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J.R. Moehringer grew up captivated by a voice. It was the voice of his father, a New York City disc jockey who vanished before J.R. spoke his first word. Sitting on the stoop, pressing an ear to the radio, J.R. would strain to hear in that plummy baritone the secrets of masculinity and identity. Though J.R.'s mother was his world, his rock, he craved something more, something faintly and hauntingly audible only in The Voice.

Born in the slums of Brooklyn, in the first year of the 20th century, Willie Sutton came of age at a time when banks were out of control. If they weren’t taking brazen risks, they were shamelessly seeking bailouts. Trapped in a cycle of bank panics, depressions and soaring unemployment, Sutton saw only one way out. So began the career of America’s most successful bank robber. Sutton became so good at breaking into banks, and such a master at breaking out of prisons, police called him one of the most dangerous men.

Torn between the stirring example of his mother and the lurid romance of the bar, J.R. tried to forge a self somewhere in the center. But when it was time for J.R. to leave home, the bar became an increasingly seductive sanctuary, a place to return and regroup during his picaresque journeys. Time and again, the bar offered shelter from failure, rejection, heartbreak, and eventually from reality.