Serial Killer Mystery Fiction

Kate Marshall was a promising young police detective when she caught the notorious Nine Elms serial killer. But her greatest victory suddenly turned into a nightmare. Traumatized, betrayed, and publicly vilified for the shocking circumstances surrounding the cannibal murder case, Kate could only watch as her career ended in scandal. Fifteen years after those catastrophic events, Kate is still haunted by the unquiet ghosts of her troubled past. Now a lecturer at a small coastal English university, she finally has a chance to face them.

Als frisch gebackener Vater eines kleinen Wunderbabys namens Lilly-Ann fasst Dexter den Entschluss, ab jetzt ein anständiges Leben zu führen und seine blutrünstigeren Hobbies an den Nagel zu hängen. Als dann jedoch ein junges Mädchen verschwindet und die verdächtigte Gruppe äußerst merkwürdige Praktiken an den Tag legt, hilft der Rechtsmediziner doch wieder seiner Schwester Deborah bei der Aufklärung. Zumal bald der Verdacht des Kannibalismus im Raum steht.

À Boston, un tueur en série sévit. Sa cible ? Les roux, qu'il considère comme l'apanage du Diable en personne. Sa signature ? Des méthodes de tortures effroyables, datant du moyen-âge, pour tuer les femmes rousses qu'il trouve sur son passage. Qui pourra l'arrêter ? L'un est lieutenant de police expérimenté, arrogant, et odieux. L'autre est une professeure de théologie à Harvard. Elle est timide, mais surtout, elle est rousse. Il est tout ce qu'elle n'est pas, et elle est tout ce qu'il fuit et même au-delà.

The first body is found forced inside a huge terracotta urn on the lawn of a country manor in a remote corner of North Norfolk. A few days later, a young woman is found, tied to a golden chair with her throat slashed. At both crime scenes, the killer leaves a bizarre calling card. The victims were part of a group of friends at university back in the day. Two of them are dead. Two are still alive—but for how much longer?

A killer dubbed the Confession Artist is posting sketches of potential victims on social media. And paranoia spreads as strangers across the nation admit to their sins—fearing the consequences: You have six days to confess or die. Then former cop and first-year PI Crosbie Mitchell sees a sketch that bears a striking resemblance to her. How can that be? She’s a nobody from Flathead Valley, Montana. Crosbie dismisses it as an unnerving coincidence.

When bodies are discovered in the open, the killings seeking to reenact Jamie's previous investigations, the team picks up the trail. A single killer is working from the shadows with ruthless efficiency, claiming victims before Jamie can even take a breath. But what's his endgame and what message is he trying to send? As Jamie starts to close in on the culprit, she begins to buckle under the weight of her own career. The monsters she's worked so hard to lock away are clawing their way out, and as the bodies start piling up, the team is pushed to their breaking point.

Yorkshire Dales, Summer 1997. Vicky Mott slips out the door of her remote cottage, and into the pale dawn light. She scrawls a note for her friends. Gone to see the sunrise. V xxx That's the last anyone ever hears from twenty-year-old music lover Vicky. Another victim of the Fellside Strangler? That would make Vicky the fourth young woman to lose her life this summer. Snatched by a mysterious killer who stalks the fells . . . But Vicky's body is never found.

Spring is beginning to brighten Sorenson, Wisconsin, for Mattie and Steve Hurley and their family. While their son Matthew may be in his terrible twos and Steve's daughter Emily a moody teenager, the kids bring light to their lives when their work is dark by its nature - Steve is a homicide detective and Mattie is a medicolegal death investigator, a.k.a. medical examiner. They deal in corpses. The latest corpse, a Jane Doe, was clearly an addict, but drugs didn't kill her, at least not directly. She's been stabbed multiple times in a pattern that is disturbingly familiar to Mattie.

They are waiting for death. He is waiting to kill them. In May 2020, fourteen-year-old Andrew Golding went out for a walk following a row with his mum. He was never seen again. Four years later, when the press discovers police errors in Andrew Golding's case, DI Ridpath is called in to...

My husband is lying. The minute he came home with alcohol on his breath and unable to look me in the eyes I knew it. We used to be in love–the intense ‘I can’t be without you for a second’ kind. Where it hurts deep to be apart. But now, we’re the couple that keep secrets from each other. We hide the truth. He thought I wouldn’t find out. I’m a detective–it’s literally my job to uncover clues and solve mysteries. I know what he did. And now I’m sitting here, in a police interview, being asked the question ‘did you kill her?’ to which I utter one life-shattering word: ‘yes.’

FBI Special Agent Mackenzie White finds herself stumped. Victims are turning up dead, unrecognizable, their bodies hurled from the highest of heights. A deranged serial killer, obsessed with heights, is killing his victims from the highest locations. The pattern seems random. But is it? Only by entering into the darkest canals of the killer’s mind can Mackenzie begin to understand what his motive is - and where he will strike next.

A late summer heatwave seems to have triggered an unusually high number of suicides. As the dead bodies pile up, DS Jack Mackinnon and the rest of MIT realise things aren’t as straightforward as they seem, and when similar letters are found at the scene of each "suicide", Mackinnon is convinced they are dealing with a serial killer. A killer who is determined to deliver his own deadly justice.

Since her move to the country, Melissa Craig has become firmly established in village life. So, when one of the older residents fails to show up for a drinks party, Melissa goes to check on her. What she finds chills her to the bone: Her dear neighbor has been murdered, and the killer has painted a hideous smile onto her face. Melissa soon realizes that the death in her village bears the same trademark as a series of recent murders in the Cotswolds.

Writer Karen Walker knows more than most about murderers. Her first love went on to become The Bagman, a notorious serial killer now locked away for life in a maximum-security prison. Karen has spent her life running from the weight of having loved him, defended him and, ultimately, leading the police to his door. But now, ten years later, just as she’s about to publish her account of his crimes, a young woman is abducted in horribly familiar circumstances.

When the remains of a young woman are discovered on the edge of picturesque Saranac Lake, Detective Harlow Durant races to the scene. The victim is identified as 26-year-old Ellie Gordon - a seemingly normal girl, with no known enemies. Then, another body is discovered. The only connection, a man they used to date. With a small community reeling in shock, Harlow knows time is running out to piece together the only lead she has, before another woman loses her life. But soon, she is confronted by a woman who brings her face-to-face with the secret she's spent her life running from.

Jeannie Parker married a serial killer. She didn’t know it at the time. But she blames her own demons for steering her into such a black orbit. Now, she’s running for her life... Stumbling through the frozen woods, she’s mad-lucky to find the decrepit cabin. But she can only hide so long. Their final showdown awaits. At least she’s stopped lying to herself about his depravity—so impossible to withstand, let alone outwit. Maybe she doesn’t deserve to get away given her complicity over the years. Still, a budding survival instinct within, Nag, disagrees with her assessment.

When DCI Matilda Darke receives a mysterious telephone call, she immediately dismisses the threat. After all, the Homicide and Major Enquiries team are a regular target for prank calls. But ignoring this warning might soon be the biggest regret of Matilda Darke’s life. A lone gunman is on a deadly rampage around Sheffield, leaving a bloody trail in his wake. Taking his shots with a sickening precision, he’s about to leave his mark on the world and change Matilda and her team’s lives forever.

On still nights, when the curve of a winter moon is smudged in the flow of the River Quaggy, the dead clamor for him. And sometimes he coaxes the living to join them. To other people, his victims might be mere medical oddities. To him, they are fascinating specimens, worthy of display. Above all, he is a collector, eager for recognition even as he hides in the shadows. Detective Sergeant Etta Fitzroy is the first to recognize the connection between the disappearance of a young girl and a cold case that almost cost her the career she's sacrificed so much for.

In the Maya Gray series (which begins with book one, Girl One: Murder) FBI Special Agent Maya Gray, 39, has seen it all. She’s one of BAU’s rising stars and the go-to agent for hard-to-crack serial cases. When she receives a handwritten postcard promising to release 12 kidnapped women if she will solve 12 cold cases, she assumes it’s a hoax. Until the note mentions that, among the captives, is her missing sister. Maya, shaken, is forced to take it seriously.

Le classique du genre, qui a inspiré la série éponyme, enfin à l'audio et porté par le timbre profond de Jean-Christophe Acquaviva ! New York, 1896. Un meurtrier sème les cadavres d'adolescents atrocement mutilés sans provoquer la moindre réaction des pouvoirs publics... Révolté par tant d'indifférence, Theodore Roosevelt, alors préfet, fait appel à John Schuyler Moore, chroniqueur criminel, et Laszlo Kreizler, spécialiste des maladies mentales, pour élucider ces crimes atroces. En les étudiant, ils pensent pouvoir brosser le portrait psychologique de l'assassin et l'identifier.