There’s nothing wrong with admiring a work of art, or so I tell myself…even when the admiring is more like peeping out my bedroom window, and the work of art is the shirtless, sweaty, body of the man who’s been mowing my lawn once a week every summer for years.

The job at Sunday Orchard was supposed to be temporary. A chance to gain some work experience, to have some fun. I had not expected to be welcomed into a family of gorgeous and weirdly efficient lumberjack-types, or to find purpose in the tiny Vermont town whose claim to fame seemed to be apple-based products and copious amounts of charm. And I most definitely hadn’t expected to fall for Knox Sunday, my grumpy, burly, fifteen-years-older, reluctant roommate, with his infuriating lectures, his hot-as-fire body, his superior attitude - I’ve never been one to put down roots.

I left my family and tiny Texas hometown 15 years ago to escape small-town gossips and to give my mom and sister the chance at a better life. But when a phone call from an attorney back home informs me that my sister passed away, leaving me custody of her newborn baby, I'm shocked out of the steady life I've built for myself running a tattoo shop in San Francisco. The thing is: I don't do babies. And I don't do small towns. Or commitment. And I especially don't do family.

Max has been in love with his childhood best friend, Ash, for years. The reason he has kept it a secret is because Ash also happens to be Max's brother's ex-boyfriend. Complicated doesn't begin to explain their relationship.

When the curtain goes up, the silent war between Jem and Dawson ends just long enough for their characters to wow the audience with a passionate embrace. As soon as they take their bows, the two Broadway actors go their separate ways. But one night, everything changes.