African American Literature Fiction

""I was knocked over by the momentum of an intense psychological thriller that doesn’t let go until the final page. This is a terrific read."" – Alafair Burke, New York Times bestselling author Rear Window meets Get Out in this gripping thriller from a critically acclaimed and New York...

In the stunning first novel in Marlon James' Dark Star trilogy, myth, fantasy, and history come together to explore what happens when a mercenary is hired to find a missing child. Tracker is known far and wide for his skills as a hunter: "He has a nose," people say. Engaged to track down a mysterious boy who disappeared three years earlier, Tracker breaks his own rule of always working alone when he finds himself part of a group that comes together to search for the boy.

Danielle Evans is widely acclaimed for her blisteringly smart voice and X-ray insights into complex human relationships. With The Office of Historical Corrections, Evans zooms in on particular moments and relationships in her characters’ lives in a way that allows them to speak to larger issues of race, culture, and history. She introduces us to Black and multiracial characters who are experiencing the universal confusions of lust and love, and getting walloped by grief - all while exploring how history haunts us, personally and collectively.

I was, in life, to be a gambler, a risk-taker, a swashbuckler, a knight. I accepted, then and there, my place in the world. I was a fighter of windmills. I was a chaser of whales. I was Not Sidney Poitier. Not Sidney Poitier is an amiable young man in an absurd country. The sudden death of his mother orphans him at age eleven, leaving him with an unfortunate name, an uncanny resemblance to the famous actor, and, perhaps more fortunate, a staggering number of shares in the Turner Broadcasting Corporation.

Set in the wake of the Mau Mau rebellion and on the cusp of Kenya's independence from Britain, A Grain of Wheat follows a group of villagers whose lives have been transformed by the 1952-1960 Emergency. At the center of it all is the reticent Mugo, the village's chosen hero and a man haunted by a terrible secret. As we learn of the villagers' tangled histories in a narrative interwoven with myth and peppered with allusions to real-life leaders, including Jomo Kenyatta, a masterly story unfolds in which compromises are forced, friendships are betrayed, and loves are tested.

Maddie and Theo have two things in common: 1. Alexa is their best friend. 2. They hate each other. After an "oops, we made a mistake" night together, neither one can stop thinking about the other. With Alexa's wedding rapidly approaching, Maddie and Theo both share bridal party responsibilities that require more interaction with each other than they're comfortable with.

It’s the summer of 2019, and Professor Pi Suleman is a Black man from Memphis with a lot to endure - not only as a Black man in Trump’s America but in his hard-earned career as an adjunct professor. Pi is constantly forced to bite his tongue in the face of one of his tenured colleague’s prejudices and microaggressions. At the same time, he’s being blackmailed by a powerful professor who threatens to claim he has assaulted her, when in fact the truth is just the opposite, trapping him in a he-said-she-said with a white woman that, in this society, Pi knows he will never win.

When the seventh child of the Peace family, named Perfect, turns eight, her mother, Emma Jean, tells her bewildered daughter, "You was born a boy. I made you a girl. But that ain't what you was supposed to be. So from now on, you gon' be a boy. It'll be a little strange at first, but you'll get used to it, and this'll be over after while." From this point forward, his life becomes a bizarre kaleidoscope of events. Meanwhile, the Peace family is forced to question everything they thought they knew about gender, sexuality, unconditional love, and fulfillment.

Raymond Jaffe feels like he doesn’t belong. Not with his mother’s new family. Not as a weekend guest with his father and his father’s wife. Not at school, where he’s an outcast. After his best friend moves away, Raymond has only two real connections: to the feral cat he’s tamed and to a blind ninety-two-year-old woman in his building who’s introduced herself with a curious question: Have you seen Luis Velez?

Two young people meet at a pub in South East London. Both are Black British, both won scholarships to private schools where they struggled to belong, both are now artists - he a photographer, she a dancer - trying to make their mark in a city that by turns celebrates and rejects them. Tentatively, tenderly, they fall in love. But two people who seem destined to be together can still be torn apart by fear and violence.

At eighteen and against her father's wishes, Amyris moves to another country, hoping to make her dreams a reality. Before she can hit the ground running, her life takes a turn she hadn't expected after meeting and marrying Ivo Yannik—a man who lured her into the union under false pretenses.

Sixteen-year-old Jake Livingston sees dead people everywhere. But he can't decide what's worse: being a medium forced to watch the dead play out their last moments on a loop or being at the mercy of racist teachers as one of the few Black students at St. Clair Prep. Both are a living nightmare he wishes he could wake up from. But things at St. Clair start looking up with the arrival of another Black student - the handsome Allister - and for the first time, romance is on the horizon for Jake. Unfortunately, life as a medium is getting worse.

Best-selling author Rick Riordan presents Kwame Mbalia's epic fantasy, a middle grade American Gods set in a richly-imagined world populated with African American folk heroes and West African gods. Tristan is dreading the month he's going to spend on his grandparents' farm in Alabama, where he's being sent to heal from a tragedy. But on his first night there, he accidentally ripps open a chasm into the MidPass, a volatile place with a burning sea, haunted bone ships, and iron monsters that are hunting the inhabitants of this world.

Mosley presents distinct characters as they struggle to move through the world in each of these stories - heroes who are awkward, nerdy, self-defeating, self-involved, and, on the whole, odd. He overturns the stereotypes that corral black male characters and paints a subtle, powerful portrait of each of these unique individuals.

The Butler family has had their share of trials - as sisters Althea, Viola, and Lillian can attest - but nothing prepared them for the literal trial that will upend their lives. Althea, the eldest sister and substitute matriarch, is a force to be reckoned with, and her younger sisters have alternately appreciated and chafed at her strong will. They are as stunned as the rest of the small community when she and her husband, Proctor, are arrested, and in a heartbeat, the family goes from one of the most respected in town to utter disgrace.

They call themselves the Blackbirds. Kwanzaa Browne, Indigo Abdulrahaman, Destiny Jones, and Ericka Stockwell are four best friends who are closer than sisters, and will go to the ends of the earth for one another. Yet even their deep bond can’t heal all wounds from their individual pasts, as the collegiate and post-collegiate women struggle with their own demons, drama, and desires.

Anoor is the first blue-blooded ruler of the Wardens' Empire. But when she is accused of a murder she didn't commit, her reign is thrown into turmoil. She must solve the mystery and clear her name without the support of her beloved, Sylah. Sylah braves new lands to find a solution for the hurricane that threatens to destroy her home. But in finding answers, she must make a decision, does she sacrifice her old life in order to raise up her sword once more?

Loretha Curry’s life is full. A little crowded sometimes, but full indeed. On the eve of her 68th birthday, she has a booming beauty-supply empire, a gaggle of lifelong friends, and a husband whose moves still surprise. True, she’s carrying a few more pounds than she should be, but Loretha is not one of those women who think her best days are behind her - and she’s determined to prove wrong her mother, her twin sister, and everyone else with that outdated view of aging wrong. It’s not all downhill from here.

A “wise, funny, irresistible” (Shelf Awareness) debut novel about family secrets, judgmental aunties, and Brazilian butt lifts, from the author of the internationally bestselling story collection Nearly All the Men in Lagos Are Mad. In Nigerian families, none of your business is private. Not...

Along the streets of Manhattan, a young Nigerian doctor doing his residency wanders aimlessly. The walks meet a need for Julius: They are a release from the tightly regulated mental environment of work, and they give him the opportunity to process his relationships, his recent breakup with his girlfriend, his present, his past. Though he is navigating the busy parts of town, the impression of countless faces does nothing to assuage his feelings of isolation.