On Midsummer’s Eve, Alinor waits in the church graveyard, hoping to encounter the ghost of her missing husband and thus confirm his death. Until she can, she is neither maiden nor wife nor widow, living in a perilous limbo. Instead she meets James, a young man on the run. She shows him the secret ways across the treacherous marshy landscape of the Tidelands, not knowing she is leading a spy and an enemy into her life. England is in the grip of a bloody civil war that reaches into the most remote parts of the kingdom.

Dark myths, medieval secrets, intrigue, and romance populate the pages of this first in a four-book teen series from the #1 bestselling author of The Other Boleyn Girl. The year is 1453 and all signs point to it being the end of the world. Accused of heresy and expelled from his monastery, handsome seventeen-year-old Luca Vero is recruited by a mysterious stranger to record the end of times across Europe. Commanded by sealed orders, Luca is sent to map the fears of Christendom and travel to the very frontier of good and evil.

Jacquetta always has had the gift of second sight. As a child visiting her uncle, she met his prisoner, Joan of Arc, and saw her own power reflected in the young woman accused of witchcraft. They share the mystery of the tarot card of the wheel of fortune before Joan is taken to a horrific death. Jacquetta understands the danger for a woman who dares to dream. Jacquetta is married to the Duke of Bedford, English regent of France, and he introduces her to a mysterious world of learning and alchemy.

Did you know that there are more penises than women in the Bayeux Tapestry? That the Peasants’ Revolt of 1381 was started and propelled by women who were protesting a tax on women? Or that Charles Darwin believed not just that women were naturally inferior to men, but that they’d evolve to become ever more inferior? These are just a few of the startling findings you will learn from listening to Philippa Gregory’s Normal Women. In this ambitious book, she tells the story of England over 900 years, for the very first time placing women—some fifty per cent of the population—center stage.

It was easy for Elizabeth. She married the man she loved, bore him two children and made a home for him which was the envy of their friends. It was harder for Ruth. She married Elizabeth’s son and then found that, somehow, she could never quite measure up. Isolation, deceit and betrayal fill the gaps between the two individual women and between their different worlds. In this complex thriller, Philippa Gregory deploys all her insight into what women want and what women fear, as Ruth confronts the shifting borders of her own sanity.

For years, Isobel Latimer has composed serious novels for serious people, but to dwindling acclaim and ever-more dwindling gain. Now her husband is ill and she must carry their financial burden alone, and in secret. But if the public don’t want careful moral fables any longer, why not provide an outrageous tale of sex and satanism, and an author to match? The incomparable, uncontrollable Zelda de Vere is born.

Elizabeth of York is the oldest daughter of King Edward IV. Flame-haired, beautiful, and sweet-natured, she is adored by her family; yet her life is suddenly disrupted when her beloved father dies in the prime of life. Her uncle, the notorious Richard III, takes advantage of King Edward’s death to grab the throne and imprison Elizabeth's two younger brothers, the rightful royal heirs. Forever afterward known as the princes in the tower, the boys are never seen again.

Until the mass hysteria of the seventeenth century, accusations of witchcraft in England were rare. However, four royal women, related in family and in court ties - Joan of Navarre, Eleanor Cobham, Jacquetta of Luxembourg, and Elizabeth Woodville - were accused of practicing witchcraft in order to kill or influence the king. In Royal Witches, Gemma Hollman explores the lives and the cases of these so-called witches, placing them in the historical context of 15th-century England, a setting rife with political upheaval and war.

There hasn’t been a witch born in the Orchière clan for generations. According to the elders, that line is dead, leaving the clan vulnerable to the whims of superstitious villagers and the prejudices of fearmongering bishops.

It is 997 CE, the end of the Dark Ages. England is facing attacks from the Welsh in the west and the Vikings in the east. Those in power bend justice according to their will, regardless of ordinary people and often in conflict with the king. Without a clear rule of law, chaos reigns. In these turbulent times, three characters find their lives intertwined.