Research Fiction

Cops and Writers: Crime Scenes and Investigations gives you invaluable insight into how law enforcement officers investigate and solve crimes. Sgt. O’Donnell takes you from the start of an investigation to clearing the crime. Using your newfound knowledge of investigations, your sleuth will be ready to take on the toughest adversary and bring them to justice!

Todos nacemos con la habilidad de relatar historias y muchos soñamos con convertirnos en escritores. Algo que debéis tener claro es que el escritor no nace, se hace. Como en todas las profesiones, la escritura también necesita aprenderse, cultivarse, y ejercitarse. En este libro encontrarás explicaciones claras acerca de los múltiples elementos de la escritura creativa, con ejemplos y ejercicios.

El audiolibro definitivo de no-ficción para aquellos que pretenden lanzarse a la ficción. Andreu Martín, maestro indiscutible de la novela negra y la novela juvenil, nos revela en este audiolibro sus secretos a la hora de afrontar un proyecto literario, la manera de contar una historia del mejor modo posible. Una lectura apasionante tanto para los iniciados en narrativa como para los principiantes que tengan una historia que contar.

¿Cuándo se considera una novela excelente? ¿Y un personaje inolvidable? ¿Puedes crear un libro que llegue a miles de lectores? ¿Cómo se escribe un superventas? Después de dieciocho años de experiencia, de conseguir casi un millón de libros vendidos y varios best-seller a lo largo de mi vida, quiero compartir contigo mi secreto para que tus obras triunfen. Este libro no trata de cómo escribir una novela, sino de cómo la puedes escribir tú y convertirla en un éxito editorial.

Through a collection of intimate reflections (on art, punctuation, eyeglasses, color, dreams, celebrity, corpses, porn, and translation) and assignments that encourage pleasure, attentiveness, and acts of playful making, poet, artist, critic, novelist, and performer Wayne Koestenbaum enacts 26 ecstatic collisions between his mind and the world. Figure It Out is both a guidebook for, and the embodiment of, the practices of pleasure, attentiveness, art, and play.

Science fiction is all about exploration. We want to know more about the known world, but especially the unknown. It is in that idea of unlimited potential that the sci-fi genre was born. Whether you are a novice or writing professional, the prompts contained in this book are designed to give you more food for thought when crafting your creative works. The book is also segmented in order to give you the most common science fiction themes and concepts.

Deep in the vastness of the great plains, fate brings together a reclusive chemist and a mysterious woman who emerges from the boundless forest surrounding his mountain cabin. Their lives intertwine as they discover a connection to the power of nature and a shared past far more improbable than they had ever imagined.

¿Por qué y para qué se escribe? ¿De dónde provienen las ideas que estimulan y alimentan a un escritor? ¿Cuál es el motor que impulsa la creatividad? Para Federico Reyes Heroles estas preguntas constituyen una curiosidad esencial, el núcleo de una pasión de vida. Para responderlas, nos propone un recorrido que parte de su experiencia personal y sigue las pistas de otros escritores que sondearon sus propios procesos creadores. Al poco tiempo, el explorador descubre que no puede quedarse en el ámbito de la literatura.

In the middle of the night on March eleventh, 1980, the phone rang in Julia Reed’s Georgetown dorm. It was her boss at Newsweek, where she was an intern. He told her to get in her car and drive to her alma mater, the Madeira School. Her former headmistress, Jean Harris, had just shot Dr. Herman Tarnower, The Scarsdale Diet Doctor. Julia didn’t flinch. She dressed, drove to Madeira, got the story—and her first byline—and the new American Gilded Age was off and running.

When word gets out about a death at a radio station, Jolene and other journalists swarm the scene, intent on reporting the facts first. The body is soon identified as Larry Lemmon, a controversial talk-show host, who died under suspicious circumstances. Jolene conducted his final interview, giving her and her station an advantage. But not for long. As the story heats up, so does the competition. Jolene is determined to solve this murder. It’s an investigation that could make or break her career—if it doesn't break her first.

For the last three decades Gary Younge has had a ringside seat during the biggest events and with the most significant personalities to impact the black diaspora: accompanying Nelson Mandela on his first election campaign, joining revellers on the southside of Chicago during Obama's victory, entering New Orleans days after hurricane Katrina or interviewing Archbishop Desmond Tutu, Maya Angelou and Stormzy. He has witnessed how much change is possible and the power of systems to thwart those aspirations.

In What Wars Leave Behind, J. Malcolm Garcia reveals the people and pain behind the statistics. He writes about impoverished families scraping by in Cairo’s city of the dead, ordinary Syrians pretending all is well as shells explode around them, and others caught in conflicts that rage long after the cameramen have packed up and gone away.

Un libro imprescindible para todos los aficionados al True Crime, a los misterios sin resolver y al lado más oscuro del crímen en España. La periodista Cruz Morcillo recopila testimonios y experiencias de policías y guardias civiles a través de los crímenes más truculentos ocurridos en España. Este audiolibro está narrado en castellano.

Pete's dead and Gwennie's life will never be the same. How could Pete, a young, fit man, leave her now? Their lives together were only just beginning. And pneumonia? It was insane, unthinkable, unbearable. Somehow she struggles through the funeral in a daze, and the mysterious mourner in the tight-fitting red dress barely registers in her consciousness. It's only later, when spotting a discrepancy in Pete's tax records, that she begins to wonder. Who was that woman?

In the voices of 20 landmark memoirists - including New York Times best-selling authors Cheryl Strayed, Sue Monk Kidd, and Pat Conroy - a definitive book on the craft of autobiographical writing, indispensable for amateur and professional writers alike. For fans of Mary Karr's The Art of Memoir and Judith Barrington's Writing the Memoir, this follow-up to editor Meredith Maran's acclaimed writers' handbook, Why We Write, offers inspiration, encouragement, and pithy, practical advice for bloggers, journal-keepers, aspiring essayists, and memoirists.

In ChatGPT for Fiction Writing, experienced author Sonny Saad lets you in on a game-changing secret: AI. Specifically, leveraging ChatGPT to become your tireless fiction writing partner.

The most dangerous place on Earth A devious and deadly plan to save humanity from itself A lone scientist battling the clock and ruthless enemies to avert global catastrophe The Deep Zone was hailed as “an absolutely phenomenal read by the new Michael Crichton” (Brad Thor), a book that...

Along with Virgil, Horace (Quintus Horatius Flaccus) was the greatest poet produced by Rome, and in many ways his work has had arguably an even greater impact. His brilliant expression and astonishing acumen continue to amaze readers today, either in their original Latin or in innumerable worldwide translations. Shakespeare's debt to Horace is incalculable, and it is difficult to read his Sonnets today without immediately being reminded of the famous Odes.

In Writing Unbound, Tom Newkirk argues that as a teaching profession, we shoot ourselves in the foot when it comes to writing. We fail to take advantage of a huge opportunity that is before us. That opportunity is fiction writing.

“I don’t want to be remembered for One Hundred Years of Solitude or for the Nobel Prize, but rather for my journalism,” Gabriel García Márquez said in the final years of his life. And while some of his journalistic writings have been made available over the years, this is the first volume to gather a representative selection from across the first four decades of his career - years during which he worked as a full-time, often muckraking, and controversial journalist, even as he penned the fiction that would bring him the Nobel Prize in 1982.