Film Production

Mani Ratnam’s Nayakan is among Time’s "100 Best Movies Ever", and his Roja launched A.R. Rahman. For the first time ever, Mani Ratnam opens up here, to Baradwaj Rangan, in a series of freewheeling conversations - candid, witty, pensive, and sometimes combative - and looks back at these and 19 other masterly films. With Rangan’s personal and impassioned introduction setting the Tamil and national context of the films, Conversations is a treat for serious lovers of cinema as well as the casual moviegoer looking for a peek behind the process.

Finally, a book that confronts the challenges filmmakers of all types of films face when bringing their vision to the screen. Emmy-nominated director and multi-hyphenate filmmaker Christopher Folkens (www.mysticfilms.com) provides an in-depth look at the personal journey necessary for any filmmaker to take on their debut film (or really any creative project for that matter).

Julie a 30 ans et n'a, jusque-là, jamais rien géré de plus que sa petite vie. Alors qu'elle n'attendait plus de réponse de la part de son prod, celui-ci l'appelle pour lui annoncer une grande nouvelle : "je crois qu'on va le faire ton film !"

10 Tips for Promoting a Local Screening of Your Film describes some ways to promote a local screening. It suggests different promotional strategies for putting on your own event or helping an organization promote your screening. Then, the audiobook focuses on how to use Eventbrite and Meetup to sign-up attendees and receive advance payments. The audiobook is formatted like a journal, so listeners can write down their ideas for what to do after reading each tip.

10 Legal Basics for Producing a Feature Film or Documentary describes the major legal documentaries you need to produce a feature-length film or documentary. It covers the basics of getting a fictitious name, filing for a copyright, obtaining E&O and other types of insurance, creating release forms for actors, interviewees, crew members, and other film participants, and much more.

In the book, you'll learn everything you need to know about AFM. What badge to buy, what projects to bring, what printed materials you need, and all important etiquette tips for maximizing your success at the American film market. Producers need to understand distribution to find success, and this guide is a primer for the most reliable way American filmmakers can find traditional, non-DIY distribution.

Is any superhero cooler than Batman? He’s a crime-fighting vigilante with a tragic past, a lawless attitude, and a seemingly endless supply of high-tech gadgetry. In this memoir, author Michael E. Uslan recalls his journey from early childhood fandom through to the decades he spent on a caped crusade of his own: to bring Batman to the silver screen as the dark, serious character he was at heart.

Becoming a director is not just about making a film, webseries, commercial, or music video. The opportunity to direct for television is not a given because you’ve successfully completed a project in another medium. Turning your passion into your profession requires the ability to make transitions at the exact moment a pivot is needed, with creativity and confidence. This book helps directors across all mediums shape their career with targeted anecdotes, worksheets, and other resources, all of which fall into three designated categories: how-to, self-help, and inspiration.

Harry Cohn was the cofounder and president of Columbia Pictures, which he ran from the 1930s through 1950s. Cohn—who abhorred personal publicity—left no writings, made no speeches, and rarely submitted to interviews. Despite this, acclaimed biographer Bob Thomas brilliantly illuminates the life of the powerful but elusive studio head in King Cohn: The Life and Times of Hollywood Mogul Harry Cohn. Thomas details the studio head's rise from a New York City song-plugger to a Poverty Row impresario, highlighting his reign as one of the most powerful men in Hollywood.

In Solid Ivory, a carefully crafted mosaic of memories, portraits, and reflections, the Academy Award-winning filmmaker James Ivory, a partner in the legendary Merchant Ivory Productions and the director of A Room with a View, Howards End, Maurice, and The Remains of the Day, tells stories from his remarkable life and career as one of the most influential directors of his time. At times, he touches on his love affairs, looking back coolly and with unexpected frankness.

Investigative journalist Sam Irvin's tell-all behind the making of FRANKENSTEIN: THE TRUE STORY (Universal / NBC-TV, 2-part miniseries, 1973) has many facets. It is an eye-opening exposé on the movie industry of the early 1970s with an emphasis on Universal Pictures and the horror genre. But the chronicle also reveals a hidden agenda – fueled by the astonishing courage of a revolutionary group of LGBTQ+ artists spearheaded by producer Hunt Stromberg Jr. and his screenwriters Christopher Isherwood (THE BERLIN STORIES – the basis for CABARET) and his lover, artist Don Bachardy.

From Drugstore Cowboy to Elephant, Milk and Good Will Hunting, Gus Van Sant's films have captured the imagination of more than one generation. Acclaimed as both an independent and mainstream filmmaker, he is also an artist, photographer and writer.

10 Tips for Setting Up Local Screenings of Your Film describes how to set up a series of local screenings in your community and nearby cities if you are doing your own distribution. It describes how to determine your audience, select the best location for your screening, find a venue, and attract an audience. It also describes how to collect payments, run the program, and build on these showings to gain an even bigger audience at future showings.

10 Tips for Setting Up Theatrical Screening for Your Film describes how to set up a series of screening after your initial premiere. It suggests doing these additional screenings to get more recognition for a film with broad appeal, and it describes how and where to select theaters in different cities. It indicates the kinds of costs to expect for showings in different types of theaters and recommends creating a marketing plan to guide you in doing these screenings to gain more recognition to help with the other types of distribution you do.

A haunted homicide detective is confronted by the apparent return of a brutal serial killer he helped send to the electric chair 15 years earlier.

Improvisation is a form of performance in which the players have no script. Free of conventional methods and constraints, improv gives filmmakers and actors complete freedom to explore characters and relationships and capture genuine authenticity on camera. In Improv for Indie Filmmakers, author and improv filmmaker Ivan Malekin breaks down how independent filmmakers can use improvisation in their own work to creatively collaborate with actors, speed up production, make more films, and ultimately save time and money by working efficiently at all stages of production.

TOM SELLECK ist ein preisgekrönter Schauspieler, Autor und Produzent, bekannt vor allem für seine ikonische Rolle als Thomas Magnum in der ursprünglichen Fernsehserie Magnum P.I. Zu den vielen unvergesslichen Rollen, die er gespielt hat, gehören Lance White in Detektiv Rockford, Peter Mitchell in Noch drei Männer, noch ein Baby, Matthew Quigley in Quigley der Australier und Peter Malloy in In & Out.

Emmy-winning editor Jordan Goldman, ACE, takes you inside the cutting room and pulls back the curtain on how and why directors, showrunners, and editors decide whether your performance makes it to the screen. He explains the key things actors should do—and shouldn't do—to avoid getting cut out. Topics include what an editor does, how editors evaluate your work, why actors get cut, what you can control, and what you can't control.

Often considered one of the greatest filmmakers of all time, Stanley Kubrick has been widely praised for taking risks such as doing at least one film in a number of genres to avoid being pigeonholed into certain styles or expectations. Yet he still received a great deal of support from big Hollywood studios and mass audiences. From his humble beginnings as a chess enthusiast and photographer for Look Magazine who did not excel in academics to a legendary filmmaker who eventually had creative and financial autonomy over the majority.

Learning how to write a movie script is more than just figuring out the margins and hitting a few plot points along the way....