Ava only left her daughter in the pushchair for five minutes. The buckle was fastened, and she was sure it was safe. But when she came downstairs, the door was open and Abi was gone - she walked down the road, past the Lovegoods' house, and was never seen again. A year later, the Lovegoods throw a housewarming party, showing off the results of their renovation. Ava doesn’t want to go. She can’t bear to look down that end of the road, to see the place where Abi vanished, and she doesn’t want to spend time with people who don’t share her grief. 

Introducing Audible's Thriller of the Year: Silent Child by Sarah A. Denzil, performed by Joanne Froggatt. In the summer of 2006, Emma Price watched helplessly as her six-year-old son's red coat was fished out of the River Ouse. It was the tragic story of the year - a little boy, Aiden, wandered away from school during a terrible flood, fell into the river, and drowned. His body was never recovered. Ten years later Emma has finally rediscovered the joy in life...until Aiden returns.

When single mother Darcy’s son falls from a rope bridge at a local playground, life stands still. She clutches his small, limp body, frozen, until a pair of strong hands push her aside, and she watches as George, a local doctor, saves her son’s life. George, with his twinkling hazel eyes, easy charm and lack of wedding band is almost too good to be true, but coffee becomes lunch, lunch becomes dinner, and soon they can’t go an evening without seeing each other.

Seven years ago, six-year-old Maisie Earnshaw was found facedown in a duck pond, her body mutilated. Isabel - at age 14, found covered in Maisie's blood - was convicted of murder. As Leah spends time with Isabel, she comes to know her as a young woman with a sweet, gentle nature, someone she could never see as a murderer. Leah begins to suspect members of the Fielding family of framing Isabel as a young girl, and she's not the only one. True crime blogger James Gorden thinks Isabel is innocent, too.

"Your daughter is dead." When Kat Cavanaugh hears the words every mother dreads, her perfect world shatters. She takes in the beautiful long blonde hair, torn yellow dress, and chipped blue nail-varnish. It can’t be real. And then the police add the word "suicide". But Kat refuses to believe them. Even when they show her the familiar looping handwriting and smudged ink on the note her little girl left behind. She knows her bubbly, vivacious daughter would never take her own life.

Fran finds her standing by the swings. A little girl, Esther, no older than seven years old, by herself in the dead of night, her pretty but old-fashioned yellow dress covered in grass stains and her hair dishevelled. She says she's waiting for Father, and that strikes Fran as particularly odd. After Esther is reunited with her family, Fran can't stop thinking about this pious child whose imaginary friend is God. Fran's instincts tell her something is very wrong. Why does Esther keep running away from home, and how did she get that bruise on her leg? 

Thirteen years ago someone did something very bad to Anna. Now it's her turn to get even. Anna lives a solitary existence, taking solace in order and routine. Her only friend is the lonely old lady next door. She doesn't like to let people to get too close - she knows how much damage they can do. Then one ordinary day, Anna witnesses a devastating road accident and recognises the driver as Carla, the woman who ruined her life all those years ago.

Marianne has a life others dream of. A beautiful townhouse on the best street in the neighbourhood. Three bright children who are her pride and joy. Sometimes her past still hurts: losing her mother early, growing up in foster care. But her husband, Simon, is always there. A successful surgeon, he’s the envy of every woman they’ve ever met. Flowers, gifts, trips to France: nothing is too good for his family. Then Simon says another woman’s name. The way he lingers on it, Caroline, gives Marianne a shudder of suspicion, but she knows it’s nothing - she can’t entertain this flash of paranoia.

When pregnant Saffron Cutler moves into 9 Skelton Place with boyfriend Tom and sets about renovations, the last thing she expects is builders uncovering human remains. The remains of two bodies, in fact.

Holly never thought she'd move back to her hometown, but then something terrible happened. She doesn't know if she can recover. But she knows she can never tell another soul. People say her neighbour, David, is 'different'. He doesn't go out much, and never after dark. But in David, Holly finds just what she needs: a friend. Someone who's always there. No-one knows Holly's secret or where she lives. She has left the past behind. So why does she feel as though she's in terrible danger?

When happily married Grace comes home early one night and catches her husband, Dominic, with another woman in the cabin at the bottom of their garden, she is shocked, angry, and most of all, hell-bent on revenge. That’s why she acts quickly, locking the pair in the cabin while she decides what she wants to do to them.

When I arrive unannounced at my husband's studio in need of a shoulder to cry on after hearing that my best student, Alex, has died, I see a pair of wineglasses drying by the sink, and my deepest fear is confirmed: my husband is having an affair. Most women would fall to their knees in tears and throw him out of the house - but I just can't bring myself to do it. Instead, I go home and cook a healthy dinner for our children, walk the dog, and unload the dishwasher without complaint. I need this marriage to work to protect a terrible secret of my own....

When Claire sees Hannah Wilson at an exclusive Manhattan hair salon, it's like a knife slicing through barely healed scars. It may have been 10 years since Claire last saw Hannah, but she has thought of her every day, and not in a good way. So Claire does what anyone would do in her position - she stalks her. Hannah is now Mrs. Carter, living the charmed life that should have been Claire's. It's the life Claire used to have before Hannah came along and took it all away from her.

Hannah has done everything to make sure her life is safe and secure. A long way from her unstable childhood growing up in foster care, she’s content with her sweet, little, messy apartment and her satisfying job as a social worker. She quietly worries that, aged 36, she might never fall in love. But otherwise her life is where she wants it to be. Until, encouraged by her best friend to join a dating app, she meets Alex. He’s irresistibly handsome. He loves the same music as her. The same food as well.

From Atlanta's wealthiest suburbs to its stark inner-city housing projects, a killer has crossed the boundaries of wealth and race. And the people who are chasing him must cross those boundaries, too. Among them is Michael Ormewood, a veteran detective whose marriage is hanging by a thread and whose arrogance and explosive temper are threatening his career. And Angie Polaski, a beautiful vice cop who was once Michael's lover before she became his enemy.