High Art

In this Oxford Guide to Film Musicals, author Hannah Lewis gives listeners fascinating new insights into the development, style, and reception of the 2016 film musical La La Land. Directed by Damien Chazelle with music by Justin Hurwitz, the film tells the story of a romance between an aspiring actress and jazz pianist as the two pursue their dreams in Los Angeles. It uses a vintage form to tell a modern story and its blend of nostalgia and realism made it an instant classic even as it prompted a range of critical and audience responses.

"High-Ticket Coach: Mastering the Art of Premium Coaching Services" is your compass to the realm of unlimited potential and exceptional rewards. Elevate your coaching practice to new heights as you transform lives, amplify your influence, and step confidently into the realm of high-ticket coaching excellence.

The figure of the horse, at once earthly and transcendent, represented the contradictions of freedom and captivity that enabled young Octavia to develop her nuanced sense of voice and place. Drawing on previously unknown archival research, this volume illustrates how Butler's development as a writer was tied to her extraordinary resourcefulness and self-awareness growing up as an awkward, bookish Black girl in segregated, Cold War Pasadena.

A Legend in Bookmaking Tells the Story of an Industry and His Career More than fifty-million people in the U.S. now bet on sports, and the many apps now available have put the excitement of this world at fans’ fingertips. But before FanDuel and Draft King, Las Vegas was where fortunes were won...

What does it mean to be a "diva"? A shifting, increasingly loaded term, it has been used to both deride and celebrate charismatic and unapologetically fierce performers like Aretha Franklin, Divine, and the women of Labelle. In this brilliant, powerful blend of incisive criticism and electric memoir, Deborah Paredez-scholar, cultural critic, and lifelong diva devotee-unravels our enduring fascination with these icons and explores how divas have challenged American ideas about feminism, performance, and freedom.

Apocalypse Television features a dramatic insider's account of the making of and backlash against The Day After. No other book has told this story in similar fashion, venturing behind-the-scenes of the programming and news divisions at ABC, the backlash from the conservative movement and Religious Right, the challenges encountered by the film's production team, and the experiences of the citizens of Lawrence, Kansas, where the film was set and shot.

Marguerite Higgins was both the scourge and envy of the journalistic world. A longtime reporter for the New York Herald Tribune, she first catapulted to fame with her dramatic account of the liberation of Dachau at the end of World War II. Brash, beautiful, ruthlessly competitive, and sexually adventurous, she forced her way to the front despite being told the combat zone was no place for a woman. While the Herald Tribune exploited her feminine appeal—it was Maggie's dogged determination, talent for breaking news, and unwavering ambition that brought her success from one war zone to another.

Written in Tyrrell's trademark satirical style, How Do We Get Out of Here? is an invaluable and intimate recount of the political and cultural battles that shaped our contemporary politics.

Xiaolu Guo has been lauded as a "voice . . . speaking with full freedom" (Wall Street Journal), which has made her one of the most acclaimed Chinese-born writers of her generation. Her new memoir, Radical, is an exploration of a city, an electrically honest rendering of what it means to be an outsider, and the sojourn that upended her sense of self as a woman, partner, mother, and artist.

From 1974 to 2012, during his years as publisher and editor-in-chief of the New Republic, Martin Peretz was a familiar presence on the political scene. In its time under his leadership, the magazine was always fresh, erudite, contrarian, and brave. Anyone interested in finding out the most distinctive expert takes on the issues that mattered—whether they be domestic or international, cultural or political—knew that the New Republic was required reading.

Growing up around music, young George was inspired to piece together a makeshift drum set and teach himself to play as he practiced in the dark, dank basement of his rundown New Jersey townhouse. He soon joined forces with his friends to form a group called the Jazziacs, which then evolved into Kool & The Gang, a band that began charting hits while its members were still teenagers. In Too Hot, drummer, keyboardist, and primary songwriter George Brown describes life in and out of the band, including a raucous life on the road as the band's popularity grew.

Don Paterson is one of our most acclaimed contemporary poets, possessed of "an infinite sensitivity to the world" (Zadie Smith). But his current standing gives few hints of his hilariously misspent youth. An indifferent student prone to obsessions (with girls at school and . . . origami), Paterson nevertheless made clear early on his immense gift for observation. In Toy Fights, he vividly re-creates the customs of the Scottish working class, from the titular childhood game ("basically twenty minutes of extreme violence without pretext") to the virtues of the sugary sweet known as tablet.

Since the 1960s, documentary films have moved closer to the mainstream, thanks to the popularity of rockumentaries, association with the independent film movement, support from public and cable television, and the rise of streaming video services. Documentary films have become reliable earners at the US box office and ubiquitous on streaming platforms, while historically they existed on the margins of mainstream media.

It's one of the greatest movie romances of all time. Yet the friction and controversy surrounding The Way We Were was so enormous, the movie was nearly never made at all. Drawing on Laurents's and Pollack's unpublished writings, as well as interviews with Streisand, Redford, and other key players, this is the definitive account of a film that changed the rules of moviemaking and defined romance ever since.

John Hay, Lincoln's private secretary and later secretary of state under presidents McKinley and Roosevelt, and Samuel Langhorne Clemens, famous as "Mark Twain", grew up 50 miles apart on the banks of the Mississippi River in the same rural antebellum stew of race, class, and want. This shared history drew them together in the late 1860s, and their mutual admiration never waned in spite of sharp differences.

Even as our world has suffered through successive upheavals, Jesse McCarthy contends, "something was happening in the world of culture: a surging and unprecedented visibility at every level of Black art making". Who Will Pay Reparations on My Soul? reckons with this resurgence, arguing for the central role of art and intellectual culture in an age of widening inequality and moral crisis. McCarthy reinvigorates the essay form as a space not only for argument but for experimental writing that mixes and chops the old ways into new ones.

From the beginning, American cinema has been both a powerful mythmaker and a social critic. D.W. Griffith's Birth of a Nation, arguably the first feature film, shows us just how early in its history cinema had established its influence. Birth of a Nation famously portrayed the Ku Klux Klan in a favorable light, a portrayal that contributed to the modern resurgence of the group and brought racist depictions of African Americans imported from the minstrel show to the silver screen. In response, filmmakers of color have created nuanced and indelible portraits of race.

In an evolving networked era, social-issue documentaries like Blackfish are art for civic imagination and social critique. In Story Movements, producer and scholar Caty Borum Chattoo explores how documentaries disrupt dominant cultural narratives through complex, creative, often investigative storytelling.

Intimate and richly detailed, The Beauty of Living begins with E. E. Cummings's Cambridge upbringing and his relationship with his socially progressive but domestically domineering father. It follows Cummings through his undergraduate experience at Harvard, where he fell into a circle of aspiring writers including John Dos Passos, who became a lifelong friend. Steeped in classical paganism and literary Decadence, Cummings and his friends rode the explosion of Cubism, Futurism, Imagism, and other "modern" movements in the arts.

Doomed to Fail explores the heaviest music the world has ever heard, tracing doom, sludge, and post-metal as their own distinct (and incredibly loud) traditions. Anselmi covers the bands and musicians that have impacted those styles most - Black Sabbath, Candlemass, Melvins, Eyehategod, Godflesh, Neurosis, Saint Vitus, and many others - while diving into the cultural doom that has spawned such music, from the bombing of Birmingham and hurricane devastation of New Orleans to glaring economic inequality, industrial alienation, climate change, and widespread addiction.