Résultats lu par "Beata Pozniak" dans Toutes les catégories

Audie Award, Multi-Voiced Performance, 2016. The year is 2575, and two rival mega-corporations are at war over a planet that's little more than an ice-covered speck at the edge of the universe. Too bad nobody thought to warn the people living on it. With enemy fire raining down on them, Kady and Ezra - who are barely even talking to each other - are forced to fight their way onto one of the evacuating fleet, with an enemy warship in hot pursuit.

It is 1943, and for four years, 16-year-old Stefania has been working for the Diamant family in their grocery store in Przemsyl, Poland, singing her way into their lives and hearts. She has even made a promise to one of their sons, Izio - a betrothal they must keep secret since she is Catholic and the Diamants are Jewish.

In a remote Polish village, Janina devotes the dark winter days to studying astrology, translating the poetry of William Blake, and taking care of the summer homes of wealthy Warsaw residents. Her reputation as a crank and a recluse is amplified by her not-so-secret preference for the company of animals over humans. Then, a neighbor, Big Foot, turns up dead. Soon, other bodies are discovered, in increasingly strange circumstances. As suspicions mount, Janina inserts herself into the investigation, certain that she knows whodunit. If only anyone would pay her mind....

Adopting an Abandoned Farm is a compelling narrative of a trailblazing woman who defies societal norms by pursuing both farming and writing in a male-dominated landscape. Leaving behind city life, Sanborn immerses herself in the challenges of rural existence while documenting her experiences through her writing. She faces skepticism at auctions and farm sales, where her presence disrupts expectations. Undeterred, Sanborn boldly asserts herself, bidding and proving her mettle in the competitive world of agriculture.

Since she was a pup, Zima has been taught to fear humans - especially witches - but when her family is threatened, she has no choice but to seek help from the witch Baba Yaga. Baba Yaga never does magic for free, but it just so happens that she needs a wolf's keen nose for a secret plan she's brewing... Before Zima knows what's happening, the witch has cast a switching spell and run off into the woods, while Zima is left behind in Baba Yaga's hut - and Baba Yaga's body!

This stunning, exquisitely written collection introduces a cast of remarkable characters whose lives intersect in ways both life-affirming and heartbreaking. A 1930s Soviet censor painstakingly corrects offending photographs deep underneath Leningrad, bewitched by the image of a disgraced prima ballerina. A chorus of women recount their stories and those of their grandmothers, former gulag prisoners who settled their Siberian mining town. Two pairs of brothers share a fierce, protective love.

Diagnosed by her physician husband with a “temporary nervous depression - a slight hysterical tendency” after the birth of her child, a woman is urged to rest for the summer in an old colonial mansion. Forbidden from doing work of any kind, she spends her days in the house’s former nursery, with its barred windows, scratched floor, and peeling yellow wallpaper. In a private journal, the woman records her growing obsession with the “horrid” wallpaper. Its strange pattern mutates in the moonlight, revealing what appears to be a human figure in the design.

Sona Van (en realidad: Ter-Hovhannisian) es una famosa poeta y viajera Armenia. Nació en Ereván, Armenia. Su abuelo, un respetado clérigo armenio de la ciudad de Van en Anatolia oriental (de ahí el seudónimo literario del poeta) en el terrible 1915, se quedó en Estambul con una gran parte de su familia. Todos fueron testigos presenciales o incluso víctimas de las atrocidades de las jóvenes milicias turcas.

Sona Van (właściwie: Ter-Howhannisjan) to znana ormiańska poetka i podróżniczka. Urodziła się w Erywaniu, Armienii. Jej dziadek, szanowany ormiański duchowny z wschodnioanatolijskiego miasta Wan (stąd - pseudonim literacki poetki) w straszliwym 1915 roku przebywał w Istambule wraz z dużą częścią swej rodziny. Wszyscy oni byli naocznymi świadkami czy wręcz ofiarami okrucieństw młodotureckich bojówek.

This collection of Sona Van’s poems is a tribute to the victims of genocide and war. With extraordinary feminine sensitivity, the poet looks at the world in all its striking contrasts, constantly probing the depths of her consciousness with new modes of expression. The collection consists of ephemeral poems characterized by dramatic encounters with nothingness in which an uncanny ability to capture extreme situations prevails. Sona Van’s poetry represents the truest testimony of historical experience and the reality in which it still lives.

In A Libretto for the Desert, Sona Van's subject is the Armenian genocide, also known as the Great Catastrophe. Van's parents and grandparents were driven into exile due to this horrific event. Her poems reflect a personal connection to this history as well as the universality of loss, persecution, and intolerance.

Beata Poźniak, aktorka - tuż przed niespodziewaną śmiercią krewniaczki, Barbary Bukowskiej, otrzymuje wiersze napisane przez nią. Barbara “pisała tylko tak dla siebie”. Wiersze są osobiste, rodzinne - autorka przeprowadza rozmowę ze swoją podświadomoscią, z nadprzyrodzoną siłą, z Bogiem.

Weaving together the voices of three generations of women - Rita, her daughter, Leslie, and her granddaughter, Mikaela - the memoir provides powerful and inspiring evidence of the resilience of the human spirit, relevant to every culture in every corner of the world. Unimaginably devastating and incredibly uplifting, this firsthand account of survival and healing offers a poignant message of hope in our own uncertain times.