Celebrity Culture

There has never been a show business book quite like The Show Won't Go On, the first comprehensive study of a bizarre phenomenon: performers who died onstage. From the comedy magician who dropped dead on live television to the amateur thespian who expired during a play called The Art of Murder, the book is a celebration of lives both famous and obscure, as well as a dramatic and accurate recounting of events leading to the moments they died "doing what they loved."

Kurz vor seinem 30. Geburtstag steckt Filmemacher Hubertus Koch in einer weiteren ausgebrannten Episode seines Lebens. Enttäuscht von den Klischees der Medienwelt und den leeren Glücksversprechen einer Leistungsgesellschaft kündigt er von einem Tag auf den anderen seinen Job und steigt in ein Flugzeug Richtung Osteuropa. Weit weg von zu Hause - in Bosnien, Montenegro und Albanien -, wo ihn niemand kennt und niemand etwas von ihm will, versucht er, sich selbst einzuholen.

How Hollywood cashed in on the latest tech boom-and changed the face of Silicon Valley. When Ashton Kutcher first heard about 50 Cent's nine-figure Vitaminwater windfall in 2007, the actor realized he'd been missing out. He soon followed the rapper's formula-seeking equity instead of cash for...

A powerful and emotional memoir about family and memory from the father-son singing sensation whose heartwarming carpool karaoke video took social media by storm. At first, Simon’s beloved father, Ted, suffered sudden bad moods and forgetfulness. Then the diagnosis: Alzheimer’s. Ted was...

Married to Laughter is a great love story about Jerry Stiller and Anne Meara, two people who found their place in show business without ever losing sight of each other.

"Alana Massey's prose is to brutal honesty what a mandolin is to a butter knife: she's sharper; she slices thinner; she shows the cross-section of a truth so deftly--so powerfully and cannily--it's hard to look away, and hard not to feel that something has shifted in you for having read her." --...

Warren Beatty guarded his privacy even before he became a movie star, when he burst onto the screen in 1961 as the earnestly handsome all-American boy in Splendor in the Grass. When he started acting, Beatty kept secret the fact that actress Shirley MacLaine, already a star, was his older sister. Over time, he has cultivated a mystique, giving few interviews and instructing others not to talk about him. Until now.

Between 1994 and 1997, James Brown's loaded magazine became the the must-buy and must-be-in publication of the decade. It won every award going, year after year, and came to define not only its audience but also a generation. Bright, loud, funny, provocative, ambitious and careless, loaded was read from the barracks of Afghanistan to the England dressing room at Euro '96. It captured a hedonistic lifestyle of alcohol, cocaine and more. The last great hurrah before the end of the century.

Es war Anfang der Sechziger, als plötzlich vier junge Männer aus dem Nichts erschienen und die Welt radikal veränderten. Sie begeisterten die Jugend nicht nur mit einer völlig neuen Musik, nein, sie stellten mit ihrer frischen Unbekümmertheit auch erstmals die Arroganz der Obrigkeit total infrage. Daraufhin begannen existenzielle und schmerzhafteste Kämpfe zwischen der Jugend und der Erwachsenenwelt. Rainer Lange, Jahrgang 1949, zählte zu den dennoch Glücklichen, die diese Epoche hautnah miterleben durften.

Herman J. (1897-1953) and Joseph L. Mankiewicz (1909-1993) wrote, produced, and directed over 150 pictures. With Orson Welles, Herman wrote the screenplay for Citizen Kane and shared the picture's only Academy Award. Joe earned the second pair of his four Oscars for writing and directing All About Eve, which also won Best Picture.

First as a journalist and then a publicist at Warner Brothers Records for nearly twenty years, Barbara Charone has experienced, first-hand, the changes in the cultural landscape. Access All Areas is a personal, insightful and humorous memoir packed with stories of being on the cultural frontline, from first writing press releases on a typewriter driven by Tip Ex, then as a press officer for heavy metal bands taking the bus up to Donnington Festival with coffee, croissants and the much more popular sulfate.

Some women capture our attention like no others. Faith Bacon and Sally Rand were beautiful blondes from humble backgrounds who shot to fame behind a pair of oversize ostrich fans, but with very different outcomes. It was the golden age of American entertainment, and Bacon and Rand fought their way through the competitive showgirl scene of New York with grit and perseverance. They played peek-a-boo with their lives, allowing their audiences to see only slivers of themselves. Little is known about who they really were, until now.

I'm Just Dead, I'm Not Gone chronicles Jim Dickinson's extraordinary life in the Memphis music scene of the fifties and sixties and how he went on to play with and produce a rich array of artists, including Aretha Franklin, the Rolling Stones, Ry Cooder, Duane Allman, Arlo Guthrie, and Albert King. With verve and wit, Dickinson (1941-2009) describes how his trip to Blind Lemon's grave on the Texas flatlands as a college student and how that encounter inspired his return to Memphis.

Jon Fine spent nearly 30 years performing and recording with bands that played various forms of aggressive and challenging underground rock music. And, as he writes in this memoir, at no point were any of those bands "ever threatened, even distantly, by actual fame". Yet when members of his first band, Bitch Magnet, reunited after 21 years to tour Europe, Asia, and America, diehard longtime fans traveled from far and wide to attend those shows.

As he finds himself within spitting distance of middle age, journalist Eric Spitznagel feels acutely the loss of...something. Freedom? Maybe. Coolness? Could be. The records he sold in a financial pinch? Definitely. To find out for sure, he sets out on a quest to find the original vinyl artifacts from his past. Not just copies. The exact same records.

What is a starf*cker? However you define it, Matthew Rettenmund, author of the acclaimed novel Boy Culture and the popular blog BoyCulture.com, readily admits to being one. The ultimate pop-culture enthusiast, he has been obsessed with celebrities ever since he was born. This hilarious, sexy memoir (arranged by memes) documents Rettenmund's affection - in the case of Madonna, it's pure mania - for movie, television, and music personalities.

From the New York Times bestselling author of The Good Lord Bird, winner of the 2013 National Book Award for Fiction, Deacon King Kong, and Five-Carat Soul, Kill ’Em and Leave is more than a book about James Brown. Brown embodied the contradictions of American life: He was an unsettling symbol of the tensions between North and South, Black and White, rich and poor. After receiving a tip that promises to uncover the man behind the myth, James McBride goes in search of the “real” James Brown.

This is the first study to explore fully the myth of America as reflected in the nation's popular music. Beginning with the songs of the Pilgrims and continuing through more than two centuries of history and music, Born in the U.S.A. shows the emerging American myth and gives a close reading of the compositions of songwriters as diverse as William Billings, Henry Clay Work, Irving Berlin, Woody Guthrie, Bob Dylan, and Bruce Springsteen.

Accidental Playboy is the hilarious, erotic, and provocative memoir of a sensitive post-modern man who stumbles into the dream job of a lifetime. When Playboy magazine tapped Leif Ueland to report on its nationwide search for the Playmate of the Millennium, he was the ultimate confused American male. A self-professed nice guy, he was the last man to be on Playboy's roving audition bus, never mind its official reporter. And yet, something deep within his psyche leapt at the opportunity.

The Behind the scenes Story of the network that Shaped a generation. SLIMED! is the first oral history to chronicle the surprisingly complex, wonderfully nostalgic, and impressively compelling story of Nickelodeon, the first kids’ network. Beginning as a DIY start-up in the late seventies, the network forged ahead through the early eighties with a tiny band of young artists and filmmakers, transforming itself into a cultural force in the late eighties and nineties that would change everything about cable television, television in general, animation, and children’s entertainment.