Politics Entertainment

Ever since Johnny Carson first popularized the late-night talk show in 1962 with The Tonight Show, the 11:00 p.m. to 2:00 a.m. comedy time slot on network television has remained an indelible part of our national culture. More than six popular late-night shows air every night of the week, and with recent major shake-ups in the industry, late-night television has never been more relevant to our public consciousness than it is today.

In this never-before-published memoir from the files of The Walt Disney Archives, Disney Legend Jimmy Johnson (1917-1976) takes you from his beginnings as a studio gofer during the days of Snow White and the Seven Dwarfs to the opening of Walt Disney World Resort. Johnson relates dozens of personal anecdotes with famous celebrities, beloved artists, and, of course, Walt and Roy Disney.

From the sleek Aston Martin that spits out bullets, nails, and passengers at the push of a button to the microjet that makes hairpin turns to avoid a heat-seeking missile, the science and technology of James Bond films have kept millions of movie fans guessing for decades. Are these amazing feats and gadgets truly possible? The Science of James Bond takes you on a fascinating excursion through the true science that underlies Bond's most fantastic and off-the-wall accoutrements.

At some point in our lives, most of us have been affected by caring adults whose advice, guidance, and example made a difference. In The Person Who Changed My Life, individuals who have distinguished themselves in their fields write about the men and women who served as their mentors.

Throughout the 1990s, Prince feuded with his record label, Warner Bros., over his rights as an independent recording artist - and made some of the most brilliant music of his career. During that time, Jim Walsh covered Prince for the St. Paul Pioneer Press and wrote about him passionately, thoughtfully, exhaustively. Here, in real-time, is that coverage: a look back at Prince in the '90s. Walsh's newly unearthed interviews, essays, columns, and reviews make Gold Experience an essential slice of history.

Black Music is a book about the brilliant young jazz musicians of the early 1960s: John Coltrane, Thelonious Monk, Miles Davis, Ornette Coleman, Cecil Taylor, Archie Shepp, Sun Ra, and others. It is composed of essays, reviews, interviews, liner notes, musical analyses, and personal impressions from 1959-1967. Also includes Amiri Baraka's reflections in a 2009 interview with Calvin Reid of Publishers Weekly.

The book chronicles the extraordinary life and leadership of Rome's Emperor Julius Caesar, from his early years to his assassination. "History of Julius Caesar" is one of many biographies aimed at young people written by Jacob Abbott and his brother. The biographies are written in such a way that makes them appealing and easily accessible to everyone.

This is the first academic study of sneakers and the subculture that surrounds them. Since the 1980s, American sneaker enthusiasts, popularly known as 'sneakerheads' or 'sneakerholics', have created a distinctive identity for themselves, while sneaker manufacturers such as Reebok, Puma and Nike have become global fashion brands. How have sneakers come to gain this status and what makes them fashionable?

This combination of serious artistic engagement with warmth and clarity of prose revels in the experiences and pleasures of art and the body, identity, and community.

Steadfast in fighting crime, but operating outside the police force - and sometimes even the law - is the private detective. Driven by his own moral code, he is a shadowy figure in a trench coat standing on a street corner, his face most likely obscured by a tilted fedora, a lit cigarette dangling from his hand. The hard-boiled detective is known by his dark past, private pain, and powers of deduction. He only asks questions - never answers them. In his stories he is both the main character and the narrator.

Labor Day, 1969: Two recent college graduates move to New York to edit a new magazine called the National Lampoon. Over the next decade, Henry Beard and Doug Kenney, along with a loose amalgamation of fellow satirists such as Michael O’Donoghue and P. J. O’Rourke, popularized a smart, caustic, ironic brand of humor that has become the dominant voice of American comedy. Ranging from sophisticated political satire to broad raunchy jokes, the National Lampoon introduced iconoclasm to the mainstream, selling millions of copies to an audience both large and devoted.

Bloody Crossroads 2020 takes a deep dive into the role that mass-appeal movies, television, videos, and music played in America's political culture in the year of Donald Trump's failed reelection campaign. The book also explores the impact of entertainment celebrities in communications, fundraising, and campaigning to support the election of Joe Biden.

The Boys in the Band's debut was revolutionary for its fictional but frank presentation of a male homosexual subculture in Manhattan. Based on Mart Crowley's hit Off-Broadway play from 1968, the film's two-hour running time approximates real time, unfolding at a birthday party attended by nine men whose language, clothing, and behavior evoke a range of urban gay "types." Although various popular critics, historians, and film scholars over the years have offered cursory acknowledgment of the film's importance, more substantive research and analysis have been woefully lacking. The film's neglect among academics belies a rich and rewarding object of study. The Boys in the Band merits not only the close reading that should accompany such a well-made text but also recognition as a landmark almost ideally situated to orient us amid the highly complex, shifting cultural terrain it occupied upon its release-and has occupied since.

In 1920, while campaigning for the office of president, Warren G. Harding said in a campaign speech, “America’s present need is not heroics, but healing; not nostrums, but normalcy.” That is where America finds itself today. America: Standing Strong brings together investigative reporters, scholars, scientists, philosophers, medical professionals, elected officials, and an endless string of quotes from respected voices, past and present, to examine the events of recent years—not what we know, but what we may not, or have yet to acknowledge, in our quest for reformation.

சவரககர எனற பயரக கடடதம அவர மனனபபக கடதம எழதத தணடனயல இரநத தபபததவர எனற சலபவரகள ஒர பககம. சவரககரப பனற ஒர தலவரப பரககவ மடயத எனற சலபவரகள இனனர பககம. எத உணம?

அடலஃப ஹடலர எநத ஒர பயரக கடடவடன உஙகள மனதல ஒர வறபப பரவம எனற கடடல, உலகம மழகக அனவரம சலலம பயர இததன. ஏன அபபட? கடககணககன மககளக கனற கவககம வற எபபட ஹடலரகக வநதத? யதரகள ஏன ஹடலர வடடயடனர?

Before The Beatles landed on American shores in February 1964, only two British acts had topped the Billboard singles chart. In the first quarter of 1964, however, the Beatles alone accounted for 60% of all recorded music sold in the United States; in 1964 and 1965 British acts occupied the number one position for 52 of the 104 weeks; and from 1964 through to 1970, the Rolling Stones, Herman's Hermits, the Dave Clark Five, the Animals, and more placed more than 130 songs on the American Top Forty.

An incisive portrait of a culture unanchored and adrift. In these pieces, veteran MTV commentator and rock journalist Kurt Loder turns his jaundiced eye and trenchant wit on the nature of celebrity as embodied by rock musicians and other pop culture icons. Ride along as Mick Jagger sheds his bad-boy image to embrace the jet-setter lifestyle; ponder the puzzling dichotomy between Prince's racy lyrics and self-proclaimed spirituality; and much more.

Beatleness explains how the band became a source of emotional, intellectual, aesthetic, and spiritual nurturance in fans’ lives, creating a relationship that was historically unique. Looking at that relationship against the backdrop of the sexual revolution, the Vietnam War, political assassinations, and other events of those tumultuous years, the audiobook critically examines the often-heard assertion that the Beatles changed everything.

Eindringlich erzählt Biermann vom Vater, der als Jude in Auschwitz ermordet wurde, von der Mutter, die ihn aus dem Hamburger Bombeninferno rettete, vom väterlichen Freund Robert Havemann, mit dem er das Los des Geächteten teilte. Er führt uns in die absurde Welt der DDR-Diktatur. Und er erzählt die Geschichten seiner in den Westen geschmuggelten, im Osten heimlich kursierenden Lieder, deren "Verskunst, robuste Rhetorik und gewaltige Sprachkraft" Marcel Reich-Ranicki lobte.