Literary Fiction Psychological

"Chacun de nous abrite-t-il quelque chose d'innommable susceptible de se révéler un jour, comme une encre sale, antipathique, se révélerait sous la chaleur de la flamme ? Chacun de nous dissimule-t-il en lui-même ce démon silencieux capable de mener, pendant des années, une existence de dupe ?"

Florence, de nos jours. Pietro Gerber est un psychiatre pour enfants, spécialiste de l'hypnose. Il arrive ainsi à extraire la vérité de jeunes patients tourmentés. Un jour, une consœur australienne lui demande de poursuivre la thérapie de sa patiente qui vient d'arriver en Italie. Seul hic, c'est une adulte. Elle s'appelle Hanna Hall et elle est persuadée d'avoir tué son frère pendant son enfance.

Zara has always felt a little ordinary next to her spirited best friend Ivy. Even her dreams seem mundane: a boyfriend, marriage, children. Besides, who would pick her when they could choose Ivy? So when Zara meets Henry and there's an instant spark, she can't believe her luck. A wealthy CEO who wants to settle down? He's perfect...until Ivy insists he's too good to be true.

The setting is the Georgia wilderness, where the state's most remote white-water river awaits. In the thundering froth of that river, in its echoing stone canyons, four men on a canoe trip discover a freedom and exhilaration beyond compare. And then, in a moment of horror, the adventure turns into a struggle for survival as one man becomes a human hunter who is offered his own harrowing deliverance.

The Gambler paints a stark picture of the attractions—and addictions—of gambling. Using skillful characterization, Dostoevsky faithfully depicts life among the gambling set in old Germany. This probing psychological novel explores the tangled love affairs and complicated lives of Alexey Ivanovitch, a young gambler, and Polina Alexandrovna, the woman he loves.

There's something eerily unsettling about Ottessa Moshfegh's stories, something almost dangerous, while also being delightful and even laugh-out-loud funny. Her characters are all unsteady on their feet in one way or another; they all yearn for connection and betterment, though each in very different ways, but they are often tripped up by their own baser impulses and existential insecurities.

The Other Name follows the lives of two men living close to each other on the west coast of Norway. The year is coming to a close and Asle, an aging painter and widower, is reminiscing about his life. He lives alone, his only friends being his neighbor, Åsleik, a bachelor and traditional Norwegian fisherman-farmer, and Beyer, a gallerist who lives in Bjørgvin, a couple hours drive south of Dylgja, where he lives. There, in Bjørgvin, lives another Asle, also a painter. He and the narrator are doppelgangers—two versions of the same person, two versions of the same life.

Allander Atlasia is an infamous psychopath whose heinous crimes have earned him a lifetime stay at the Tower, the world's most extreme maximum-security prison. But after a brilliant and brutal escape, the criminal mastermind begins a killing spree that is intensely personal. Jade Marlow is an ex-FBI profiler and tracker whose fearlessness is only surpassed by the severity of his own inner demons. With a record of irrational behavior and a genius for putting himself into the mind of a criminal predator, he may be the one man diabolical enough to catch Atlasia.

Exposing the many lies told on and off the psychoanalyst's couch, Lying on the Couch gives listeners a tantalizing, almost illicit glimpse at what their therapists might really be thinking during their sessions. Fascinating, engrossing, and relentlessly intelligent, it ultimately moves listeners with a denouement of surprising humanity and redemptive faith.

Retired policeman Tom Kettle is enjoying the quiet of his new home, a lean-to annexed to a white Victorian Castle in Dalkey overlooking the sea. For months he has barely seen a soul, but his peace is interrupted when two former colleagues turn up at his door to ask questions about a decades-old case. A traumatic case which Tom never quite came to terms with. His peace is further disturbed by a young mother and family who move in next door, a woman on the run from her own troubles. And what of Tom’s family, his wife June, and their two children?

This wonderful novel is set in what is known as the Soviet period of stagnation - the 1970s, or late Brezhnev era. The university-educated narrator wistfully looks back on a few months in mid-decade when he left his cynical and jaded friends in Leningrad to travel to a small provincial town near the White Sea. Ostensibly writing about provincial folk customs, but also hoping to gather material for an anti-Soviet satire, he instead meets Vera, a woman much older than he who has waited 30 years for her lover to return from World War II.

"Tu sais parfois, je me demande s'il n'y a pas quelqu'un qui prend possession de toi." Ce livre est le récit de ma rencontre avec L. L est le cauchemar de tout écrivain. Ou plutôt le genre de personne qu'un écrivain ne devrait jamais croiser.

Everyone has secrets.... The beautiful young judge. The hardworking waitress. The handsome college student. Some are meant to be kept.... The victims are all different, but they will all have one gruesome detail in common. But others can kill.... A clever serial killer is stalking the streets of Seattle. Searching for this next victim. Creating a monument of madness that will be built victim by victim, piece by piece, bone by bone....

Sam a connu les horreurs du monde et de la guerre comme opérateur au sein des Forces spéciales. Alexia, une jeune femme trans, tente d'échapper à la violence qu'est devenue sa vie. La liberté a un prix. Et cette liberté, parfois, se paie de chair et de sang.

Connie Ramos is a Mexican American woman living on the streets of New York. Once ambitious and proud, she has lost her child, her husband, her dignity - and now they want to take her sanity. After being unjustly committed to a mental institution, Connie is contacted by an envoy from the year 2137, who shows her a time of sexual and racial equality, environmental purity, and unprecedented self-actualization. But Connie also bears witness to another potential outcome: a society of grotesque exploitation.

Go, Went, Gone is the masterful new novel by the acclaimed German writer Jenny Erpenbeck, “one of the most significant German-language novelists of her generation” (The Millions). The novel tells the tale of Richard, a retired classics professor who lives in Berlin. His wife has died, and he lives a routine existence until one day he spies some African refugees staging a hunger strike in Alexanderplatz. Curiosity turns to compassion and an inner transformation, as he visits their shelter, interviews them, and becomes embroiled in their harrowing fates.

A recurrent, unidentifiable noise in her apartment. A memo to her boss that's replaced by obscene insults. Amanda - a successful architect in a happy marriage - finds her life going off kilter by degrees. She starts smoking again, and one night for no reason, without even the knowledge that she's doing it, she burns her husband with a cigarette. At night she dreams of a beautiful woman with pointed teeth on the shore of a blood-red sea.

On a sunny afternoon, the middle-aged writer Joe Rose and his wife look up from their picnic in the countryside to see an elderly man desperately trying to anchor his giant helium balloon. Running to help, Joe is joined by other bystanders. But from that fateful day, one of them, Jed Parry, will begin to stalk Joe. Driven by religious zeal and misdirected love, the strange young man will slowly unravel each strand of Joe's life.

In the bizarre world of Franz Kafka, salesmen turn into giant bugs, apes give lectures at college academies, and nightmares probe the mysteries of modern humanity’s unhappiness. More than any other modern writer in world literature, Kafka captures the loneliness and misery that fill the lives of 20th-century humanity.

The plot centers on Anthony Beavis, a dilettante social theorist, a man inclined to recoil from life. The pleasures of the physical world disgust him and the universe of ideas is but a poor refuge. Having long lost the art of intimacy, he betrays friendships and toys with the affections of women. But as Beavis approaches middle age, his world of perfect detachment begins to lose its appeal. Finally realizing that his withdrawal from life has been motivated not by intellectual honesty but by moral cowardice, Beavis, devastated and at crisis point, meets the remarkable and redoubtable Dr Miller.