Noir Anthology

Vancouver is the so-called City of Glass. A nice place, in any case, and much too nice for noir. Looked at from afar, Vancouver may seem idyllic. But living here is different - cold and baffling and occasionally hostile. While outsiders focus on high-test BC bud, locals see a heroin crisis: Vancouver is home to the first legalized safe-injection site in North America, now heavily taxed by overdoses resulting from street drugs cut with fentanyl.

Best-selling authors Jeffery Deaver and Anne Perry join rising stars like Dana Chamblee Carpenter and Paul Gail Benson in a collection that proves Music City is a deadly place to be when your song gets called. Featuring stories by Donald Bain, Robert Dugoni, Jefferson Bass, Mary Burton, Jonathan Stone, Steven James, Maggie Toussaint, Clay Stafford, Heywood Gould, Jaden Terrell, and more....

Akashic Books continues its award-winning series of original noir anthologies, launched in 2004 with Brooklyn Noir. Each book comprises all new stories, each one set in a distinct neighborhood or location within the respective city. In Hong Kong Noir, 14 of the city’s finest authors explore the dark heart of the Pearl of the Orient in haunting stories of depravity and despair.

Sin City. An artificial oasis of pleasure, spectacle, and entertainment, the gambling capital of America has reinvented itself so many times that it's doubtful that anyone knows for sure what's real and what isn't in the miles of neon and scorching heat. Las Vegas is considered the ultimate player's destination, no matter what your game. Las Vegas is the true city that never sleeps, where fortunes are made and lost every day, and where snake-eyes aren't found just on a pair of dice.

In keeping with the Akashic Noir series tradition, each story in Boston Noir is set in a different neighborhood of the city - the impressively diverse collection extends from Roxbury to Cambridge, from Southie to the Boston Harbor, and all stops in between. Lehane's own contribution - the longest story in the volume - is set in his beloved home neighborhood of Dorchester and showcases his phenomenal ability to grip the heart, soul, and throat of the reader.

Reflecting a city still divided, Belfast Noir serves as a record of a city transitioning to normalcy, or perhaps as a warning that underneath the fragile peace darker forces still lurk. Featuring brand-new stories by: Glenn Patterson, Eoin McNamee, Garbhan Downey, Lee Child, Alex Barclay, Brian McGilloway, Ian McDonald, Arlene Hunt, Ruth Dudley Edwards, Claire McGowan, Steve Cavanagh, Lucy Caldwell, Sam Millar, and Gerard Brennan.

There is something of both the absolutely spectacular and positively disgraceful about Tehran. But most writers around the world are inclined to think that their own sprawling metropolis is the capital of every imaginable vice and crime, of impossible love and tenderness and cruelty and malice in measures that seldom exist anywhere else. For me, Tehran's case is no different - except that there really is a difference here. The city may be a hothouse of decadence, a den of inequity, all that. But it still exists under the watchful eye of a very unique entity, the Islamic Republic.

Noir emerged as a prominent American film genre in the early 1940s, distinguishable by its use of unusual lighting, sinister plots, mysterious characters, and dark themes. From The Maltese Falcon (1941) to Touch of Evil (1958), films from this classic period reflect an atmosphere of corruption and social decay that attracted such accomplished directors as John Huston, Alfred Hitchcock, Billy Wilder, and Orson Welles.

Each contributor presents a brand new story set in a distinct neighborhood. Brooklyn Noir mixes masters of the mystery genre with the best of New York’s literary fiction community - and, of course, leaves room for new blood. These brilliant and chilling stories see crime striking in communities of Russians, Jamaicans, Hasidic Jews, Puerto Ricans, Italians, Irish and many other ethnicities - in the most diverse urban location on the planet.

In this intensive, intimate, and anything-but-glamorous behind-the-scenes account, film insider and cinephile Paul M. Sammon explores how Ridley Scott used his creative genius to transform the work of science fiction's most uncompromising author into a critical sensation, a commercial success, and a cult classic that would reinvent the genre.

My favorite line in my favorite song about Dallas goes like this: Dallas is a rich man with a death wish in his eyes / A steel and concrete soul in a warm heart and love disguise... The narrator of Jimmie Dale Gilmore's perfect tune Dallas" is coming to town as a broke dreamer with the bright lights of the big city on his mind. He's just seen the Dallas cityscape through the window of his seat on a DC-9 at night. Is he just beginning his quest?

Beneath the glitter of Mardi Gras lies the sleaze of Bourbon Street; under the celestial sounds of JazzFest, the nightmare screams of a city once at war within its neighborhoods, but after Hurricane Katrina, seemingly at war with nature and the rest of the country as well. New Orleans is a third world country in itself, a Latin, African, European (and often amoral) culture trapped in a Puritan nation.

"À force de vouloir m'abriter en toi, j'ai perdu de vue que c'était toi, l'orage. Que c'est de toi que j'aurais dû vouloir m'abriter. Mais qui a envie de vivre abrité des orages ?" Frida parle haut et fort, avec son corps fracassé par un accident de bus et ses manières excessives d'inviter la muerte et la vida dans chacun de ses gestes."

Beirut is a city of contradiction and paradox. It is an urban and rural city, one of violence and forgiveness, memory and forgetfulness. Beirut is a city of war and peace. This short story collection is a part of a vibrant, living recovery of Beirut. Beirut Noir recovers the city once again through writing, through the literary visions of its authors....

When you think of St. Petersburg noir, some of the greatest literary names immediately spring to mind - Alexander Pushkin, Nikolay Gogol, and Fyodor Dostoevsky. Modern day St. Petersburg lavishly offers the scenery and conditions for true noir stories, and the writers in St. Petersburg Noir succeed in concocting their own worlds within this city with stories ranging from mystical to outwardly grotesque.

Humans have always been fascinated by darkness. Especially the darkness of a city at night, when the black sky is made ever more inky by the pools of illumination dropped under streetlights. Whether the mean streets be in an alternate past charmed with dark magic or the dirty alleyways of futuristic crowded space stations, the city—and its darkened streets—will always fascinate us. Here then, an anthology of all new stories of science fiction and fantasy with a hardboiled noir twist that acknowledge that the city is a living, breathing entity...and it isn’t always on our side.

Bombay's communal riots of 1992 - in which Hindus were alleged to be the primary perpetrators - were followed by retaliatory bomb blasts in 1993, masterminded by the Muslim-dominated underworld. Over a thousand citizens lost their lives in these internecine bouts of violence and thousands more became refugees in their own city. In a matter of months, Bombay ceased to be the cosmopolitan, wholesome, and middle-class bastion it had been for decades.

Step into Indian Country. Enter the dark welter of troubled history throughout the Americas, where the heritage of violence meets the ferocity of intent. Features brand-new stories by: Mistina Bates, Jean Rae Baxter, Lawrence Block, Joseph Bruchac, David Cole, Reed Farrel Coleman, O'Neil De Noux, A.A. Hedge Coke, Gerard Houarner, Liz Martnez, R. Narvaez, Kimberly Roppolo, Leonard Schonberg, and Melissa Yi.

Brand-new stories by: Daniel Woodrell, Matthew Eck, Catherine Browder, Nancy Pickard, John Lutz, J. Malcolm Garcia, Kevin Prufer, Linda Rodriguez, Nadia Pflaum, Phong Nguyen, Andres Rodriguez, and others. Kansas City: where East and West collide, where naked ambition meets broken dreams, where blues and the night go together like rye whiskey, vermouth, and bitters. Yes, Kansas City is a surprising place of grit, gore, and betrayal, at least in the imaginations of our diverse lineup of contributors.

From its launch in 1920 until its demise in 1951, the magazine Black Mask published pulp crime fiction. The first hard-boiled detective stories appeared on its pages. Never before in audio, these vintage stories are the darkest of the dark, and the best of the best.

Crime fiction fans old and new will delight in rediscovering these taut, character-rich, heart-stopping tales, now on audio for the first time.