Latin American Fiction

"Es la novela de una particular clase social: la más alta, la del poder, las drogas, la política y los viajes de placer, esa clase social que todos nuestros países tienen, buena para nada, inútil hasta la exasperación. El planteo de esta novela es, en esencia, el vacío. La vacuidad de estas vidas es impresionante, y en tal sentido me parece un logro que este texto muestre tan virtuosamente la infatuación y el eterno desmoronamiento de las burguesías."

The veil between the living and the dead is obscured, chaos becomes panacea, and characters take drastic measures into their own hands. Survivors of all kinds seek strategy and solace: a group of homeless people organize an occupation of vacant condos, a new resident to a disturbing neighbourhood tries to make sense of madness, a dog investigates the sudden disappearance of his owner. The five intertwined vignettes in the title story are set in a Caribbean country where the spectre of the sugar plantation haunts everyone.

Estaba la pájara pinta sentada en un verde limón se ha vuelto, con el tiempo, un hito en la literatura colombiana y uno de los textos más estudiados para entender el origen de la violencia que todavía hoy azota a este país. Su lenguaje fresco, ágil y rico ha permitido que la novela perdure y que cada día sea más valorada por las nuevas generaciones.

Emilia and Gregorio spent their childhood following their grandmother through the mountains of central México, gathering the ingredients she used for curandera work and learning about the supernatural world. When she passes away, the siblings are left alone. So they scrape together their money and pay coyotes to smuggle them to their father in the United States. The siblings are exhausted before they even reach the border, where the coyotes seize Emilia for their own harsh ends.

Havana, Cuba. December 1958. Two brothers find themselves on opposite sides of Castro’s revolution. One dark night, after rescuing a leader of the revolt under house arrest, one brother finds himself hunted. The other, an influential attorney, must make a choice. Help his brother, placing the whole family at risk, or let Batista’s forces capture him. His decision will haunt them both for the rest of their lives.

Recently divorced, Palma, a forty-three-year-old Latina, takes stock of her life when she reconnects with her gangster younger cousin recently released from prison. Her sexual obsession with him flares as she checks out her other options, but their family secrets bring them together in unexpected ways. In this wildly entertaining and sexy novel, Ana Castillo creates a memorable character with a flare for fashion, a longing for family, and a penchant for adventure.

No one expects to meet their father at their mother’s funeral. But for Gabby Medina, that’s exactly what happens. Her dad abandoned her when she was a baby, and now he’s back. And he wants to give her a house. Gabby doesn’t want the house—or him. But she could use the money. So Gabby agrees to take it under two conditions: First, she can sell the house whenever she wants. Second, accepting it doesn’t mean she accepts him.

Mariana, a young girl full of dreams and aspirations, lives an idyllic life on a lush California citrus ranch. Her world is turned upside down when her brother is killed, and a powerful man orchestrates her family's deportation. Mariana's life transforms from the protected embrace of life on the ranch to the chaotic whirlwind of Tijuana in the 1920s. As Prohibition rages north of the border, Tijuana descends into debauchery, with saloons, casinos, and brothels—earning the moniker Satan's Playground.

At eighteen, Soledad couldn't get away fast enough from her contentious family with their endless tragedies and petty fights. Two years later, she's an art student at Cooper Union with a gallery job and a hip East Village walk-up. But when Tia Gorda calls with the news that Soledad's mother has lapsed into an emotional coma, she insists that Soledad's return is the only cure. Fighting the memories of open hydrants, leering men, and slick-skinned teen girls with raunchy mouths and snapping gum, Soledad moves home to West 164th Street.

Este libro ya es leyenda. Fue elogiado por la crítica uruguaya y extranjera. Ganó premios nacionales e internacionales. Lo editaron en varios países y lo estudian en muchas universidades de América Latina, Estados Unidos y Europa.

In fuga dalla schiavitù, il viaggio di una madre alla ricerca dei figli e della libertà. "È questa la libertà?" si chiede Rachel, mentre corre in una foresta immersa nel buio, sola, atterrita, esausta. Sta scappando dalla piantagione in cui ha trascorso tutta la sua esistenza, da un lavoro sfibrante, da un padrone brutale. Lo stesso padrone che, quella mattina del 1834, ha annunciato la fine della schiavitù, per poi aggiungere che tutti loro avrebbero dovuto prestare servizio come apprendisti per altri sei anni. Una beffa atroce. In quell'istante, qualcosa in Rachel si è spezzato.

Son los años cincuenta, Raquel y Alejo se aman a escondidas: los prejuicios del padre de Raquel les impiden verse libremente. Sin embargo, las precauciones para no ser encontrados fallan y una noche los protagonistas son sorprendidos. El castigo es la separación, la que llevará a Raquel a París y a Alejo, a la Amazonía peruana.

En la Barcelona de la posguerra —ese espacio ya mítico donde transcurre la narrativa de Marsé—, el capitán Blay, con su cabeza vendada y sus suspicacias sobre los escapes de gas que están a punto de hacer volar toda la ciudad, se pasea por el barrio sacudido aún por los estertores de la guerra perdida y acompañado por los espectros gimientes de sus hijos muertos.

Fulfilling his father's last wishes, Dani embarks on a road trip back to his childhood village, a three-hour hearse journey from Madrid. Leaving behind the busy streets of the city for the deserted, archaic heart of Spain, Dani revisits the key junctions of his life: his conflicted relationship with a pragmatic and authoritarian father; the mystery of his birth; his school years in the repressed atmosphere of Catholic Spain; the origin of his band and its early successes; the emptiness left by a tragically lost friendship; his great loves.

Growing up with a kind but alcoholic father and a suspicious, passive-aggressive mother, the Bernal sisters each developed their own way of coping: Dulcina had her art and drugs and alcohol, Claudia plunged into her studies and fled to Princeton, and Maritza watched one Disney movie after another in between devouring romance novels. Now all grown up, the sisters are reunited at last for Maritza’s dream wedding. With all three Bernal sisters back in their East L.A. home, each begins to take steps to come to terms with each other, their parents, and secrets from their shared past.

This is the story of a successful young couple living in Austin, Texas, whose personal histories, identities, aptitudes and ambitions have brought them to this booming city in this time, to the music and tech industries, and to one another. New and old successes and family ties and responsibilities force them to reckon with the people their happy modern lives have made them. Two Twins is an exploration of millennial middle age, how our personal anthropologies inform what we want from life, and the kinds of love we’re capable of offering and the kinds we’re apt to receive.

Erin Simpkins is a cardiothoracic surgeon at the top of her game. Iliana Martinez is a beautiful Latina with surgical skills and a brilliant mind. Cobra Dilan is the tiniest surgeon in the operating room, a country doctor with a big heart and a patriotic allegiance to the ole south. These three young surgeons are the next generation of doctors at Penn's Landing Memorial Hospital. Their lives are extreme and full of drama. They work at an urban trauma center in Philadelphia where their personal lives cause problems in and out of the OR.

Tenochtitlán, 1487. Una confederación de pueblos rebeldes le hace frente al imperio mexica: interrumpe sus vías de comercio y se niega a pagar sus tributos. El ejército de la Triple Alianza, dirigido por el huey tlahtoani Ahuízotl, responde con una inminente declaración de guerra....

There’s only one solution for a nasty case of writer’s block, and that’s murder. Specifically, that of one Mercy McCabe, a cunning SoHo art dealer who was once our Latina narrator’s rival for the scrumptious Bebe. When she discovers that McCabe has squandered Bebe’s affections after stealing her away, revenge is not enough: She must admit her guilt, sentence herself, and beg for her own execution, Soviet-style.

After the tragic death of her parents when she was just four years old, Raqi is sent to live with her uncle Dodge in Escondido, California. Taking after her Mexican father, Raqi immediately faces hostility from the members of Dodge’s all-White, one-percenter motorcycle club, the Lawless, and from her uncle himself. Being raised by a drug addict is no picnic, and Raqi must quickly learn how to survive. She manages to form a few friendships. Still, as soon as she can, she leaves the violence and bigotry behind and doesn’t look back.