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King Lear

Auteur(s): William Shakespeare
Durée: 3 h et 6 min
Catégories: Classiques, Shakespeare

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Description

The tragedy of King Lear receives an outstanding performance in an all-star cast led by Britain’s senior classical actor, Paul Scofield. He is joined by Alec McCowen as Gloucester, Kenneth Branagh as The Fool, Harriet Walter as Gonerill, Sara Kestelman as Regan and Emilia Fox as Cordelia. This is the 9th recording of Shakespeare plays undertaken by Naxos AudioBooks in conjunction with Cambridge University Press, and is directed by John Tydeman. It was released to mark the 80th birthday of Paul Scofield in January 2002.

PLEASE NOTE: When you purchase this title, the accompanying reference material will be available in your Library section along with the audio.

©2002 CUP (P)2002 Naxos AudioBooks

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Évaluations – Cliquez sur les onglets pour changer la source des évaluations.

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  • Au global
    4 out of 5 stars
  • Performance
    3 out of 5 stars
  • Histoire
    5 out of 5 stars
  • choupichoupa
  • 2016-04-11

Almost perfect

Almost car il manque de nombreux passages, une scène entière notamment. Dommage. Il pourrait s'agir d'un choix délibéré des acteurs, pour maintenir le rythme sans doute. La performance de l'acteur qui campe le Roi Lear est formidable, avec ce ptit côté 'Philippe Noiret' très sympathique à l'oreille.

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  • Au global
    2 out of 5 stars
  • Performance
    2 out of 5 stars
  • Histoire
    5 out of 5 stars
  • zachary
  • bahama, NC, United States
  • 2014-03-01

No life in this Lear.

What disappointed you about King Lear?

Any production of the play King Lear is anchored in the performance of Lear, and in this production I found the brilliant actor, Paul Scoffield's Lear to be lacking. I have listened many times to the Arkangel version with Trevor Peacock and is greatly more taking and engaging, as he plays Lear with some fire.

Paul Scoffield is a great actor and has done some great Lear's but this I fear this is not one of them. (There is a hard to get movie that he made which I found to be quite engaging (youtube)). In this audio-production, he has not life, no animation. In the opening scenes when Lear is throwing a tantrum, Scoffield's Lear barely raised his voice. It is if he was just mouthing the words.

The other characters that make the play are Lord and servant Kent as well as The Fool. In this production the character who plays Kent is good, but once again lacks the fire of the performance by Anton Lesser in the Arkangel production.

The actors who play Lear's daughters do a good job and it is interesting to hear the different take they give the parts than their counter parts with the Arkangel production. Both I find equally engaging though they are different interpretations of the characters.

Who was your favorite character and why?

Kent is one of the most engaging and interesting characters outside of Lear.

Who would you have cast as narrator instead of the narrators?

Trevor Peacock as Lear.

What character would you cut from King Lear?

what kind of question is this? Shakespeare wrote the play with the characters it has, and none seemed superfluous. Why would one want to take a character out. It would be a different story then.

Any additional comments?

Each production of Shakespeare's play is an interpretation and the success lies with the actors and their performance. Not every production is guaranteed to be good, even if it has a giant of acting such as Paul Scoffield. One must I think listen to more than one version to get a real feel for the play.

4 personnes sur 4 ont trouvé cette évaluation pertinente

  • Au global
    5 out of 5 stars
  • Performance
    4 out of 5 stars
  • Histoire
    5 out of 5 stars
  • Darwin8u
  • Mesa, AZ, United States
  • 2017-11-01

This cold night will turn us all to fools & madmen

I think it was necessary for me to re-discover this when Trump is president. I might just need to read it every year until 2021. Anyway, I'm not done with this review, but need to sit in the rain a bit and think about it. Push my toes into the mud and think about mortality a bit. It certainly isn't a play I would have related to well in my twenties or even thirties, but as my parents age and as I age myself, I see the shadows of mortality approach. The certainty of youth, and the boldness of decades past are now gone. Replaced with, not madness no, an ache in the brain and those vain whispers that promise all is not lost and everything lasts.

13 personnes sur 16 ont trouvé cette évaluation pertinente

  • Au global
    2 out of 5 stars
  • Performance
    5 out of 5 stars
  • Histoire
    5 out of 5 stars
  • Charlotte Aycock Mchale
  • 2018-11-06

Not the Full, Unabridged Version

I got all the way to Act IV before this version left out an entire scene.

2 personnes sur 2 ont trouvé cette évaluation pertinente

  • Au global
    2 out of 5 stars
  • Performance
    1 out of 5 stars
  • Histoire
    3 out of 5 stars
  • M. Y. L.
  • California
  • 2015-07-19

Annoying

I suffered through the whole book, but found myself annoyed by the performances, especially the king who would let out the most annoying moans and screams at a volume that was jarring and disruptive. What might work on the stage did does not necessarily work for an audio book.

2 personnes sur 3 ont trouvé cette évaluation pertinente

  • Au global
    3 out of 5 stars
  • Performance
    4 out of 5 stars
  • Histoire
    5 out of 5 stars
  • Dr. Kevin Lancer
  • GAINESVILLE, FL, US
  • 2014-05-18

Good but volume kept changing

Would you recommend this book to a friend? Why or why not?

no. Too difficut to follow the charactors

Which scene was your favorite?

I liked the sound effects.

Any additional comments?

The voices volume kept changing so It was difficult to keep listening.

2 personnes sur 3 ont trouvé cette évaluation pertinente

  • Au global
    4 out of 5 stars
  • Performance
    3 out of 5 stars
  • Histoire
    4 out of 5 stars
  • Hardin
  • Boston, MA, United States
  • 2011-11-25

An Adult Opportunity

Great to hear as a middle adult with aging parents and young adult children. What is the legacy of care that we want to leave? I am working on reading and listening to literature that we read as adolescents and young adults which were really meant for a later stage of emotional and intellectual development. This was a good one. Les Miserable, unabridged, was another.

2 personnes sur 3 ont trouvé cette évaluation pertinente

  • Au global
    5 out of 5 stars
  • Performance
    5 out of 5 stars
  • Histoire
    5 out of 5 stars
  • David Elliott
  • 2019-11-25

Ripeness is all…

To any who listen to this tale, who hear it deep in their hearts, I sincerely wish the courage necessary to bear it well. Linger with the language and make good use of the ability to back up and hear a line, a scene, again. The play is difficult to hear, difficult to see, and I am amazed to imagine how difficult to write.

  • Au global
    5 out of 5 stars
  • Performance
    5 out of 5 stars
  • Histoire
    5 out of 5 stars
  • Anonymous User
  • 2019-06-28

Sublime!

Scofield is an eminent King Lear. King Lear is a great play - still relevant in the world of today. There is deep meaning in the interplay between madness and sanity. We live in a strange world where sanity is under pressure by unrealistic expectations - and Lear shows us how destructive this power is.
Please enjoy and learn.

  • Au global
    4 out of 5 stars
  • Performance
    5 out of 5 stars
  • Histoire
    3 out of 5 stars
  • Amazon Customer
  • 2016-11-28

Entertaining

narrators were excellent and expressive. Helped me stay interested in the book and finish with my AP Lit assignment.

  • Au global
    5 out of 5 stars
  • Performance
    5 out of 5 stars
  • Histoire
    5 out of 5 stars
  • Denise Longo
  • 2016-01-13

Scofield is legenday!

Excellent sound quality and great acting. Well worth it! They cut the trial scene in act three scene six, so that was a little disappointing but otherwise great production.