Film Production

Here are the very personal diaries of Richard E. Grant's debut behind the camera, as writer and director of his autobiographical movie of the same name.

It is both a fascinating insight into the intrigues and agonies he encounters along the way, and also a deeply moving portrait of his childhood and his love affair with Swaziland, where he was born and brought up during the last throes of the British Empire.

Можно смело утверждать, что XX век был веком режиссуры. Под влиянием режиссера, то есть организатора, педагога, творца, развивались театр и кинематограф. За прошедший век режиссура обогатилась многими выдающимися именами, среди которых немало наших соотечественников. Это К.С. Станиславский, С.М.

I sine stærkt underholdende erindringer fortæller Woody Allen om et liv som instruktør, standupkomiker, forfatter, musiker og skuespiller - og som familiefar og ægtemand. Et ofte tumultarisk liv, der tager sin begyndelse i Brooklyn, New York. Allen giver et levende indblik i sin 60 år lange filmkarriere, fra klassikerne "Annie Hall", "Manhattan og Hannah og hendes søstre" og frem til nyere film som "Midnight in Paris" og "A Rainy Day in New York".

Geboren wurde er 1935 in Brooklyn: mit sechzehn begann Woody Allen seine lebenslange künstlerische Karriere, als Witzeschreiber für Zeitungen. Schreiben sollte er auch später: Drehbücher, Theaterstücke, Storys für den New Yorker. Dazu kam bald eine Karriere als Stand-up-Comedian, als Schauspieler und dann als einer der bedeutendsten Regisseure unserer Zeit. Seit sechs Jahrzehnten steht Woody Allen vor und hinter der Kamera, macht er Filme, mehr als fünfzig sind es geworden.

Shooting Midnight Cowboy is not only the definitive account of the film that unleashed a new wave of innovation in American cinema but also the story of a country (and an industry) beginning to break free from decades of cultural and sexual repression.

New York City, 1977. Cool and crime-ridden, cheap and wild. Bruce Van Dusen shows up in town with a film degree and $150 to his name. He wants to make movies. So he does. The only ones anyone will pay him to make? Little ones. Thirty seconds long. Commercials. He has no idea what he's doing, and the money sucks. But he's a director. He quickly learns he has the two things he needs to succeed in the fickle world of commercial-making: a talent for telling short, emotional stories, and the hustle to fight for every job no matter how small.

Critic-producer Nat Segaloff was granted access to private papers, production records, never-before-published interviews, and specialized archives in reconstructing the colorful, touching, and sometimes scandalous stories behind the making of the last films of some of Hollywood's top directors.

Today's most acclaimed film directors reveal intimate behind-the-scenes details of their most influential work and their unique approaches to their art. In the companion to the Silver Plaque-winning Starz/Encore documentary series, this book offers interviews with 13 top filmmakers. Contains each director's filmography, complete listings of major awards, and cast credits for all films discussed.

Удивительно, но до сих пор нет однозначного ответа на вопрос, когда, собственно появилась режиссура. Еще в 1890-х годах театральный режиссер был фигурой второстепенной и выполнял преимущественно административные функции. И вдруг в конце XIX столетия режиссер становится хозяином театра.

It was the triumph and the tragedy of his life. As a producer, he had reached the pinnacle of success; there was nowhere else to go. In this biography, noted Hollywood chronicler Bob Thomas reveals the stormy career of a shrewd, self-confident intellectual whiz kid who today personifies the image of a studio head during the Golden Age of movies. It tells of the women Selznick loved and the fortunes he amassed and lost; of the great stars he made and the magnificent motion pictures he created— the man who was an entrepreneurial genius, a driven perfectionist, and the author of endless memos.

Learn the tricks and pitfalls of low-budget filmmaking from 33 successful independent films and the filmmakers who created them. Includes never before published interviews with low-budget mavericks such as Steven Soderbergh, Roger Corman, Jon Favreau, Henry Jaglom, and many more.

Noel Cronin’s autobiography, founder of Talking Pictures TV, is a must-listen for those interested in British film history. He takes us from his schooldays in north London to a job as a post-boy at Rank, then as a film editor in Soho in the Swinging Sixties and Seventies, starting a film distribution company, to the ground-breaking Talking Pictures TV. It shows the grit and determination necessary to make a living in the film business, and the leaps of faith one should take if you’ve got a good idea.

In Detour: Hollywood, Dickerson puts the making of his “underground hit” Detour on display for all to see. He will teach you what you really need to know about making a microbudget film, or a film of any budget, for that matter. From the nuts and bolts of directing to getting your movie made and out into the world, this comprehensive filmmaking manual will lead you through every step of the process.

Twilight for the Gods: The Art and History of Film Editing is a passionate exploration of the important role played by editing in the process of filmmaking and a functional guide to using editing most effectively. The book explains how an editor is, in many ways, responsible for the final rewriting of a script - and that editing is in reality a pictorial form of writing.

Lessons from the Set is a comprehensive filmmaking guide that takes a cinephile’s do-it-yourself approach to low-budget indie film production and distribution. The book is peppered with filmmaking tips and tricks, as well as valuable, practical insight into the process of writing, directing, producing, and distributing commercial feature films on a low budget - whether you’re working with $1,000 or $1 million.

You don't need Hollywood. No, seriously. When we first started making movies, we were broke college kids with no connections or experience. Fast forward five years and we were producing a million-dollar movie with well-known Hollywood stars. We wrote The Break In to share all the most valuable lessons (and hilarious stories) from our experience so that you can launch a promising career on your own terms.

Don't Do What I Did explains, in frank English, how to make a living in film and video production. From networking to booking gigs to taking care of yourself, this book comprehensively and methodically lays out what to expect in this industry.

David O. Selznick (1902–1965) was one of the most prominent film producers of the Hollywood studio era. However, film production was not his only domain. Starting in the late 1930s, he built an impressive stable of stars within his own independent company. In Starmaker: David O. Selznick and the Production of Stars in the Hollywood Studio System, author Milan Hain reveals the mechanisms by which Selznick and his collaborators discovered and promoted new stars and describes how these personalities were marketed, whether for financial gain or symbolic recognition and prestige.

A must listen for any bootstrapping creative or entrepreneur! 10,000 Miles to Go: An American Filmmaking Odyssey focuses on the making of an award winning contemporary feature film, which was successfully bootstrapped against monumental odds with near-zero funding, yet which made its way to numerous international sales and broadcasts and a place in the Museum of Modern Art (MoMA), NYC, films collection.

Raven, once known as Kukori, is the biggest exporter from all the Free Cities. Trading in salt, silver, labor, and other goods, it is known throughout Amalia. This novella is a glimpse into some of the less-known history of the city, and account of one of the greatest villains they faced.