Gothic

All Things Seen and Unseen follows Alex Nguyen, an isolated, chronically ill university student in her early 20s. After a suicide attempt and subsequent lengthy hospitalization, she finds herself without a job, kicked out of campus housing, unable to afford school, and still struggling in the aftermath of a relationship’s dissolution. Hope comes in the form of a rich high school friend who offers Alex a job housesitting at her family’s empty summer mansion on a gulf island.

Millicent Foxboro is haunted. Not by ghosts, but by the anguish of her past and the uncertainty of her future. After all, even in the progressive year of 1928, most people would balk at hiring a woman who’d spent two months in a mental ward for traumatic amnesia. So when an uncommon assistantship to a reclusive Professor of mythology falls into her lap with an ungodly salary attached, her desperation for stability overrides her cautious nature.

Joni Blackwood is my best friend. She was there for my first crush, stood beside me at my wedding, watched my daughter grow up. She's been there through the painful mess of the divorce, too. So when she suddenly goes missing on All Gallows' Eve, I'm first to raise the alarm. My mum used to say this village was built on the roots of The Gallows Tree, that they're underneath the ground, under all of our houses. It used to scare me as a kid. Thick, snaking roots squirming under me. No matter how far you ran, they could tunnel after you.

When a copycat murderer prowls among the trees of Ponderosa Springs, our loyalty is tested. It had been foolish of us to believe our revenge would go unpunished. That the town wouldn't retaliate after what we did. With our lives hanging in the balance, Thatcher and I have no choice but to coexist. In the twilight of musty cabins and haunted library towers, my somber secrets are exposed, and his cravings are revealed. So the question is . . . What is love without obsession?

Driven by the glory he'll earn from the Royal Horticultural Society for such an achievement, Gregor ignores the flaws in his plan: that intelligence cannot be controlled; that plants cannot be reasoned with; and that the only way his plant-beast will flourish is if he uses a recently deceased corpse for the substrate. The experiment-or Chloe, as she is named-outstrips even Gregor's expectations, entangling their strange household. But as Gregor's experiment flourishes, he wilts under the cost of keeping it hidden from jealous eyes.

Sibilla Fenoglio wants nothing more than to live with her husband in this run-down, derelict watermill. Uninhabited since the Renaissance after a mysterious disaster befell the previous owners, the mill requires extensive repairs. But there is something frightening about the mill. Repairs are violently undone, half-seen figures begin stalking Sibilla through the grounds, and haunting echoes of the previous owners’ lives infiltrate the present. As the disturbances grow more vicious and her husband more secretive, she realizes that she and her child are in danger.

Pera Sinclair was nine the day the pilot intentionally crashed his plane into her family's grand home, killing everyone inside. She was the girl who survived the tragedy, a sympathetic oddity, growing stranger by the day. Over the decades she rebuilt the huge and rambling building on the original site, recreating what she had lost, each room telling a piece of the story of her life and that of the many people who died, both before and after the disaster. And while she doesn't believe in ghosts, she's not above telling a ghost story or two to those who come to visit Sinclair House.

The year is 1901, and Ada Byrd—spinster, schoolmarm, amateur naturalist—accepts a teaching post in isolated Lowry Bridge, grateful for the chance to re-establish herself where no one knows her secrets. She develops friendships with her neighbors, explores the woods with her students, and begins to see a future in this tiny farming community. Her past—riddled with grief and shame—has never seemed so far away. But then Ada begins to witness strange and grisly phenomena: a swarm of dying crickets, a self-mutilating rabbit, a malformed faun.

I made a mistake. Hearts are the most fragile part of the body, and I trusted mine with Jude Carlisle. My villain. My weakness. My stepbrother. Fairytales have a way of turning the most innocent things wicked. Jude lied through his teeth, and I fell for every word. Then he burned both our families to the ground in a sick game of revenge and never looked back.

In 1948, Irene Willard, who’s had five previous miscarriages in a quest to give her beloved husband the child he desperately desires and is now pregnant again, comes to an isolated house-cum-hospital in the Berkshires, run by a husband-and-wife team of doctors who are pioneering a cure for her condition. Warily, she enlists herself in the efforts of the Doctors Hall to “rectify the maternal environment,” both physical and psychological. In the meantime, she also discovers a long-forgotten walled garden on the spacious grounds, a place imbued with its own powers and pulls.

Desperation drives me into the hands of a dangerous predator. I never should have considered auctioning off my innocence. The men who bid are the darkest kind, the ones you never want to encounter. And Malachy, the man who bought me, is no exception. He wins me, locking me away in his world. Selling my virginity takes on a whole new meaning, one I never anticipated. I expected one night with my buyer, but with Malachy McCarthy, I'm his possession until he decides otherwise. I'm nothing but a toy, a plaything for his amusement, until he grows bored.

With the Great War finally behind them, many Americans flock to South Florida with their sights set on making a fortune. When wealthy industrialist Robert Barnes and his wife, Anna, build Marbrisa, a glamorous estate on Biscayne Bay, they become the toast of the newly burgeoning society. Anna and Robert appear to have it all, but in a town like Miami, appearances can be deceiving, and one scandal can change everything.

1887, the Cornwall coast. For years, rumors have flown through the village of Suttonsbury about Ashthorne Hall—that its occupants hoard pirate treasure, that a ghost walks its halls—but botanist Hyacinth Bell only cares about the estate’s extensive one-of-a-kind orchid collection. As an independent woman, she is eager to focus on her career, even if it means waiting to pursue a romantic relationship. After all, love—like an orchid—must be nurtured and tended before it can bloom. What she doesn’t expect is to be swept away by Lucas Harding, the manor’s caretaker, upon their first meeting.

“The Yellow Wallpaper” whispers secrets from its peeling edges, a silent witness to a woman’s descent into madness. In the dim light of her secluded room, she grapples with more than just faded wallpaper; it’s her sanity that unravels thread by thread. As the moon casts eerie shadows, the yellow hue takes on a life of its own, revealing cryptic patterns—a dance of confinement and rebellion.

During a canoe trip on the Danube, two men are forced to stop on an island due to the current. What was supposed to be a peaceful temporary camping experience turns into a disturbing and supernatural ordeal: the willows covering the island seem to move and whisper in the wind, giving the impression of being alive; the presence of hostile and terrifying invisible entities is perceived, casting doubt on every capacity for rational thought.