Showing titles in Coming of Age

Fox, JJ, Chase, and Maverick. The four names tattooed onto my heart more permanently than any of the ink on my skin. They don’t just live in this town anymore, they rule it. And the view here may be beautiful, but the sun, sea and sand hide dark secrets. The gangs. The lies. The violence. It all lurks beneath a veil so thin that once you’ve seen through it, you can never close your eyes to the truth again. But I don’t plan on closing my eyes. I have four devils set in my sights. And this dead girl no longer has anything to lose.

Crystal learned long ago that love brings only pain. Feeling nothing at all is far better than being hurt again. She guards her wounded heart behind a hard exterior and carries within her a deep mistrust of men, who, in her experience, have only ever used and taken. Then Gabriel Dalton walks into her life. Despite the terrible darkness of his past, there's an undeniable goodness in him. And even though she knows the cost, Crystal finds herself drawn to Gabriel.

Dublin, 1962. Within the gated grounds of the convent of the Sisters of the Holy Redemption lies one of the city's Magdalen Laundries. Once places of refuge, the laundries have evolved into grim workhouses. Some inmates are "fallen" women - unwed mothers, prostitutes, or petty criminals. Most are ordinary girls whose only sin lies in being too pretty, too independent, or tempting the wrong man. Among them is 16-year-old Teagan Tiernan, sent by her family when her beauty provokes a lustful revelation from a young priest.

Fourteen-year-old Sofia Bottom lives in a small country that Europe has forgotten. But inside its borders, the old myths of trees that come alive and fairies who live among their roots have given way to an explosion of the arts and the consolations of philosophy. No one, from the clarinetists to the cabaret singers, is as revered as Sofia’s brilliant mother, the writer Clara Bottom. How can Sofia, with a tin ear and an enduring love of the old myths, ever hope to win her mother’s love?

Frances is a cool-headed and darkly observant young woman vaguely pursuing a career in writing while studying in Dublin. Her best friend and comrade-in-arms is the beautiful and endlessly self-possessed Bobbi. At a local poetry performance one night, Frances and Bobbi catch the eye of Melissa, a well-known photographer, and as the girls are then gradually drawn into Melissa's world, Frances is reluctantly impressed by the older woman's sophisticated home and tall, handsome husband, Nick.

Oscar is a sweet but disastrously overweight ghetto nerd who—from the New Jersey home he shares with his old world mother and rebellious sister—dreams of becoming the Dominican J.R.R. Tolkien and, most of all, finding love. But Oscar may never get what he wants. Blame the fukú—a curse that has haunted Oscar’s family for generations, following them on their epic journey from Santo Domingo to the USA.

The story's four whip-smart narrators - idealistic Cory, Internet-lurking Will, awkward Henrik, and vicious Linda - are torn between fixing the world and cannibalizing it. In boisterous prose that ricochets between humor and pain, the four estranged friends stagger through the Bay Area's maze of tech startups, protestors, gentrifiers, karaoke bars, house parties, and cultish self-help seminars, washing up in each other's lives once again.

I'm from a place where you eat or get eaten. Two gangs are at war, and I'm hungry for survival. Growing up in a broken town doesn't make you a good man. In fact, the North Shore of the Falls has made me merciless. I survive because I'm a good soldier for the North Shore Crew. I'm cool-headed, I never lose sight of my goals, and my only obsession is to wrench our town from the clutches of our sworn enemies, the Kings. Alexandra Delacroix is just a job. The plan is straightforward: charm her, uncover incriminating information about her senator father, and tip the balance of power in our favor.

Ellis and Michael are 12-year-old boys when they first become friends, and for a long time, it is just the two of them, cycling the streets of Oxford, teaching themselves how to swim, discovering poetry, and dodging the fists of overbearing fathers. And then one day, this closest of friendships grows into something more. But then, we fast-forward a decade or so to find that Ellis is married to Annie, and Michael is nowhere in sight. Which leads to the question: What happened in the years between?

In a narrative as beguiling and mysterious as memory itself - shadowed and luminous at once - we hear the story of 14-year-old Nathaniel, and his older sister, Rachel. In 1945, just after World War II, they stay behind in London when their parents move to Singapore, leaving them in the care of a mysterious figure named The Moth. They suspect he might be a criminal, and they grow both more convinced and less concerned as they come to know his eccentric crew of friends.

One Sunday afternoon in Southern California, Bert Cousins shows up at Franny Keating's christening party uninvited. Before evening falls, he has kissed Franny's mother, Beverly - thus setting in motion the dissolution of their marriages and the joining of two families.

1946: World War II is over, and Emma Clarkson is poised to take flight. With dreams of attending university, she’s ready to leave behind the wild beauty of Sable Island, the only home she’s ever known. But when a handsome British sea captain is rescued from a nearby shipwreck, her destiny is forever changed. Emma falls deeply in love with Oliver Harris, but their romance is not meant to be. Oliver returns to the sea, while Emma vows to forget him and pursue her own ambitions.

Jai dreams of being a dragon rider. He dreams of freedom from the Sabine Empire and a world in which he can lead his people, the Kidara, to freedom. But even though he has his dragon, Winter, she is still growing, just as he’s still growing in his own power. And the road to victory is even more fraught than he had hoped.

Originally published in 1953, Go Tell It on the Mountain was James Baldwin's first major work, based in part on his own childhood in Harlem. With lyrical precision, psychological directness, resonating symbolic power, and a rage that is at once unrelenting and compassionate, Baldwin chronicles a fourteen-year-old boy's discovery of the terms of his identity as the stepson of the minister of a Pentecostal storefront church in Harlem.

One hot, sticky summer in Bledsoe, Georgia, twelve-year-old Kay Whitaker stumbles across a stilt house in a neighboring marsh and upon Andy Webber, a boy about her age. He and his father have recently moved back to Georgia from California, and rumors of the suspicious drowning death of Andy’s mother years earlier have chased them there and back. Kay is fascinated and enamored with Andy, and she doesn’t listen when her father tells her to stay away from the Webbers.

The Four Realms—Life, Death, Light, and Darkness—all converge on the city of dusk. But the gods have withdrawn their favor from the once thriving and vibrant metropolis. And without it, all the realms are dying. Unwilling to stand by and watch the destruction, the four heirs to divine power—Angelica, an elementalist with her eyes set on the throne; Risha, a necromancer fighting to keep the peace; Nikolas, a soldier who struggles to see the light; and Taesia, a shadow-wielding rogue with a reckless heart—will become reluctant allies in the quest to save their city.

Reno, so-called because of the place of her birth, comes to New York intent on turning her fascination with motorcycles and speed into art. Her arrival coincides with an explosion of activity—artists colonize a deserted and industrial SoHo, stage actions in the East Village, blur the line between life and art. Reno is submitted to a sentimental education of sorts—by dreamers, poseurs, and raconteurs in New York and by radicals in Italy, where she goes with her lover to meet his estranged and formidable family.

A ruthless dissection of American life in the late 1960s, Joan Didion's Play It as It Lays captures the mood of an entire generation, the ennui of contemporary society reflected in spare prose that blisters and haunts the listener. Set in a place beyond good and evil—literally in Hollywood, Las Vegas, and the barren wastes of the Mojave Desert, but figuratively in the landscape of an arid soul—it remains more than three decades after its original publication a profoundly disturbing novel, riveting in its exploration of a woman and a society in crisis.

In the sun-bleached idyll of his Greek island home, seventeen-year-old Petros Castellanos’s future seems mapped out: he’ll inherit his father’s modest taxi fleet and continue his family tradition. However, his English mother sees a different path for her son, one that leads far from the watchful eyes of their small community. So Petros goes to London to stay with his mother’s cousin. The capital is an overwhelming city whose dazzling possibilities both terrify and enthral him.

It’s 1974 in London and Connie Costa’s already pitiful life has gone off the rails. She’s spiraling from the loss of her mother and younger brothers in a tragic accident. And the man responsible is her Dad—otherwise known as “The Fat Murderer.” Kept at home under his increasingly tyrannical rule, Connie is an outcast who spends her nights conversing with the David Bowie poster on her wall and raiding her stash of whiskey and chocolate. Her only social outlet is the weekly gatherings with her father and their immigrant community of Greek “Freaks.” T