Showing titles in Women

When the war broke out, Union soldiers assumed Confederate women would be innocent noncombatants. Experience soon challenged this simplistic belief. Stephanie McCurry reveals the vital and sometimes confounding roles women played on and off the battlefield. In this groundbreaking reconsideration of the Civil War, the award-winning author of Confederate Reckoning invites us to see America's bloodiest conflict not just as pitting brother against brother but as a woman's war.

This deluxe book also honors the 100th anniversary of the 19th amendment with illustrations by 100 women artists. She Votes is a refreshing and illuminating book for feminists of all kinds. Each artist brings a unique perspective; together, they embody the multiplicity of women in the United States.

The sash. The tears. The glittering crown. And of course, that soaring song. For all of its pomp and kitsch, the Miss America pageant is indelibly written into the American story of the past century. From its giddy origins as a summer’s-end tourist draw in Prohibition-era Atlantic City, it blossomed into a televised extravaganza that drew tens of millions of viewers in its heyday and was once considered the highest honor that a young woman could achieve.

A captivating blend of personal history detailing Eleanor’s struggle with issues of marriage, motherhood, financial independence, and femininity, and a vibrant portrait of one of the most famous neighborhoods in the world, this unique work examines the ways that the sensibility, mood, and various inhabitants of the neighborhood influenced the First Lady’s perception of herself and shaped her political views over four decades, up to her death in 1962.

In this sweeping history, author Johanna Neuman demonstrates that American women defeated the male patriarchy only after they convinced men that it was in their interests to share political power.

A mixed-race orphan, Murray grew up in segregated North Carolina before escaping to New York, where she attended Hunter College and became a labor activist in the 1930s. When she applied to graduate school at the University of North Carolina, where her white great-great-grandfather had been a trustee, she was rejected because of her race. She went on to graduate first in her class at Howard Law School, only to be rejected for graduate study again at Harvard University this time on account of her sex. Undaunted, Murray forged a singular career in the law.

Queen Victoria's reign was an era of breathtaking social change, but it did little to create a platform for women. But not so within the social sphere of the seance - a mysterious, lamp-lit world on both sides of the Atlantic, in which women who craved a public voice could hold their own. Out of the Shadows tells the stories of the enterprising women whose supposedly clairvoyant gifts granted them fame, fortune, and, most important, influence, as they crossed rigid boundaries of gender and class as easily as they passed between the realms of the living and the dead.

Cinderella stories captured the imagination of girls in the 1950s, when dreams of meeting the right man could seem like a happy ending, a solution to life's problems. But over the next 50 years women's lives were transformed, not by the magic wand of a fairy godmother, nor by marrying princes, but by education, work, birth control - and feminism.

In November 2018, the greatest number of women in American history entered Congress. From Alexandria Ocasio-Cortez and "the Squad" to "the Badasses" with national security backgrounds, from the first two Native Americans in Congress to the first two Muslim women, all were swept into office on a wave of grassroots support, diverse in background, age, professional experience, and ideology. In The Firsts, New York Times reporter Jennifer Steinhauer follows these women's first year in the 116th Congress.

Queen Victoria's reign was an era of breathtaking social change, but it did little to create a platform for women to express themselves. But not so within the social sphere of the seance - a mysterious, lamp-lit world on both sides of the Atlantic. Out of the Shadows tells the stories of the enterprising women whose supposedly clairvoyant gifts granted them fame, fortune, and, most important, influence, as they crossed rigid boundaries of gender and class as easily as they passed between the realms of the living and the dead.

Even without the right to vote, members of the United Daughters of the Confederacy proved to have enormous social and political influence throughout the South - all in the name of preserving Confederate culture. Karen L. Cox's history of the UDC, an organization founded in 1894 to vindicate the Confederate generation and honor the Lost Cause, shows why myths surrounding the Confederacy continue to endure.

This talk puts to rest another of the remarkable myths of the American Revolution: that it was an all-male affair. An 8-year home front war and American women didn't notice it? In fact, the politicization of women in the 1760s and 1770s is one of the most striking consequences of the rebellion against British rule. Women made the boycotts of British imports work. They picketed merchants who dared to sell British cloth and tea. They produced homespun or Liberty cloth as they called it - willingly engaging in the single most boring task known to colonial America.

During the hardships of obtaining emancipation, two couples shared one home in Illinois. Residing with them was a young Black girl named Polly Crocket. But after five years, Polly, along with the two couples, were abducted, placed into a canoe, and taken down South where they became slaves. Polly was then bought by a prior who, after a year, faced setbacks that required him to sell all he owned, including Polly.

Popular culture has taught us to picture the Old West as a land of men, whether it's the lone hero on horseback or crowds of card players in a rough-and-tumble saloon. But the taming of the frontier involved plenty of women, too - and this book tells their stories. At first, female pioneers were indeed rare - when the town of Denver was founded in 1859, there were only five women among a population of almost a thousand. But the adventurers arrived, slowly but surely.

Louisa on the Frontlines is the first narrative nonfiction book focusing on Louisa May Alcott's career as a nurse during the Civil War. Though her service was brief, the dramatic experience was one that she considered pivotal in helping her write the classic Little Women....

Pre-war debutantes were members of the most protected, not to say isolated, stratum of 20th-century society: the young (17-20) unmarried daughters of the British upper classes. For most of them, the war changed all that for ever. It meant independence and the shock of the new, and daily exposure to customs and attitudes that must have seemed completely alien to them. For many, the almost military regime of an upper class childhood meant they were well suited for the no-nonsense approach needed in wartime.

In Ruth Davidson's Yes She Can we meet world-beating women from fields as diverse as science, politics, the military, business and sport. They share their own journeys to the top - whether that's becoming Prime Minister, winning an Olympic gold medal or teaching male special forces how to fight. They share the bad times, too, the challenges faced and difficulties to hurdle, explaining what they've learned along the way. We also see the author's own path as she tracks the societal shifts that have seen women advance - and discuss how far we've still got to go.

The exciting story of one of the fastest growing sports in the world, played by over 30 million girls and women. Over 25 million people tuned in for the Americans' 2015 Women's World Cup final victory - the most-watched football match in United States history. The Making of the Women's World Cup details the most incredible tales from previous Women's World Cups.

This is the first biography to tell the fascinating story of Eva Palmer Sikelianos (1874-1952), an American actor, director, composer, and weaver best known for reviving the Delphic Festivals. Yet, as Artemis Leontis reveals, Palmer’s most spectacular performance was her daily revival of ancient Greek life. For almost half a century, dressed in handmade Greek tunics and sandals, she sought to make modern life freer and more beautiful through a creative engagement with the ancients. Along the way, she crossed paths with other seminal modern artists.

Nora May French and Carrie Sterling arrive at Carmel-by-the-Sea at the turn of the twentieth century with dramatically different ambitions. Nora, a stunning, brilliant, impulsive writer in her early twenties, seeks artistic recognition and Bohemian refuge among the most celebrated counter-culturalists of the era. Carrie, long-suffering wife of real estate developer George Sterling, wants the opposite: a semblance of the stability she thought her advantageous marriage would offer, threatened now that her philandering husband has taken to writing poetry.