The Lions of Al-Rassan

Lots of drama

In the turbulent region that used to be the stable empire of Al-Rassan, petty kings vie for power. Each of these rulers is ambitions and clever, but none of them has been able to acquire his position without the help of others — crafty advisors, brave army commanders, brilliantly inventive doctors, devoted wives and children — and sometimes the same people who have served them well are the same ones who may later cause their downfall.

The Lions of Al-Rassan is the story of a few of these people, how they worked for (and sometimes against) the rulers they pledged to serve, and how they brought about the rise and fall of nations. The infamous Ammar ibn Khairan — King Almalik’s soldier, advisor, assassin, and poet — is known as the man who assassinated the last Khalif of al-Rassan. The notorious Rodrigo Belmonte — King Ramiro’s best commander — is the most feared soldier in the region. Jehane bet Ishak, a woman who’s ahead of her time, is the stubborn but brilliant daughter of a famous physician. These three, who share different religious beliefs but the same uncompromising personal standards, will have a profound effect on each other and the fate of an empire — not just because of what they do, but also because of their influence on the people they meet along the way.

Like Guy Gavriel Kay’s other works, The Lions of Al-Rassan is well-researched historical fiction (this one hardly counts as fantasy). The setting is similar to the Reconquista and the Crusades of Moorish Spain, though the religions Kay uses are not actually based on Christianity, Judaism and Islam (even though the character and place names sound like they are). Also like Kay’s other stories, The Lions of Al-Rassan is full of political intrigue, romance, poetry and lots of passion. The setting is epic, the characters are epic, and the conflict is epic, but rather than focusing on the grand picture with its galloping armies and bloody battles, Kay has us view a series of small significant moments in which the acts of our three heroes, who learn to love each other despite their differences, influence the big events.

If you’ve read any GGK at all, you know that he loves to create vivid characters that are worthy of the grand settings they find themselves in. His villains are ambitious, brutal, and ruthless. His heroes are brilliant, clever, subtle, witty, dangerous, ahead of their time, and multi-talented (e.g., Ammar ibn Khairan is an excellent fighter, diplomat, advisor, scholar, poet, and lover). Nobody wants to read about dull characters, but Kay’s characters are so impressive that they stretch the bounds of belief. They’re also incredibly introspective and philosophical. They regularly spend pages at a time talking to themselves in their own heads — considering their feelings, reflecting on their past successes and failures, analyzing the motives and behaviors of others, and contemplating the future.

As much as I admire Kay’s characters, sometimes I wish they would stop thinking and just get a move on. The Lions of Al-Rassan could have used a little more action; much of the conflict resolution actually occurs off-screen between the last chapter and the epilogue. Kay elevates the tension and drama by using cliffhangers, intentionally withholding information, and even playing a trick on the reader in the epilogue. While I’ve read most of Guy Gavriel Kay’s work, I haven’t been able to completely embrace his style which is somewhat melodramatic and manipulative and, therefore, intrudes into the story as if it were a character in its own right.

If you’re a fan of Kay’s work, The Lions of Al-Rassan will almost certainly please you — Kay uses the same formula here, just in a different setting with a different plot. His characters are bold and full of life, and they live and love in a tumultuous world.
The audio version of The Lions of Al-Rassan, recently produced by Audible Frontiers, is outstanding. Euan Morton, who also read A Song for Arbonne, has the required strong masculine voice, yet reads the female roles well, too. His voice is suitably dramatic (yet not overly so) and his pace and cadence are flawless. This was a great production and highly recommended. I do suggest having a list of character names to view, however, because many of them sound similar at first.
Originally posted at FanLit.

31 personnes sur 33 ont trouvé cette évaluation pertinente

Another Stunning Book by Guy Gavriel Kay

This beautiful book made me cry! Euan Morton narrates this story of a land populated by peoples of three faiths, torn by war. The characters are memorable, and their intertwined stories make you think about the meaning of honour and love. The setting is an alternate world which is similar to mediaeval Spain.

6 personnes sur 6 ont trouvé cette évaluation pertinente

Just As Great As I Expected

Would you consider the audio edition of The Lions of Al-Rassan to be better than the print version?

I'd say yes, but unfortunately a lot of the names of people and places in this book are phonetically similar to the point of confusion. Only towards the end of the full recording did I begin to finally separate the characters and places in my head. The pacing was also slightly hurried in parts that could use more attention. The reading was fantastic, but after hearing Simon Vance's reading of Tigana, it's hard not to keep such a standard in mind for comparison.

What was one of the most memorable moments of The Lions of Al-Rassan?

The part of the Echoing Valley. That's all I'll say to not give more away.

Which character – as performed by Euan Morton – was your favorite?

It is most definitely a tie between Rodrigo Belmonte and Ammar ibn Khairan. Rodrigo's character was simple on the surface, but his development and the care Euan Morton gave in the reading complimented him well. Where the performer shined was in his portrayal of Ammar. It was sheer poetry in the strictest sense. I can't say enough about these two characters. They both hold a solid place in my heart.

If you were to make a film of this book, what would be the tag line be?

The Circling Paths of Love and War, As traced Across Both Time and The Heavens.

Any additional comments?

Maybe the people written about in this novel lived in an extraordinary time. I say that because everyone seemed so amazing and so complicated in motivation. At times though, I found myself suspending my disbelief just to go with the momentum of the book. I suppose I'd say that the story is more poetic than realistic. I feel this book would help bridge huge chasms in understanding between different religions and cultures, even those considered extremist and violent. All the cultures portrayed proved to be violent and fearful in their own ways, but then again they all had strong moral and artistic values they held in high esteem just as we all do today. It makes me feel as though my personal belief system could be small-minded, but still valid in it's own right.

There are a lot of authors whose work I read or listen too, but part of me feels like I can truly identify with Guy Gavriel Kay; like we're brothers of a sort, even if we may be from different walks of life. Sometimes his work is a stretch for me, but there's such a poetic depth to it that any small qualms I have can easily be overlooked. I also feel no medium other than printed page or spoken word could do his work justice. Even with the largest budget, putting faces to these (at times) mythical characters would rob them of the power and vitality they hold in in print and in voice.

In short, I recommend this story, but not as much as I recommend _all_ of Mr. Kay's stories. I couldn't wait to get back here to purchase another book. Thanks for reading this far, and I hope that you'll enjoy The Lions of Al-Rassan as much and as truly as I did.

14 personnes sur 16 ont trouvé cette évaluation pertinente

I admit it, this is my all time favorite book

To me this novel has it all: an epic storyline, fully fleshed out characters, and excellent pacing. It's complex without being complicated, clever without being trite, and explores conflict, and the people involved in that conflict, in shades of grey instead of black and white. Sure, there are characters and situations that are clearly bad and clearly good, but the main characters are depicted as being wholly human. And I love them all the more for it.

I don't want to rewrite a description of the book; the summary does a fine job even if it takes a completely different focus than I would. I think it's to keep from alienating the more common reader/listener of fantasy: men, as the main character of the novel is a woman.

I admit, I had a hard time with the narration. I've listened to Song for Arbonne, also written by Guy Gavriel Kay, and read by Euan Morton; it was an excellent listen. One of the problems is, I've read this book well over 20 times. It's admittedly, not the narrator's fault that he pronounces names differently than I do in my head, so I can't really criticize that. However, the accents were sometimes uneven and the language occasionally stilted. Is the narration, on the whole, bad? No, it just felt like Mr. Euan's reading skills had gotten rusty, or that he just wasn't at his best, which is a shame. This book deserves an a-game.

13 personnes sur 16 ont trouvé cette évaluation pertinente

Good, but complicated

This is a difficult book to rate because it’s good; it’s just not good in audio format. This is not a book you can listen to if your attention is required by anything else.

By the end of the first hour the author had introduced 15 characters, 16 locations, and 7 other names or words that I wrote down so I could keep track of them. Of course at the beginning I didn't know which ones would be important, so I felt I'd better keep track of all of them. By the half-way point I had 26 characters and 25 locations on my list.

This story kept my interest but required too much concentration to keep track of all the characters, locations, political entities, and religions. I would hope that the printed version of this book would contain a map to help the reader understand the relationships among the various kingdoms and cities. With a printed book you can use (lots of) Post-It notes stuck to pages to keep track of who’s who.

After having to back up and listen repeatedly to several passages so I could figure out what had happened I finally gave up when I was two-thirds of the way through the book. I no longer felt the story was worth the effort to understand it.

The narrator did a pretty good job, but has an aristocratic accent. When I wrote down one location’s name I wrote “Katada”. Only after reading something about the book on Wikipedia did I find that it’s actually “Cartada”. At least he didn’t often have me wondering which character was speaking.

If you’re going on a long drive on interstate highways through, say, Nevada or Utah this book will be fine. If you think you’ll be able to understand the story while negotiating the freeway traffic in Los Angeles you are mistaken.

A good story that requires your attention. Not for me.

2 personnes sur 2 ont trouvé cette évaluation pertinente

Another unique and compelling Kay book

As usual, Kay amazes me with his eye for everything from smallest details of a courtyard to the full sweep of his fictional land's history.

His characters refuse to stack neatly into neat categories like "hero" and "villain", particularly in this book. And even though they achieve great things, they are equally being swept up by events in thrilling and sometimes tragic ways.

(FYI, unlike previous books I've read by Kay, there is little magic in this one. This one is also a bit bloodier at times, but not gratuitously so I think.)

I could have used a map at times. The names of cities, provinces, kingdoms, peoples and kings come fast and furious. There is a pleasure in having a world's history and geography revealed gradually, and I was able to follow along with effort, but a quick look at a map here and there to confirm my understanding would have been nice. (I assume the printed book had a map, but I didn't find one online.)

This is an epic and emotional story, not a light read. I'll need a break before starting my next Gavriel Kay book. Most of his books are stand-alone though so I am anticipating reading more by him without the agony of waiting for the next installment of some ongoing series.

While there are many great and enjoyable fantasy authors, Kay is in a completely different league than most. Highly recommended. (If you want more magic in your fantasy epic though, maybe try Tigana first.)

2 personnes sur 2 ont trouvé cette évaluation pertinente

exciting book!

I really appreciated the political intrigue, love polygons, and development of some of the characters. The only thing I didn't like (and this is just my preference) were all the sex scenes. They seemed over the top and didn't add a whole lot in terms of character development or plot most of the time, with a couple exceptions.

1 personnes sur 1 ont trouvé cette évaluation pertinente

another beautiful tale by GGK

As typical with GGK, the story starts out slow, then builds into a thing of epic wonder and beauty.

1 personnes sur 1 ont trouvé cette évaluation pertinente

Different and Intriguing

Any additional comments?

I vacillated between loving this book and being annoyed with it at times due to it's pacing. It is either blindingly-describe-every-tiny-detail slow or if-blink-you-missed-major-important-parts fast, with little in between.

However the story itself is brilliant, the characters are great and it kept you interested. I just wish he would have cut out some of the superfluous details and added in more when it was actually needed.

1 personnes sur 1 ont trouvé cette évaluation pertinente

Such a good listen

Guy Gavriel Kay is a marvelous writer. I listen to his books and I read his books. He is a masterful storyteller. His stories go along on several different planes at the same time, no way to lose interest or become bored by a character.

2 personnes sur 3 ont trouvé cette évaluation pertinente