Language History

For months, INSET has been investigating a local terrorist cell that is planning an attack on New Year's Day. INSET had an informant, Mohsin Dar, undercover inside the cell. But now, just weeks before the attack, Mohsin has been murdered at the group's training camp deep in the woods. INSET wants Khattak to give the appearance of investigating Mohsin's death and then to bury the lead. They can't risk exposing their operation or Mohsin's role in it.

Linguistics falls in the gap between arts and science, on the edges of which the most fascinating discoveries and the most important problems are found. Rather than following the conventional organization of many contemporary introductions to the subject, the author of this stimulating guide begins his discussion with the oldest, "arts" end of the subject and moves chronologically through to the newest research - the "science" aspects.

In The Dictionary Wars, Peter Martin recounts the patriotic fervor in the early American republic to produce a definitive national dictionary that would rival Samuel Johnson's 1755 Dictionary of the English Language. But what began as a cultural war of independence from Britain devolved into a battle among lexicographers, authors, scholars, and publishers, all vying for dictionary supremacy and shattering forever the dream of a unified American language.

In 2003, the book Nigger started an intense conversation about the uses and implications of that epithet. The N Word moves beyond that short, provocative book by revealing how the word has both reflected and spread the scourge of bigotry in America.

Why do Internet, financial service, and beer commercials dominate Super Bowl advertising? How do political ceremonies establish authority? Why does repetition characterize anthems and ritual speech? Why were circular forms favored for public festivals during the French Revolution? This book answers these questions using a single concept: common knowledge.

Claire Wilcox has been a curator of fashion at the Victoria and Albert Museum for most of her working life. In Patch Work, she steps into the archive of memory, deftly stitching together her dedicated study of fashion with the story of her own life lived in and through clothes. From her mother's black wedding suit to the swirling patterns of her own silk kimono, her memoir unfolds in spare, luminous prose the spellbinding power of the things we wear.

Here, Cosimo proudly presents Book 2 of Ancient Egypt, in which Massey reads the prehistoric story of human civilization that can be studied in the language of ceremonial rites, ancient customs, and ritual dance, and consequently explores the resultant concept that religion evolved out of expressions of human fertility and sexuality–particularly as embodied in the primeval symbols of blood, sacrifice, and motherhood–and formed the first influences on Judeo-Christianity.

In very recent times humanity has learnt a vast amount about the universe, the past and itself. But through our remarkable successes in acquiring knowledge we have learned how much we have yet to learn: the science we have, for example, addresses just five per cent of the universe, pre-history is still being revealed, with thousands of historical sites yet to be explored, and the new neurosciences of mind and brain are just beginning.

Here, Cosimo proudly presents Book 1 of Ancient Egypt, in which Massey argues that “primitive man” found no human agency in the phenomena of the natural world, which led to a woeful misinterpretation of Egyptian hieroglyphics by the Greeks and Romans as well as a misunderstanding of the essence of Egyptian mythology. As a consequence, Massey contends, a deep fount of wisdom of the ancients has been lost, and he goes on to reveal how it can be rediscovered.

A charming and indispensable tour of two thousand years of the written word, Shady Characters weaves a fascinating trail across the parallel histories of language and typography. Whether investigating the asterisk (*) and dagger (†)—which alternately illuminated and skewered heretical verses of the early Bible—or the at sign (@), which languished in obscurity for centuries until rescued by the Internet, Keith Houston draws on myriad sources to chart the life and times of these enigmatic squiggles, both exotic (¶) and everyday (&).

For low - to high-intermediate learners. Improve your German and expand your vocabulary with topics that matter. When it comes to mastering a foreign language, listening around your interests makes all the difference. But finding audiobooks designed for language learners can be hard! This audiobook fixes that. For the first time, you’ll learn to improve your German while listening about the history of World War II.

Immanuel Kant taught and wrote prolifically about physical geography yet never traveled further than forty miles from his home in Kvnigsberg. How appropriate it is then that in his philosophy he should deny that all knowledge was derived from experience. He insisted that all experience must conform to knowledge. According to Kant, space and time are subjective; along with various "categories," they help us to see the phenomena of the world, though never its true reality.

The French point of view: “La langue anglaise n’existe pas. C’est du français mal prononcé.” (“The English language doesn’t exist. It is badly pronounced French.”) Georges Clemenceau, French Prime Minister, 1917-1920.

Rene Descartes spent most of his childhood in solitude, a situation that also came to characterize his adult life. Fortunately, these countless lonely hours helped Descartes produce the declaration that changed all philosophy: "I think, therefore I am." Eventually convincing himself to doubt and disregard sensory knowledge, Descartes found he could prove his existence through his thoughts. This internal information, he believed, was the true reality and external forces were hopelessly deceiving.

The Pun Also Rises is an authoritative yet playful exploration of a practice that is common, in one form or another, to virtually every language on earth. At once entertaining and educational, this engaging book answers fundamental questions: Just what is a pun, and why do people make them? How did punning impact the development of human language, and how did that drive creativity and progress? And why, after centuries of decline, does the pun still matter?

These were among the questions that philosophers wrestled with in mid-twentieth-century Britain, a period shadowed by war and the rise of fascism. In response to these events, thinkers such as Philippa Foot (originator of the famous trolley problem), Isaiah Berlin, Iris Murdoch, Elizabeth Anscombe, Gilbert Ryle, and J. L. Austin aspired to a new level of watchfulness and self-awareness about language as a way of keeping philosophy true to everyday experience.

Here is the remarkable story of how this humble language took vigorous root in Eastern European shtetls and in the Jewish quarters of cities across Europe; how it achieved a rich literary flowering between the wars in Europe and America; how it was rejected by emancipated Jews; and how it fell victim to the Holocaust. And also how, in yet another twist of destiny, Yiddish today is becoming the darling of academia. Yiddish is a history as story; a tale of flesh-and-blood people with manic humor.

Audiokurs prednaznachen dlja uchashhihsja 11 klassov obshheobrazovatel'nyh uchrezhdenij. V interesnoj i dostupnoj forme on znakomit uchenikov s epohoj Novoj istorii, ee sobytijami i gerojami. Eto uprostit i uskorit obuchenie, pozvolit dat' ucheniku ischerpyvajushhij otvet na urokah.

Ce livre traduit en français couvre le sujet du langage métaphysique des représentations/images des hiéroglyphes égyptiens- le langage de l’esprit/de l’intellect/du divin, les réalités scientifiques/métaphysiques des images pictographiques (hiéroglyphes) comme le moyen ultime pour la conscience humaine qui interprète, traite et garde les significations de telles images.

Perhaps not surprisingly given how advanced they were in comparison to contemporaries, the Egyptians invented one of the first writing systems ever, and for centuries, people thought these ancient texts held some sort of secret, be it aliens, advanced technology lost to the world, or mystical cures for all of the world’s ills. Even the ancient Egyptians saw their writing systems as full of mystery and hidden knowledge - according to Egyptian mythology, writing was invented by the ibis-headed god Thoth, the most intellectual of the gods.