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  • Being Wrong

  • Adventures in the Margin of Error
  • Auteur(s): Kathryn Schulz
  • Narrateur(s): Mia Barron
  • Durée: 14 h et 17 min
  • 4,5 out of 5 stars (19 évaluations)

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Being Wrong

Auteur(s): Kathryn Schulz
Narrateur(s): Mia Barron
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Description

To err is human. Yet most of us go through life assuming (and sometimes insisting) that we are right about nearly everything, from the origins of the universe to how to load the dishwasher. If being wrong is so natural, why are we all so bad at imagining that our beliefs could be mistaken, and why do we react to our errors with surprise, denial, defensiveness, and shame?

In Being Wrong, journalist Kathryn Schulz explores why we find it so gratifying to be right and so maddening to be mistaken, and how this attitude toward error corrodes relationships—whether between family members, colleagues, neighbors, or nations. Along the way, she takes us on a fascinating tour of human fallibility, from wrongful convictions to no-fault divorce; medical mistakes to misadventures at sea; failed prophecies to false memories; "I told you so!" to "Mistakes were made."

Drawing on thinkers as varied as Augustine, Darwin, Freud, Gertrude Stein, Alan Greenspan, and Groucho Marx, she proposes a new way of looking at wrongness. In this view, error is both a given and a gift—one that can transform our worldviews, our relationships, and, most profoundly, ourselves.

In the end, Being Wrong is not just an account of human error but a tribute to human creativity—the way we generate and revise our beliefs about ourselves and the world. At a moment when economic, political, and religious dogmatism increasingly divide us, Schulz explores with uncommon humor and eloquence the seduction of certainty and the crises occasioned by error. A brilliant debut from a new voice in nonfiction, this book calls on us to ask one of life's most challenging questions: what if I'm wrong?

PLEASE NOTE: When you purchase this title, the accompanying reference material will be available in your Library section along with the audio.

©2010 Kathryn Schulz (P)2010 HarperCollins Publishers

Ce que les critiques en disent

“Engrossing.... In the spirit of Blink and Predictably Irrational (but with a large helping of erudition)... Schulz writes with such lucidity and wit that her philosophical enquiry becomes a page-turner.” ( Publishers Weekly)

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Ce que les auditeurs disent de Being Wrong

Moyenne des évaluations de clients
Au global
  • 4.5 out of 5 stars
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  • Au global
    5 out of 5 stars
  • Performance
    5 out of 5 stars
  • Histoire
    5 out of 5 stars

Amazing & Mind blowing

Thank you so much for sharing such useful data about error. Love all the stories, science and philosophy behind it :)

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  • Au global
    5 out of 5 stars
  • Performance
    5 out of 5 stars
  • Histoire
    5 out of 5 stars

Being wrong, making it admissible

Great descriptions of our horror when seeing our own errors. Discussion of how we learn, how we avoid the destruction of our illusory rightness by refusing to admit error, or having changed our minds how we revise our past opinions. Easy to listen to, read with energy, essential reading for recovering perfectionists like me!

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  • Au global
    3 out of 5 stars
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    2 out of 5 stars
  • Histoire
    3 out of 5 stars

Okay contents, insufferable narration

The point of the book is basically that being wrong feels exactly like being right, which leads to a lack of awareness. The book itself is a decent patchwork of stories/anecdotes/research from other people, stitched together by the author to make her point. This is all fair.

However, the narrator is genuinely annoying with the inflection that she gives to nearly every sentence to make it sound like she's going to blow my mind. There are indeed interesting stories in there, things we might not expect, but it's absolutely insufferable when every obvious concept is explained to me with a tone that says "brace yourself because you won't believe this!". Not every sentence of a book has to be read like it's the punchline to a TED Talk.

My friend read the paper version of the book and told me that she didn't get this feeling at all. I've concluded that it must be the audio version that's problematic, and the text itself is fine.

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