Sanford Meisner was one of the best known and beloved teachers of acting in the country. This audiobook follows one of his acting classes for 15 months, beginning with the most rudimentary exercises and ending with affecting and polished scenes from contemporary American plays. Written in collaboration with Dennis Longwell, it is essential listening for beginning and professional actors alike. Throughout this audiobooks, Meisner is a delight - always empathizing with his students and urging them onward, provoking emotion, laughter, and growing technical mastery from his charges.

Stella Adler was one of the 20th Century's greatest figures. She is arguably the most important teacher of acting in American history. Over her long career, both in New York and Hollywood, she offered her vast acting knowledge to generations of actors, including Marlon Brando, Warren Beatty, and Robert De Niro. The great voice finally ended in the early 1990s. But, her decades of experience and teaching have been brilliantly captured and encapsulated by Howard Kissel, in the 22 lessons you'll hear in this audiobook.

The casting director for Chicago, Pippin, Becket, Gypsy, The Graduate, The Sound of Music, and Jesus Christ Superstar tells you how you can find your dream role! Absolutely everything an actor needs to know to get the part is here: What to do that moment before; how to use humour; how to create mystery; how to develop a distinct style; and how to evaluate the place, the relationships, and the competition. In fact, Audition is a necessary guide to dealing with all the "auditions" we face in life. This is the bible on the subject.

Uta Hagen, one of the world's most renowned stage actresses, also taught acting for more than 40 years at the HB Studio in New York. Her first book, Respect for Acting, published in 1973, remains a best seller in print. In this brand new audio edition of her second classic book, A Challenge for the Actor, she greatly expands her thinking about acting in a work that brings the full flowering of her artistry, both as an actor and as a teacher. She raises the issue of the actor's goals and examines the specifics of the actor's techniques.

Esper worked closely with Meisner for 17 years and has spent decades developing his famous program for actor's training. The result is a rigorous system of exercises that builds a solid foundation of acting skills from the ground up, and that is flexible enough to be applied to any challenge an actor faces, from soap operas to Shakespeare.

On stage and screen, we know a great performance when we see it. But how do actors draw from their bodies and minds to turn their selves into art? What is the craft of being an authentic fake? More than a century ago, amid tsarist Russia’s crushing repression, one of the most talented actors ever, Konstantin Stanislavski, asked these very questions, reached deep into himself and emerged with an answer.

Mr. Caine gives you a once-in-a-lifetime chance to rob him blind! The man who's hypnotized the camera lenses for a quarter of a century reveals the most closely guarded secrets on script preparation, working with the director, forming a character, voice, sound, and movement. Pearl by pearl he lays out the Caine wisdom on everything from set politics to set decorum, the film bureaucracy and more!

As a casting director for 23 years, Holly Powell witnessed the casting world from three different points of view: as an independent casting director, as head of casting for a studio, and as a network casting executive. From this unique perspective she formed Holly Powell Studios, with her mission being to demystify the audition process for actors.

Act: The Modern Actor’s Handbook is the result of 30 years of one of North America’s most renowned acting teachers teaching some of the world's most talented screen actors. This is a full tour through the concepts at the heart of Rotenberg’s techniques: states of being, primaries and secondaries, images that you elaborate up or distill down, modifiers, actions and beats, and more. Although his methods loosely draw on the great acting teachers like Hagen and Meisner back to Stanislavski, he teaches new techniques suited to the best of today’s screen actors.

Peter Brook's seminal book, The Empty Space, sets out many of the ideas about theater which have informed his lifelong work as a theater director, from his iconic "white box" production of A Midsummer Night's Dream and his groundbreaking adaptation of The Mahabharata, to his ongoing work at the International Centre for Theatre Research. More than 50 years on from its first publication in 1968, The Empty Space remains a cornerstone of thinking about theater.