Prix : CDN$ 40,26
At once wildly original and stuffed with irresistible nostalgia, Ready Player One is a spectacularly genre-busting, ambitious, and charming debut—part quest novel, part love story, and part virtual space opera set in a universe where spell-slinging mages battle giant Japanese robots, entire planets are inspired by Blade Runner, and flying DeLoreans achieve light speed.
In the 25th century, humankind has spread throughout the galaxy, monitored by the watchful eye of the U.N. While divisions in race, religion, and class still exist, advances in technology have redefined life itself. Now, assuming one can afford the expensive procedure, a person's consciousness can be stored in a cortical stack at the base of the brain and easily downloaded into a new body (or "sleeve") making death nothing more than a minor blip on a screen.
It's just another day of high school for Zack Lightman. He's daydreaming through another boring math class, with just one more month to go until graduation and freedom - if he can make it that long without getting suspended again. Then he glances out his classroom window and spots the flying saucer.
Bob Johansson has just sold his software company and is looking forward to a life of leisure. There are places to go, books to read, and movies to watch. So it's a little unfair when he gets himself killed crossing the street. Bob wakes up a century later to find that corpsicles have been declared to be without rights, and he is now the property of the state. He has been uploaded into computer hardware and is slated to be the controlling AI in an interstellar probe looking for habitable planets.
Six days ago, astronaut Mark Watney became one of the first people to walk on Mars. Now, he's sure he'll be the first person to die there. After a dust storm nearly kills him and forces his crew to evacuate while thinking him dead, Mark finds himself stranded and completely alone with no way to even signal Earth that he's alive - and even if he could get word out, his supplies would be gone long before a rescue could arrive. Chances are, though, he won't have time to starve to death. The damaged machinery, unforgiving environment, or plainold "human error" are much more likely to kill him first.
In keeping with his trademark style, Dan Brown, author of The Da Vinci Code and Inferno, interweaves codes, science, religion, history, art, and architecture in this new novel. Origin thrusts Harvard symbologist Robert Langdon into the dangerous intersection of humankind's two most enduring questions - and the earthshaking discovery that will answer them.
At once wildly original and stuffed with irresistible nostalgia, Ready Player One is a spectacularly genre-busting, ambitious, and charming debut—part quest novel, part love story, and part virtual space opera set in a universe where spell-slinging mages battle giant Japanese robots, entire planets are inspired by Blade Runner, and flying DeLoreans achieve light speed.
In the 25th century, humankind has spread throughout the galaxy, monitored by the watchful eye of the U.N. While divisions in race, religion, and class still exist, advances in technology have redefined life itself. Now, assuming one can afford the expensive procedure, a person's consciousness can be stored in a cortical stack at the base of the brain and easily downloaded into a new body (or "sleeve") making death nothing more than a minor blip on a screen.
It's just another day of high school for Zack Lightman. He's daydreaming through another boring math class, with just one more month to go until graduation and freedom - if he can make it that long without getting suspended again. Then he glances out his classroom window and spots the flying saucer.
Bob Johansson has just sold his software company and is looking forward to a life of leisure. There are places to go, books to read, and movies to watch. So it's a little unfair when he gets himself killed crossing the street. Bob wakes up a century later to find that corpsicles have been declared to be without rights, and he is now the property of the state. He has been uploaded into computer hardware and is slated to be the controlling AI in an interstellar probe looking for habitable planets.
Six days ago, astronaut Mark Watney became one of the first people to walk on Mars. Now, he's sure he'll be the first person to die there. After a dust storm nearly kills him and forces his crew to evacuate while thinking him dead, Mark finds himself stranded and completely alone with no way to even signal Earth that he's alive - and even if he could get word out, his supplies would be gone long before a rescue could arrive. Chances are, though, he won't have time to starve to death. The damaged machinery, unforgiving environment, or plainold "human error" are much more likely to kill him first.
In keeping with his trademark style, Dan Brown, author of The Da Vinci Code and Inferno, interweaves codes, science, religion, history, art, and architecture in this new novel. Origin thrusts Harvard symbologist Robert Langdon into the dangerous intersection of humankind's two most enduring questions - and the earthshaking discovery that will answer them.
United Nations Special Operations Command sent an elite expeditionary force of soldiers and pilots out on a simple recon mission, and somehow along the way they sparked an alien civil war. Now the not-at-all-merry band of pirates is in desperate trouble, again. Their stolen alien starship is falling apart, thousands of light years from home. The ancient alien AI they nicknamed Skippy is apparently dead, and even if they can by some miracle revive him, he might never be the same.
What is the nature of space and time? How do we fit within the universe? How does the universe fit within us? There's no better guide through these mind-expanding questions than acclaimed astrophysicist and best-selling author Neil deGrasse Tyson. But today, few of us have time to contemplate the cosmos. So Tyson brings the universe down to Earth succinctly and clearly, with sparkling wit, in digestible chapters consumable anytime and anywhere in your busy day.
Bob Johansson didn't believe in an afterlife, so waking up after being killed in a car accident was a shock. To add to the surprise, he is now a sentient computer and the controlling intelligence for a Von Neumann probe.
The Ruhar hit us on Columbus Day. There we were, innocently drifting along the cosmos on our little blue marble, like the Native Americans in 1492. Over the horizon came ships of a technologically advanced, aggressive culture, and BAM! There went the good old days, when humans got killed only by each other. So, Columbus Day. It fits. When the morning sky twinkled again, this time with Kristang starships jumping in to hammer the Ruhar, we thought we were saved.
Sarat Chestnut, born in Louisiana, is only six when the Second American Civil War breaks out in 2074. But even she knows that oil is outlawed, that Louisiana is half underwater, that unmanned drones fill the sky. And when her father is killed and her family is forced into Camp Patience for displaced persons, she quickly begins to be shaped by her particular time and place until, finally, through the influence of a mysterious functionary, she is turned into a deadly instrument of war.
Adrian Tchaikovksy's critically acclaimed stand-alone novel Children of Time is the epic story of humanity's battle for survival on a terraformed planet. Who will inherit this new Earth? The last remnants of the human race left a dying Earth, desperate to find a new home among the stars. Following in the footsteps of their ancestors, they discover the greatest treasure of the past age - a world terraformed and prepared for human life. But all is not right in this new Eden.
Ever since he made his first appearance in A Study In Scarlet, Sherlock Holmes has enthralled and delighted millions of fans throughout the world. Now Audible is proud to present Arthur Conan Doyle's Sherlock Holmes: The Definitive Collection, read by Stephen Fry. A lifelong fan of Doyle's detective fiction, Fry has narrated the complete works of Sherlock Holmes - four novels and five collections of short stories.
Being a sentient spaceship really should be more fun. But after spreading out through space for almost a century, Bob and his clones just can't stay out of trouble. They've created enough colonies so humanity shouldn't go extinct. But political squabbles have a bad habit of dying hard, and the Brazilian probes are still trying to take out the competition. And the Bobs have picked a fight with an older, more powerful species with a large appetite and a short temper.
Roshar is a world of stone and storms. Uncanny tempests of incredible power sweep across the rocky terrain so frequently that they have shaped ecology and civilization alike. Animals hide in shells, trees pull in branches, and grass retracts into the soilless ground. Cities are built only where the topography offers shelter. It has been centuries since the fall of the ten consecrated orders known as the Knights Radiant, but their Shardblades and Shardplate remain: mystical swords and suits of armor.
The seventh novel in James S. A. Corey's New York Times best-selling Expanse series - now a major television series.
Nothing ever changes in Sanders. The town's still got a video store, for God's sake. So why doesn't Eli Teague want to leave? Not that he'd ever admit it, but maybe he's been waiting - waiting for the traveler to come back. The one who's roared into his life twice before, pausing just long enough to drop tantalizing clues before disappearing in a cloud of gunfire and a squeal of tires. The one who's a walking anachronism, with her tricorne hat, flintlock rifle, and steampunked Model A Ford.
New York Times best-selling author Kevin Hearne returns with the finale to his wildly popular action-adventure series, The Iron Druid Chronicles. Two-thousand-year-old Druid Atticus O'Sullivan travels to Asgard and faces off against the Norse gods to try to prevent Ragnarok in the final battle for the fate of mankind.
The best-selling author of The Martian returns with an irresistible new near-future thriller - a heist story set on the moon.
Jazz Bashara is a criminal. Well, sort of. Life on Artemis, the first and only city on the moon, is tough if you're not a rich tourist or an eccentric billionaire. So smuggling in the occasional harmless bit of contraband barely counts, right? Not when you've got debts to pay and your job as a porter barely covers the rent.
Everything changes when Jazz sees the chance to commit the perfect crime, with a reward too lucrative to turn down. But pulling off the impossible is just the start of her problems, as she learns that she's stepped square into a conspiracy for control of Artemis itself - and that now her only chance at survival lies in a gambit even riskier than the first.
Bringing to life Weir's brash, whip-smart protagonist is actress Rosario Dawson (Marvel's The Defenders, Sin City, Death Proof). With the breathless immediacy of one realizing they're one cracked helmet visor away from oblivion, Dawson deftly captures Jazz's first-person perspective – all while delivering sarcastic Weir-ian one-liners and cracking wise in the face of death. And with a cast of diverse characters from all walks of life calling Artemis home, Dawson tonally somersaults to voice Kenyan prime ministers, Ukrainian scientists, and Saudi welders. It's a performance that transports listeners right alongside Jazz, matching her step for step on every lunar inch of her pulse-pounding journey.
I couldn't return this book so I tried to listen to it as long as possible to get my "money's worth". But I'm finally giving up, no point in torturing myself any longer. It is full of lines like this: Female character: I'll have to blow them both at the same time. - teehee I hope no one takes that sentence out of context!" *barf* the story is bad, the characters are bad, and the accents are bad. Don't do it!
5 personnes sur 5 ont trouvé cette évaluation pertinente
I thought Andy Weir did a very good job of writing a very immature and self-centred, yet multi-dimensional character. The problem is, I had little desire, part way through, to listen to the character anymore. I stuck it out in the hopes that the story might improve on the character, or that other characters may develop, but it didn't. There were lots of neat ideas about how life might be on the moon, but not enough to really make it a successful follow up work to The Martian.
I don't know that Rosario Dawson could have done a better job narrating, given her character's annoying factor. So I do not blame her for the performance.
16 personnes sur 19 ont trouvé cette évaluation pertinente
The story is great, and the performance is brilliant. Rosario Dawson creates consistent, unique, believable voices for each character, and expresses the essence of this story beautifully. I love Andy Weir's storytelling, and he does have a tendency to make all the characters think the same way- logical and brilliant. Dawson brings variety to the characters that gives them more individual personalities. It's a great creative collaboration.
4 personnes sur 5 ont trouvé cette évaluation pertinente
While Andy Weir again created a very believable world the storytelling is full of Hollywood Action movie clichées that get boring fast.
1 personnes sur 1 ont trouvé cette évaluation pertinente
bad story, nothing like the marchans. its ment to be realistic like the marchans, but it had so many unrealistic events. like opening digitally locked hotel room on the moon with a screw driver. or punching through air lock doors by kicking through them. or escaping the police on the moon surface in an EVA suit on foot.
gotta say. destroying the miners was exciting. other than that, bad story. not funny too. and depressing.
this is still a good story. im just comparing it with how good the marchans is. given its the same writer
hope you do better on your next one.
1 personnes sur 1 ont trouvé cette évaluation pertinente
Interesting world-building, but disappointing story with exhausting middle-school humour. Rosario Dawson manages to make it bearable with a great performance.
1 personnes sur 1 ont trouvé cette évaluation pertinente
This sci-fi adventure was well told and scientifically accurate, however those strengths were undercut by an unrealistic female lead, who, I would add, was written by a man and in the first person. I mean she is truly unbelievable, like what you might expect of a fantasy girl from a 12 year old sci-fi fanatic's wet dream. This might not ruin the book for everyone, but it probably should.
1 personnes sur 1 ont trouvé cette évaluation pertinente
The world of Artemis is creative. The plot is ok but utterly predictable. The performance by Dawson is great. However, just leave it to a man to create a shallow, uncomplicated, potty mouthed, sex obsessed, completely unbelievable woman of colour protagonist. She’s basically a teenage boy, but with boobs... which she even points out a couple times. Thanks captain obvious!
1 personnes sur 1 ont trouvé cette évaluation pertinente
I loved The Martian and was really looking forward to Artemis. I love Andy Wire's application of known science to his protagonist's problems. In The Martian I cared about his protagonist. In Artemis i found her self-centered and morally deficient. Full disclosure: I don't expect the lead character to be perfect but I do want them to be a positive role model. I tried to like this book but gave up a third of the way into it.
1 personnes sur 1 ont trouvé cette évaluation pertinente
The voice performance is very conservative, with one voice for all characters, with moderate to no change in inflection. If the stellar performance in Weir's 'The Martian' is solely what brought you here, I'd give it a pass.
10 personnes sur 15 ont trouvé cette évaluation pertinente
On the outside, everything about this audio book looks good. The much anticipated sophomoric novel from breakout sci-fi author Andy Weir read by Rosario Dawson is a great preface in itself. Add to it the promise of the first moon colony, some corporate espionage, a lone wolf heroine saboteur and the possibilities are endless. Then it just sits there. And all the aspects that could make it great are that much more annoying. Dawson does a fantastic job narrating. The problem is the characters have no depth, the storyline is swiss cheese and the dialogue is juvenile to an infuriating level. The protagonist delivers wannabe witty sarcasm endlessly and has hardly any likable moments. Humor falls flat at every attempt and there are many, many attempts. Very disappointing. The science is interesting but that can only go so far. If you're looking for the best sci-fi and you haven't done it yet, check out The Expanse series.
447 personnes sur 503 ont trouvé cette évaluation pertinente
One of the things I really enjoyed about the Martian was a main character who dealt brilliantly with unfortunate circumstances that were caused by forces out of his control. By contrast- Jaz - the main character in Artemis- is totally responsible for one mess after another. Artemis is a story about a supposedly smart person who consistently make very stupid decisions. Jaz attempts to solve each of her problems (which she largely creates) by creating situations that are worse...and each disaster is worse than the last. She’s a liar and a thief - and while she’s very creative in her solutions she is a destructive force in her own life. Not a fan. I listened to Artemis because I enjoyed the Martian so much. If I had listened to Artemis first I doubt I would have picked anything by the same author.
148 personnes sur 167 ont trouvé cette évaluation pertinente
Andy Weir has shown once again he is a master at researching and building a truly amazing sci-fi universe. Unfortunately, his dialogue is juvenile and his story boring. Scientific details aside, the book read like a pre-teen thriller. The characters were all one dimensional and dialogue was appallingly simple. The story was boring at best and read more like a screen play than a rich, deep, and enthralling book.
I honestly wanted to love this book. There is a lot of good substance here, and I hope Andy finds the time to take everything he’s learning to write a book to truly remember. For now, it looks like all we’ll get is a book perfectly suited for a 90 minute movie.
145 personnes sur 165 ont trouvé cette évaluation pertinente
My impressions are mixed. The outstanding narration by Rosario Dawson as first person Jazz Bashera is much, much better than the novel itself. The science is really cool; without it my rating would be 2 stars. There is the humor which tends to be infantile but is occasionally funny. Jazz, the protagonist, is a whip smart but bumbling criminal with a foul mouth. She would be a hero for saving Artemis, but she is also the one who put the lives of every person there at risk.
Artemis is a city of 2000 people established in the year 2060 by the government of Kenya on the moon. The time of the novel is some point in the 2080s. Author Andy Weir has gone to great effort to make Artemis as scientifically valid as possible; that is the real strength of the plot.
I enjoyed Artemis. Comparing it to The Martian: the quality of the science is equal. The creativity of the plot is equal. The Martian plot is far, far better than the Artemis plot. The quality of the R.C. Bray and Rosario Dawson narrations is equal.
19 personnes sur 21 ont trouvé cette évaluation pertinente
The Martian was a book while reading you thought this will make a great movie some day, Artemis on the other hand feels like it was written for todays movie audiences as a forethought.
With a great concept, Weir falls short with his heroine, he shows us plenty at how technically astute he is but not so at writing from a woman's perspective, which made the protagonists development weak, leaving less empathy for her actions. The overly ambitious plot has too many holes in it to make Artemis more than just ordinary and to me it had a chance to redeem itself but Weir opted for more of a hollywood ending.
Rosario Dawson has a wide range and delivers a solid performance but the stereotypical accents of some of the characters does not seem accurate for people living in the most diverse city ever.
Artemis just tries too hard not to be The Martian and ends up becoming more like Die Hard on the Moon .
162 personnes sur 186 ont trouvé cette évaluation pertinente
This has all the right ingredients. Written by Andy Weir, read by Rosario Dawson - what can go wrong?
A lot apparently.
The book is bad. Weak story, awful main character and the science feels artificially placed. It’s good science but it does not drive the plot nor it is very interesting.
As for the performance - I am conflicted. Something was not working. Rosario has great voice, good accents, and the production is very well done. But the overall result is bad. I just don’t know if it’s because Rosario is missing something or just the bad story and awful main character comes to life through her voice and projecting on the performance.
I am still very hopeful and Weir’s next book. The Martian was great and I very hopeful this book is a temporary setback.
49 personnes sur 56 ont trouvé cette évaluation pertinente
I became a huge Andy Weir fan when I read "The Martian" and later the short 6 minute story called "The Egg". I was so excited for this new Andy Weir book. The first 3 hours I hated it. It was boring, and nothing was done to bring the reader into the characters, especially the main protagonist. After that, the book picked up the pace. It's a short book, so throw out the first 3 hours and it's really short. However, it still amounted to nothing more than an average sci fi story. Had this been my first Andy Weir book, I would have never read another. The reader was good, but her inflections of the main character's voice would not have been the choice my mind would have gone to if I had read this instead of listening. Some of the time she had this so called street smart girl sounding like a dumb valley girl. I could not get into this one. Not at all.
53 personnes sur 61 ont trouvé cette évaluation pertinente
Based on the reviews I've seen, I would suggest listening to this BEFORE the Martian, otherwise, you might be somewhat disappointed with Artemis. If you have read the Martian, I would suggest dialing back your expectations for this one and just try to enjoy it versus comparing it to another one of Weir's books. Sure Weir is very talented - but this isn't Martian 2 - there is going to be some variations on characters, plot, etc. Not every book by an author is going to be spun gold perfection. And it is hard to follow up the success of something like the Martian.
For one, you are not going to be nearly as sympathetic to our protagonist, Jazz, as she is not a stranded scientist struggling to survive until help arrives. Jazz is an under-achieving smuggler hustling her wares within a tiny community of 'loonies' (don't call them that they hate it) colonizing the moon in a cluster of acclimatized spheres [Artemis]. She's lived there nearly her entire life, has a few interesting social connections, and is laboring in near-poverty in hopes of paying off a debt/righting a wrong that has her and her father on the outs.
There is a lot of science, moon, and some space travel stuff to geek out about - much of it sounds rather plausible. But I didn't nitpick, I just tried my best to enjoy the book.
Some bark about the idea of the producers hiring a famous voice to narrate the book when there are plenty of extremely talented voice-actors who could have done a 'better' job. Sure, I agree there are plenty of very talented people who could have read this - they could have treated it like an audio drama and hired a full-cast. Regardless, I think Dawson captured Jazz's brash, rude personality rather well. The other characters, at times, did blur a little, but her overall performance was listen-worthy.
I enjoyed this book. I hope you do too.
145 personnes sur 170 ont trouvé cette évaluation pertinente
Let me start by saying that the Martian is one of my favorite books. I didn't think Artemis could possibly be as good but I still expected something solid. Unfortunately Artemis just disappoints. The characters are very thin, the plot is not even average. I honestly never really cared what happened to the characters. The whole book felt lazy. Unlike the carefully crafted details of the Martian, this just said "pass" every time the writing got hard. It does not even feel like it was written by the same person.
If you are buying this book because you loved the Martian, I would say, just skip it. There is so much better Sci-fi out there.
42 personnes sur 49 ont trouvé cette évaluation pertinente
There's really nothing wrong with being nostalgic, nor the qualities that made us love something in the first place. With that said, sometimes one can try too hard, leaving them with something that fails to live up to, or come anywhere close to the original.
Andy Weir is going to do well with this book based solely upon the success of The Martian, but don't confuse those numbers with actual quality of this book. At best, it's a quick read (or listen) of something new, but it's not going to be something that you want to experience more than once.
As to Rosario Dawson’s narration… Much like Wheaton (and other celeb narrators) she shows a lot of promise, but is clearly not experienced enough to have the nuances of the job in hand (awkward sentence endings, slipping out of character, etc..) that the professionals have down pat.
33 personnes sur 40 ont trouvé cette évaluation pertinente