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A book unlike any other, Women in Clothes is essentially a conversation among hundreds of women of all nationalities - famous, anonymous, religious, secular, married, single, young, old - on the subject of clothing, and how the garments we put on every day define and shape our lives. It began with a survey. The editors composed a list of more than 50 questions designed to prompt women to think more deeply about their personal style.

Like many young people, Heidi Julavits kept a diary. Decades later she found her old diaries in a storage bin and hoped to discover the early evidence of the person (and writer) she'd since become. Instead, "The actual diaries revealed me to possess the mind of a paranoid tax auditor." The entries are daily chronicles of anxieties about grades, looks, boys, and popularity. After reading the confessions of her past self, writes Julavits, "I want to good-naturedly laugh at this person. I want to but I can't."

A few weeks later, an unharmed Mary reappears as suddenly and mysteriously as she disappeared, claiming to have little memory of what happened to her. Her mother, concerned that Mary has somehow been sullied by the experience, sends her to therapy with a psychologist.

Julia Severn is a student at an elite institute for psychics. Her mentor, the legendary Madame Ackermann, afflicted by jealousy, subjects Julia to the humiliation of reliving her mother's suicide when Julia was an infant. As the two lock horns, and Julia gains power, Madame Ackermann launches a desperate psychic attack that leaves Julia the victim of a crippling ailment. But others have noted Julia's emerging gifts, and soon she's recruited to track down an elusive missing person who might have a connection to her mother.

In the drought-ridden spring of 1934, Bena Jonnsen, her husband Ted, and their newborn baby relocate from their home in Minnesota to Pueblo, a Western plains town plagued by suffocating dust storms and equally suffocating social structures. Little can thrive in this bleak environment, neither Bena and Ted's marriage nor the baby, whom Bena believes - despite her husband's constant assurances - is slipping away from her.

One day Heidi Julavits sees her son silhouetted by the sun and notices he is at the threshold of what she calls “the end times of childhood.” When did this happen, she asks herself. Who is my son becoming—and what qualifies me to be his guide? What follows starts to feel like uncharted waters. Rape allegations rock the university campus where she teaches, unleashing questions of justice and accountability. Julavits begins to wonder how to prepare her son to be the best possible citizen of the world he’s about to enter. And what must she learn about herself in order to responsibly steer him.