In sun-drenched Sicily, among the decadent Italian aristocracy of the late 1950s, Giuseppe Tomasi, the last prince of Lampedusa, struggles to complete the novel that will be his lasting legacy, The Leopard. With a firm devotion to the historical record, Lampedusa leaps effortlessly into the mind of the writer and inhabits the complicated heart of a man facing down the end of his life, struggling to make something of lasting worth, while there is still time.

A brother and sister are orphaned in an isolated cove on Newfoundland's northern coastline. Their home is a stretch of rocky shore governed by the feral ocean, by a relentless pendulum of abundance and murderous scarcity. Still children with only the barest notion of the outside world, they have nothing but the family's boat and the little knowledge passed on haphazardly by their mother and father to keep them.

Raised in Montreal by their disinterested single mother, half-sisters Lark and Robin form a fierce team in spite of their differences. When Lark flees to America to attend college, her sister soon joins her. But even as Lark discovers a calling working in documentary film, she struggles with self-doubt, and Robin chafes against the demands of studying piano at Juilliard. Their bond strains under increasing pressure until it breaks. Years later, Lark’s life is in tatters and Robin’s is wilder than ever.

In Motherhood, Sheila Heti asks what is gained and what is lost when a woman becomes a mother, treating the most consequential decision of early adulthood with candor, originality, and humor. In her late 30s, when her friends are asking when they will become mothers, the narrator of Heti’s intimate and urgent audiobook considers whether she will do so at all. In a narrative spanning several years, casting among the influence of her peers, partner, and her duties to her forebearers, she struggles to make a wise and moral choice.

America is in the grip of a deadly flu pandemic. When Frank catches the virus, his girlfriend Polly will do whatever it takes to save him, even if it means risking everything. She agrees to a radical plan. Time travel has been invented; if she signs up for a one-way trip into the future to work as a bonded labourer, the company will pay for the life-saving treatment Frank needs. Polly promises to meet Frank again in Galveston, Texas, where she will arrive in 12 years. But when Polly is re-routed an extra five years into the future, Frank is nowhere to be found.

In the wake of her family's collapse, a writer and her two young sons move to London. The process of this upheaval is the catalyst for a number of transitions - personal, moral, artistic, and practical - as she endeavors to construct a new reality for herself and her children. In the city, she is made to confront aspects of living that she has, until now, avoided, and to consider questions of vulnerability and power, death and renewal, in what becomes her struggle to reattach herself to, and believe in, life.

Everyone knows a guy like Jared: the burnout kid in high school who sells weed cookies and has a scary mom who's often wasted and wielding some kind of weapon. Jared does smoke and drink too much, and he does make the best cookies in town, and his mom is a mess, but he's also a kid who has an immense capacity for compassion and an impulse to watch over people more than twice his age, and he can't rely on anyone for consistent love and support, except for his flatulent pit bull, Baby Killer (he calls her Baby) - and now she's dead.

Agathe and Réjean Lapointe are about to celebrate their 20th wedding anniversary when Réjean's beloved Chevy Silverado is found abandoned at the side of the road - with no trace of Réjean. Agathe handles her grief by fondling the shirts in the Big and Tall department at Hickey's Family Apparel and carrying on a relationship with a cigarette survey. As her hope dwindles, Agathe falls in with her spirited coworker, Debbie, who teaches Agathe about rock and roll, and with Martin Bureau, the one man who might know the truth about Réjean's fate.

Growing up in the suburban hell of Misery Saga (aka Mississauga), Lizzie has never liked the way she looks - even though her best friend, Mel, says she's the pretty one. She starts dating guys online, but she's afraid to send pictures, even when her skinny friend China does her makeup: She knows no one would want her if they could really see her. So she starts to lose. With punishing drive, she counts almonds consumed, miles logged, pounds dropped. She fights her way into coveted dresses.