded regret of not being able to communicate or be understood or function socially in a way that would gather people around your hearth, and felt myself rendered there, I have also seen fellow reviewers misunderstand.

People imagine it’s a lack of effort or simply willful ignorance, rather than a difference of how one perceives the world and others, and how, subsequently, a person can navigate it. To me, it’s something like telling someone overweight that they should lose weight, well intentioned or not. Or really addressing any kind of illness with a kind of blase only people without that lived experience can muster.

In the end, Stoner articulates every issue with the narrative himself. His one dimensional perception of other characters renders them as such. There are complexities to his wife and daughter and every other human that are significant and out of reach. He characterizes it, at one point, as ignorance. And it is a kind of ignorance, I suppose. But one thing we get out of this as a reader that Stoner does not, is that his composition was there from birth. He struggles against the definition of himself all the way, and sometimes manages to succeed at real change. But he is a person not well made for the society constructed around him.

I find myself having more than enough sympathy and empathy with that. My complaints about Stoner as a book fit the man rendered here too a tee—and he knows it. He’s said as much.

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