Showing titles in Dance

"Als gäbe es keine Schwerkraft" ist nicht nur eine Hommage an das Tanzen - sondern vor allem an das wertschätzende Führen von Menschen. Denn je mehr es, gerade in modernen digitalen Zeiten, um das Erreichen von kreativen und innovativen Spitzenleistungen geht, desto offensichtlicher werden die Parallelen zwischen Kunst als Leistungssport und Performance im Management. Ein erfolgreiches Agieren in einer sich permanent verändernden, von Technologie getriebenen Welt stellt neue Anforderungen an Führungskräfte und fordert sie mehr als je zuvor als Mensch und Persönlichkeit.

When people ask me: “Why do you practice?” I tell them: “I practice for the opportunity to be more ME!” And this is why I wrote this guide: to help you form a constructive mentality around practice and change, help you fight mental icebergs that are keeping you back, help you set up your framework, your practice, your own Tango training, and your path to becoming more YOU every day!

HowExpert publishes how to guides by everyday experts. Lauren Dillon is a multifaceted writer who has been dancing classical ballet for over two decades. She has worked as a dance instructor for children and enjoys sharing classical ballet with others. If you are thinking about taking ballet classes, have a child who is starting to dance, or want to know more about ballet, then HowExpert Guide to Ballet is for you.

When the Nicholas Brothers danced, uptown at the Cotton Club, downtown at the Roxy, in segregated movie theatres in the South, and dance halls across the country, audiences cheered, clapped, stomped their feet, and shouted out uncontrollably. In Brotherhood in Rhythm, Constance Valis Hill interweaves an intimate portrait of these great performers with a rich, detailed history of jazz music and dance, both bringing their act to life and explaining their significance through a colorful analysis of their eloquent footwork, their full-bodied expressiveness, and their changing style.

Breadth of Bodies seeks to investigate and dismantle the language and stereotypes often used to describe professional dancers with disabilities. Spearheaded by dancer/writer Emmaly Wiederholt and dance educator Silva Laukkanen, the team collected interviews with 35 professional dance artists with disabilities from 15 countries, asking about training, access, and press, as well as looking at the state of the field.

A major biography—the first in three decades—of one of the most important artistic forces of the twentieth century, the legendary American dancer and choreographer who upended dance, propelling the art form into the modern age, and whose profound and pioneering influence is still being felt...

Inspiring, revealing, and deeply relatable, Being a Ballerina is a firsthand look at the realities of life as a professional ballet dancer. Through episodes from her own career, Gavin Larsen describes the forces that drive a person to study dance; the daily balance that dancers navigate between hardship and joy; and the dancer's continual quest to discover who they are as a person and as an artist.

In this long-awaited memoir, dancer and choreographer John Clifford offers a highly personal look inside the day-to-day operations of the New York City Ballet and its creative mastermind, George Balanchine. Balanchine’s Apprentice is the story of Clifford - an exceptionally talented artist - and the guiding inspiration for his life’s work in dance.

This book is designed to be a companion to an aerialist's training, for those looking for a deeper meaning to the basic instruction given in a class setting. This will guide you through every aspect of starting your aerial silks journey, whether it be learning how to climb, finding your spinal alignment, or even just mastering the enviable toe point. Beyond just the anatomical, this will also instruct you on class etiquette and pinpointing your body weaknesses that you might not be aware of.

The unique career of choreographer Liz Lerman has taken her from theater stages to shipyards and from synagogues to science labs. In this wide-ranging collection of essays and articles, she reflects on her lifelong exploration of dance as a vehicle for human insight and understanding of the world around us.

In a world where every day seems to be increasingly uncertain, finding balance, peace, clarity, and hope can feel like a challenge. Luckily, there is a solution for all of these things: And that solution is dance! In her new book Choreograph Your Life, author, esteemed choreographer, and world-class dancer Sonia Kyriacou reveals the transformative impact that dance has had on her life.

HowExpert Guide to Belly Dancing is for all dance lovers, especially for those in love with belly dancing. It serves as a guiding tool to learn the dance from the basic movements. This guide is divided into eight main sections that teach the different aspects of the belly dancing, starting with the basic belly dance posture and then going through the belly dance movements of the lower and upper part of the body. Each section contains several sub-sections that guide you gradually towards the next step.

This book is a fresh trumpet call to reclaiming your original creative nature, releasing worn-out constrictions laid out by cultural conventions and your own beliefs and patterns. Creative awakenings often start with an internal revolt...a calling out, a reclaiming.

Are you a dancer, dance teacher, dance enthusiast, or related to one? Then, this book is for you and them! You can journal your thoughts, events, and wishes for three months as you listen to inspirations from dancers, great and small. Listening to a different quote a day will get you up and ready to dance with yourself, with life, and or with a partner, if you have one!

From pig-farm to the Ballroom. The dog-eat-dog 70’s Ballroom scene was lubricated with huge amounts of alcohol and sex; and budding ballroom professional George Lloyd was there for every second of it. Unfortunately, the late 70’s signals the death knell for Ballroom dancing across the country and many dance schools are struggling. However, the guy who steps up to the plate to save the day is none other than George Lloyd, who helps many dance schools by introducing Disco Dancing to his classes.

In this raw and redemptive debut memoir, Ellen O'Connell Whittet explores the silent suffering of the ballerina - and finds it emblematic of the violence that women quietly shoulder every day. For O'Connell Whittet, letting go of one meant confronting the other - only then was it possible to truly take flight.

It is important that dancers begin to contend for the higher calling of God and move past the normal and the ordinary. It's time to be confident and knowledgeable, so that God can use the dance minister in greater ways. This book is designed to inspire and propel you into deeper levels of your dance ministry calling.

Making ends meet while working in a strip club is not the only challenge. It’s a daily struggle - you work wacky hours, deal with cattiness or drama from other dancers, and you don’t make nearly enough money to cover for all the compromises you’re making. You also need to find room in your life for friends, family, and romance. But all of that feels elusive when your career comes with shame, suppression, exploitation, and abuse.

Aimed at dance teachers and inquisitive dancers, Rosina shares the knowledge that she has obtained while teaching all over the world working with some highly influential dancers. The audiobook discusses the processes of turning and the best ways for young dancers to improve their turns. With exclusive anecdotes and opinions from dancers in the Royal Ballet Company and advice from the world record-holder for pirouettes, Sophia Lucia, the audiobook is packed full of great little tips, scientific theories, and preparation exercises.

Bob Fosse is recognized as one of the most significant figures in post-World War II American musical theater. With his first Broadway musical, The Pajama Game, in 1954, the "Fosse style" was already fully developed, with its trademark hunched shoulders, turned-in stance, and stuttering, staccato jazz movements. Fosse moved decisively into the role of director with Redhead in 1959 and was a key figure in the rise of the director-choreographer in the Broadway musical.