Photography Theory

Have you always loved the idea of portraiture photography, and yet have never been able to make a portrait you were completely satisfied with? This book will walk you through each of these procedures step by step, and with time, practice, and patience, you'll learn how to make a stunning, successful portrait both you and your model will be very satisfied with.

First published in 1973, this is a study of the force of photographic images, which are continually inserted between experience and reality. When anything can be photographed, and photography has destroyed the boundaries and definitions of art, a viewer can approach a photograph freely, with no expectations of discovering what it means. This collection of six lucid and invigorating essays, with the most famous being "In Plato's Cave", make up a deep exploration of how the image has affected society.

Do you struggle with taking beautiful pictures? Do you want to know the secrets that professional photographers use to get phenomenal pictures? In this audiobook we give the proven techniques that some of the best photographers in the world use. You will learn what equipment and angles are needed for breathtaking pictures.

Photography for Beginners discusses how elements in any scene can be altered for aesthetic purposes. This is a different slant than is shown in many photography books, because art has few boundaries: the possibilities are endless.

Who else wants to take mind-blowing pictures? If you want to stand out from the crowd and capture all those magic moments for posterity, you have come to the right place. Most guides to digital SLR photography will overwhelm you with jargon, but you and I both know that’s not what photography is all about. When I first started out, I couldn’t find any course or guide that actually helped me become a better photographer. That's why I’ve written this guide - so you don’t have to go through what I did.

In Photography Composition, you will find all you need to know to learn the basics of composition. It will teach you the proper terms and ways to apply rules that you might already know instinctively yet not quite understand why they work the way they do.

This book will give you a rounded and complete idea of how to control exposure. The book isn't DSLR or analog specific and covers aspects of both. It explains the three components to exposure, which are ISO, aperture, and shutter speed. Concepts such as depth of field and a quick overview of Ansel Adams' zone system are also covered. The focus is mainly on how to get a great exposure from the start, but there are also tips on how to fix an overexposed or underexposed photo.

The focus of this audiobook is not only on learning how to use lighting properly, but how to set up a solid home studio. The audiobook walks through all of the specifications you need to select a good space: north-facing light and wide open space with clean, plainly painted walls. Don't know what you'll need for your studio? Following chapter three, you will!

Night photography and astrophotography can be two of the most frustrating subgenres of landscape. They're very technical, math based, and have a lot of steps. While this can put a lot of people off, I'm here to break it down for you. Planning is absolutely key, and I'll walk you through every step you need to make your shoot successful.

This audiobook is a fabulous tool for any photographer just starting out in the genre of landscape photography. While the audiobook does offer some technical insights and guidelines on how to get the most out of your camera, it is focused on the art of seeing, and how beautiful landscapes can be created using the elements and principles of design. In this way, anyone, at any level, whether they shoot on manual or auto, can create a captivating landscape.

Paris, August 19, 1839. François Arago reads the technical details of Louis Daguerre's photographic process into the joint session of the Académie des Sciences and the Académie des Beaux-Arts. Within weeks the satirical press is mocking photographers as mechanics and copyists. Twenty years later, Charles Baudelaire writes the canonical hostile statement: photography belongs in the museum of records, not the gallery of art. The painters of 1839 were wrong. They were also partly right. The Scientific Aesthetic begins with that double judgment and works through its consequences.