Résultats de "Charlotte Perkins-Gilman" dans Toutes les catégories

Instructed to abandon her intellectual life and avoid stimulating company, she sinks into a still-deeper depression invisible to her husband, who believes he knows what is best for her. Alone in the yellow-wallpapered nursery of a rented house, she descends into madness.

A woman and her husband rent a summer house, but what should be a restful getaway turns into a suffocating psychological battle. This chilling account of postpartum depression and a husband's controlling behaviour in the guise of treatment will leave you breathless. 

Herland takes the listener on a fascinating journey into a utopian society comprised entirely of women. A society with no men also means no conflict, resulting in a war-free existence. It is a perfect world, but only if you are female. Three men set out on a journey into uncharted territory to discover for themselves if the legend of an all-female society is a myth or actually a reality. Tracking down the mythical realm of women poses plenty of challenges, but what they ultimately find is both enchanting and frightening.

Charlotte Perkins Gilman's powerful and unsettling story of a young woman descending into psychosis. Confined to her attic bedroom by her husband to ensure rest and recuperation after having her baby, and with nothing else to occupy her mind, the woman slowly becomes obsessed with the old yellow wallpaper covering the walls until she loses her grip on reality, imagining herself and others imprisoned behind the wallpaper.

On the eve of the First World War, sociology student Vandyck Jennings goes on an expedition with two of his friends to search for a society rumored to consist only of women. On the way to what they will name “Herland,” Van and his friends ponder the type of women they hope or expect to see when they get there … but they find no fantasies when they arrive. Herland is an all-female, community-driven utopia. Van and his friends are skeptical of a society that doesn’t even need men to procreate, but women and girls who live there have been raised in a world removed the patriarchy of the world.

The story is a double play: is it the story of a woman going mad, or a woman possessed by something evil? We begin to suspect that the narrator’s apparently caring husband John may not be as caring as she thinks. Is he trying to control her? We know that Charlotte was much concerned with the emancipation of women and them achieving financial independence, so is the character of John an echo of this?

First published in 1892, The Yellow Wallpaper is a classic short story by Charlotte Perkins Gilman. It's an early work of feminist literature focused on a female protagonist and her relationship with husband John. A great work for studying and casual listening. This version of The Yellow Wallpaper has excellent narration and the highest quality of audio. All audio is engineered with careful attention to detail for your enjoyment of the story.

Mental illness though can still carry a stigma. A case of ‘you’re not trying hard enough’, ‘or knuckling down and getting on with it’. But in more recent decades mental issues have come to be recognised as an illness, a disease rather than an affliction. We all remember horror stories of lobotomy’s and electric shock being used to ‘cure’ what society viewed as anti-social behaviour but illness, mental or physical is very real. Depression, schizophrenia, breakdown, psychosis are alarming events to have or to witness.

Ten extraordinary tales of terror, penned by the prolific horror masters of old, from Lovecraft's relentless "Rats in the Walls" and the view from Saki's "Open Window", to the guilt of Poe's "Tell-Tale Heart" and the ghostly musings on greed of Wharton's "Afterward".

Diagnosed by her physician husband with a “temporary nervous depression - a slight hysterical tendency” after the birth of her child, a woman is urged to rest for the summer in an old colonial mansion. Forbidden from doing work of any kind, she spends her days in the house’s former nursery, with its barred windows, scratched floor, and peeling yellow wallpaper. In a private journal, the woman records her growing obsession with the “horrid” wallpaper. Its strange pattern mutates in the moonlight, revealing what appears to be a human figure in the design.

This collection brings together 12 of the finest short stories of prominent American feminist author Charlotte Perkins Gilman. "The Yellow Wallpaper", Gilman's best-known work, was first published in 1892 and represents an important examination of 19th-century attitudes toward women's physical and mental health.

"The Yellow Wallpaper and Why I Wrote It" is a thought-provoking exploration of the classic short story "The Yellow Wallpaper" by Charlotte Perkins Gilman. The book delves into the psychological and societal themes embedded in the original work while providing an intimate glimpse into the author's motivations and personal experiences that led to the creation of this groundbreaking piece.

Written with barely controlled fury after she was confined to her room for 'nerves' and forbidden to write, Gilman's pioneering feminist horror story scandalised 19th-century readers with its portrayal of a woman who loses her mind because she has literally nothing to do.

First published serially in Gilman's magazine The Forerunner from 1909-1910, What Diantha Did is the story of Diantha Bell, a young woman who leaves her home and her fiancé to start a housecleaning business. A resourceful heroine, Diantha quickly expands her business into an enterprise that includes a maid service, cooked food delivery service, a restaurant, and a hotel.

Her supportive, though misunderstanding, physician husband, John, believes it is in her best interests to go on a "rest cure" after the birth of their child. The family spends the summer at a colonial mansion that has, in the narrator's words, "something queer about it" and her depression/anxiety, (commonly diagnosed today as postpartum depression), spirals out of control as she fixates on the yellow wallpaper in their bedroom.

Charlotte Perkins Gilman's Herland, first published in 1915, is a feminist utopian novel that describes an isolated society composed entirely of women---a progressive, environmentally conscious land where peace and rationality reign and poverty is unknown.

“The Yellow Wallpaper” whispers secrets from its peeling edges, a silent witness to a woman’s descent into madness. In the dim light of her secluded room, she grapples with more than just faded wallpaper; it’s her sanity that unravels thread by thread. As the moon casts eerie shadows, the yellow hue takes on a life of its own, revealing cryptic patterns—a dance of confinement and rebellion.

A young wife becomes obsessed with the wallpaper in the room of her holiday home in The Yellow Wallpaper. A man is tormented by the embalmed hand of his deceased uncle in The Beast with Five Fingers. For the protagonists of these three supernatural stories, ghostly terror lurks beneath the surface of ordinary life, and reality can all too easily fray at the seams.... Evocatively read by three of our finest actors, and with atmospheric music, these eerie, enthralling tales are perfect listening for dark winter nights.

In her best-known work, The Yellow Wallpaper, Gilman writes about different kinds of oppression that women were exposed to at the time. Herland is a utopian novel from 1915, in which an isolated society composed entirely of women exists. The result is an ideal social order: free of war, conflict, and domination. The Crux tells the story of a group of New England women who move west to start a boardinghouse for men in Colorado. It is an important early feminist work that brings forward complicated issues of gender, citizenship, eugenics, and frontier nationalism.

Cloîtrée dans une maison de campagne isolée et tenue à l'écart de toute activité par son mari médecin, une jeune mère dépressive après la naissance de leur enfant brave en secret l'interdiction qu'il lui pose d'écrire. Désœuvrée, elle sombre dans la fascination pour l'affreux papier peint de la chambre à coucher. Elle finit par y voir, en miroir, une femme séquestrée derrière les arabesques.