Résultats de "Benjamin A. Sáenz" dans Toutes les catégories

Sal used to know his place with his adoptive gay father, their loving Mexican American family, and his best friend, Samantha. But it's senior year, and suddenly Sal is throwing punches, questioning everything, and realizing he no longer knows himself. If Sal's not who he thought he was, who is he? This humor-infused, warmly humane look at universal questions of belonging is a triumph.

Ari has spent all of high school burying who he really is, staying silent and invisible. He expected his senior year to be the same. But something in him cracked open when he fell in love with Dante, and he can’t go back. Suddenly he finds himself reaching out to new friends, standing up to bullies of all kinds, and making his voice heard. And, always, there is Dante, dreamy, witty Dante, who can get on Ari’s nerves and fill him with desire all at once. The boys are determined to forge a path for themselves in a world that doesn’t understand them.

Aristotle is an angry teen with a brother in prison. Dante is a know-it-all who has an unusual way of looking at the world. When the two meet at the swimming pool, they seem to have nothing in common. But as the loners start spending time together, they discover that they share a special friendship - the kind that changes lives and lasts a lifetime. And it is through this friendship that Ari and Dante will learn the most important truths about themselves and the kind of people they want to be.

Zach is 18. He is bright and articulate. He's also an alcoholic and in rehab instead of high school, but he doesn't remember how he got there. He's not sure he wants to remember. Something bad must have happened. Something really, really bad. Remembering sucks and being alive—well, what's up with that?

Une histoire d'amour, d'une profondeur et d'une justesse bouleversantes ! Ari, quinze ans, est un adolescent en colère, silencieux, dont le frère est en prison. Dante est un garçon expansif, drôle, sûr de lui. Ils n'ont a priori rien en commun. Ils nouent pourtant une profonde amitié, une de ces relations qui changent la vie à jamais... C'est donc l'un avec l'autre, et l'un pour l'autre, que les deux garçons vont partir en quête de leur identité et découvrir les secrets de l'Univers.

The "Hollywood" where Sammy Santos and Juliana Rios live is not the West Coast one, the one with all the glitz and glitter. This Hollywood is a tough barrio at the edge of a small town in southern New Mexico. Sammy and his friends, members of the 1969 high school graduating class, face a world of racism, dress codes, war in Vietnam, and barrio violence.

Aristóteles es introvertido y tímido. Dante es transparente y expresivo. Por motivos que parecen escapar a toda razón, estos dos chicos de diecisiete años se encuentran y construyen una amistad entrañable que les permitirá redefinir el mundo del otro y aprender a creer en ellos mismos para descubrir los secretos del universo.

En "Aristóteles y Dante descubren los secretos del universo" conocieron el amor. Ahora, deben descubrir cómo cuidarlo y construir una relación en un mundo que parece desafiar su existencia. Ari ha pasado toda la preparatoria escondiendo su verdadero yo, manteniéndose callado e invisible. Pensaba que su último año sería igual, pero algo en él cambió cuando se enamoró de Dante. Ahora hace cosas que jamás pensó: tiene nuevos amigos, confronta a cualquier tipo de bully y no se queda callado ante nada.

Dante kan svømme. Det kan Ari ikke. Dante er veltalende og selvsikker. Ari har det svært med ord og tvivler på sig selv. Dante drømmer sig væk i poesi og kunst. Ari forsvinder i mørke tanker om den bror, der sidder i fængsel. Dante er lys i huden. Ari er meget mørkere. Man skulle tro, at en dreng som Dante ville være den sidste, der kunne bryde de mure ned, som Ari har bygget om sig selv. Men da Ari og Dante mødes, sker der noget. De deler bøger, tanker, drømme, latter. De lærer hinanden nye ord og begynder langsomt at omdefinere hinandens verden.

Benjamin Alire Sáenz's stories reveal how all borders—real, imagined, sexual, human, the line between dark and light, addict and straight—entangle those who live on either side. Take, for instance, the Kentucky Club on Avenida Juárez two blocks south of the Rio Grande. It's a touchstone for each of Sáenz's stories. His characters walk by, they might go in for a drink or to score, or they might just stay there for a while and let their story be told. Sáenz knows that the Kentucky Club, like special watering holes in all cities, is the contrary to borders.