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In the most ambitious one-volume American history in decades, award-winning historian Jill Lepore offers a magisterial account of the origins and rise of a divided nation. In riveting prose, These Truths tells the story of America, beginning in 1492, to ask whether the course of events has proven the nation's founding truths or belied them.

Few, if any, historians have brought such insight, wisdom, and empathy to public discourse as Jill Lepore. Arriving at The New Yorker in 2005, Lepore, with her panoptical range and razor-sharp style, brought a transporting freshness and a literary vivacity to everything from profiles of long-dead writers to urgent constitutional analysis to an unsparing scrutiny of the woeful affairs of the nation itself. The astonishing essays collected in The Deadline offer a prismatic portrait of Americans’ techno-utopianism, frantic fractiousness, and unprecedented—but armed—aimlessness.

Many historians and cultural observers argue we live in a post-truth world—but if truth is dead, who killed it? And how did it die? Join celebrated historian Jill Lepore as she cracks the case by examining key moments in the history of truth, doubt, and evidence across the last century.

King Philip's War, the excruciating racial war - colonists against Indians - that erupted in New England in 1675, was, in proportion to population, the bloodiest in American history. Some even argued that the massacres and outrages on both sides were too horrific to "deserve the name of a war". Telling the story of what may have been the bitterest of American conflicts, and its reverberations over the centuries, Lepore has enabled us to see how the ways in which we remember past events are as important in their effect on our history as were the events themselves.

From one of our most accomplished and widely admired historians, a revelatory portrait of Benjamin Franklin' s youngest sister and a history of history itself. Like her brother, Jane Franklin was a passionate reader, a gifted writer, and an astonishingly shrewd political commentator.

Joe Gould, a madman, believed he was the most brilliant historian of the 20th century. So did some of his friends, a group of modernist writers and artists that included E. E. Cummings, Marianne Moore, William Carlos Williams, John Dos Passos, and Ezra Pound. Gould began his life's work before the First World War, announcing that he intended to write down nearly everything anyone ever said to him. "I am trying to preserve as much detail as I can about the normal life of everyday people," he explained, because "as a rule, history does not deal with such small fry."

Like every other superhero, Wonder Woman has a secret identity. Unlike every other superhero, she has also has a secret history. Harvard historian and New Yorker staff writer Jill Lepore has uncovered an astonishing trove of documents, including the never-before-seen private papers of William Moulton Marston, Wonder Woman's creator.

Renowned Harvard scholar and New Yorker staff writer Jill Lepore has composed a strikingly original, ingeniously conceived, and beautifully crafted history of American ideas about life and death from before the cradle to beyond the grave. How does life begin? What does it mean? What happens when we die? “All anyone can do is ask,” Lepore writes. “That’s why any history of ideas about life and death has to be, like this book, a history of curiosity.” As much a meditation on the present as an excavation of the past, The Mansion of Happiness is delightful.

"Eleanor Roosevelt never wanted her husband to run for president. When he won, she...went on a national tour to crusade on behalf of women. She wrote a regular newspaper column. She became a champion of women's rights and of civil rights. And she decided to write a book". (Jill Lepore, from the Introduction). "Women, whether subtly or vociferously, have always been a tremendous power in the destiny of the world", Eleanor Roosevelt wrote in It's Up to the Women, her book of advice to women of all ages on every aspect of life.

Set in boisterous, rebellious Boston on the eve of the American Revolution, Blindspot ingeniously weaves together the fictional stories of Stewart Jameson, a Scottish portrait painter and notorious libertine, and Fanny Easton, a fallen woman from one of Boston's most powerful families who disguises herself as a boy to become Jameson's defiant and seductive apprentice. Together with an African-born doctor, they investigate the death of the famous revolutionary leader Samuel Bradstreet.

At a time of much despair over the future of liberal democracy, Harvard historian Jill Lepore makes a stirring case for the nation in This America. Since the end of the Cold War, Lepore writes, American historians have largely retreated from the idea of "the nation", in part because the rise of political nationalism has rendered it suspect and unpalatable. Bucking this trend, however, Lepore argues forcefully that the nation demands scrutiny. Without an honest reckoning with America's collective past, we will be at the mercy of unscrupulous demagogues....

Over a few weeks in 1741, 10 fires blazed across Manhattan. With each new fire, panicked whites saw more evidence of a slave uprising. Tried and convicted before the colony's Supreme Court, 13 black men were burned at the stake and 17 were hanged. Four whites, the alleged ringleaders of the plot, were also hanged, and seven more were pardoned on condition that they never set foot in New York again.

Americans have always put the past to political ends. The Union laid claim to the Revolution - so did the Confederacy. Civil rights leaders said they were the true sons of liberty - so did Southern segregationists. This book tells the story of the centuries-long struggle over the meaning of the nation's founding, including the battle waged by the Tea Party, Glenn Beck, Sarah Palin, and evangelical Christians to "take back America".

In The Story of America, Harvard historian and New Yorker staff writer Jill Lepore investigates American origin stories - from John Smith's account of the founding of Jamestown in 1607 to Barack Obama's 2009 inaugural address - to show how American democracy is bound up with the history of print. Over the centuries, Americans have read and written their way into a political culture of ink and type. Part civics primer, part cultural history, The Story of America excavates the origins of everything from the paper ballot and the Constitution to the I.O.U. and the dictionary.