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Pat Nixon remains one of our most mysterious and intriguing public figures, the only modern First Lady who never wrote a memoir. Beattie, like many of her generation, dismissed Richard Nixon's wife: "interchangeable with a Martian," she said. Decades later, she wonders what it must have been like to be married to such a spectacularly ambitious and catastrophically self-destructive man. Drawing on a wealth of sources Beattie reconstructs dozens of scenes in an attempt to see the world from Mrs. Nixon's point of view.

An impeccable ear for language, an eye for the smallest shifts in the cultural landscape, and a preternatural understanding of motivation and behavior, Ann Beattie's renowned storytelling abilities are on dazzling display in The Doctor's House. The novel opens with Nina's account of her brother's sexual appetites and betrayals, and leads into her mother's narrative.

Ann Beattie, a master storyteller, has been delighting readers since the publication of her short stories in the 1970s and her first novel, Chilly Scenes of Winter. But as her literary acclaim grew and she was hailed “the voice of her generation,” Beattie was also moonlighting as a nonfiction writer.

Surprising and revealing, set along the East Coast from Maine to Key West, Ann Beattie's astutely observed new collection explores unconventional friendships, frustrated loves, mortality, and aging.

Five-year-old Will is the precocious child of Jody and Wayne. Jody is a woman who dreams of becoming a celebrity and is having an affair with a man named Mel, while Wayne is no stranger to infidelity, either. The details of their intertwined lives form an intricate and often disturbing picture of modern day life—a life in which Will is unable to achieve a sense of normalcy from either parent.

Onlookers is collection of extraordinary stories about people living in the same Southern town whose lives intersect in surprising ways. Peaceful Charlottesville, Virginia, drew national attention when white nationalists held a rally there in 2017, a horrific event whose repercussions are still felt today. Confederate monuments such as General Robert E. Lee atop his horse were then still standing.

At a boarding school in New Hampshire, Ben joins the honor society led by Pierre LaVerdere, an enigmatic, brilliant, yet perverse teacher who instructs his students not only about how to reason, but how to prevaricate. As the years go by, LaVerdere's covert and overt instruction lingers in his students' lives as they seek some sense of purpose or meaning. When Ben feels the pace of his life accelerating and views his intimate relationships as less and less fulfilling, there seems to be a subtext he's not able to access. And what, really, did Bailey Academy teach him?

The collection includes the novella We Don't Live Here Anymore, which served as the basis for the 2004 film of the same title; the novella also introduces Dubus' writer-protagonist Hank Allison, a character who continues to appear throughout his work. Two years later, the title story of Dubus' sophomore collection Adultery and Other Choices continued the exploits of Hank Allison. While the collection's opening stories focus on the fragile nature of youth, later stories shift to darker struggles of adulthood.

Ann Beattie's poignant novel Picturing Will is a complex look at adulthood through the eyes of one remarkable child. The desperate, troubled adult characters emerge, collapse, and reemerge again, as if in a kaleidoscope, around the central figure of young Will. The details of those intertwined lives form a luminous, intricate, and often disturbing picture of modern day life, rendered here with remarkable insight and power.

"He'd tell me anything, anything, as long as the information went unattributed, as long as no one knew he and I had even met." Such is the deal Jane, Harvard valedictorian fresh out of college, strikes with Neil, the intoxicating writer 20 years her senior. It is 1980 in New York City, and the two quickly become lovers, living together in a Chelsea brownstone. Jane is infatuated, but dark secrets lie beneath Neil's polished surface.

"We build worlds for ourselves wherever we go," writes Ann Beattie. The State We're In, her magnificent new collection of linked stories, is about how we live in the places we have chosen - or been chosen by. It's about the stories we tell our families, our friends, and ourselves, the truths we may or may not see, how our affinities unite or repel us, and where we look for love.