Visual Research

INSTANT NEW YORK TIMES BESTSELLER WINNER OF THE NAUTILUS GOLD AWARD “A powerful and provocative testament to the diverse coalition of minds we’ll need to face the mounting challenges of the twenty-first century.” —Steve Silberman “An absolute eye-opener.” —Frans de Waal A landmark...

Art-Write:The Writing Guide for Visual Artists has a single intention: to teach artists how to write about their own artwork. This concise and current career resource is filled with achievable advice on how to write for art promotion and sales. The audiobook offers a step-by-step approach to create a professional artist statement, with thinking and writing exercises to ease the process and develop authentic and clear content.

Viewing the exhibition at the Ashmolean Museum Oxford by American Artist Jeff Koons (born 1955). Considers sculptures such as Silvered Ballerinas, a Magenta Balloon Venus, and GPS System. Also the artist's re-constitution of classic works by Titiam, Rubens, and Gericault with the inclusion of a blue glass sphere.

A collection of reviews and studies of photographers published since 2001. Includes David Bailey, Horst, Cecil Beaton, Don McCullin, Lee Miller, Francesca Woofman, E.O.Hoppe, and others.

A recorded visit to van Gogh and Britain considers the work of Vincent van Gogh (1853-1890) placed in the context of British art and literature of the 19th century and his effect on succeeding generations of artists.

Cv/VAR 154 publishes a study of photography and art in which authors Marina Vaizey and Anne Blood consider the historical impact of photography from pioneers Hill and Adamson, William Fox Talbot, and Louis Daguerre to contemporary practitioners such as Andreas Gursky and Boris Mikhailov. The documentary power and graphic clarity of the medium challenged and persuaded artists such as Degas, Sickert, Andy Warhol, and Richard Hamilton, and innumerable creative voices. The volume includes biographical details of leading figures and a guide to national collections and study centres.

A collection of reviews made from January to June 2019 of exhibitions in museums and galleries in London and Oxford. The volume proceeds from Small Histories, published in 1996 then updated in 2011. Contents include: Mantegna/Bellini at the National Gallery, John Ruskin at Temple Place, Elizabethan Miniatures at the National Portrait Gallery, Pierre Bonnard at Tate Modern, Mary Quant at the V&A, Jeff Koons at the Ashmolean Oxford, and Anish Kapoor at the Lisson Gallery London.

Marina Vaizey and Anne Blood consider the historical impact of photography on the fine and interpretive arts, from pioneers such as Hill and Adamson, Fox Talbot and Louis Daguerre to Edward Steichen and Man Ray. The documentary power and graphic clarity of the medium challenged and persuaded artists such as Degas, Sickert, Warhol, and innumerable creative voices. In their essays Marina and Anne explore the conjunctions and variations where document and dream intermingle.

Cv/VAR no.103 publishes an interview recorded 2010 with American artist John Dugger (b.California 1948) in which he gives an account of his art and development. He recounts 1960s America and arriving in London 1967: pioneering The Exploding Galaxy with David Medalla; 1970-2, their travels in the Philippines, Sri Lanka, India, then the China Journey of 1972 into Mao's Republic. The monograph documents the artists work for Banner Arts and other projects to date.

Presents a collection of essays by Nicholas James on classic and contemporary art: "The Trinity" by Masaccio at Santa Maria Novella, Florence; Vermeer's "The Maid" and "Woman Weighing Pearls"; Cezanne and Salvador Dali, Francis Bacon portraits, and reviews of over 70 exhibitions in public and private galleries held between 1993 and 2010.

One of the commonest and most loosely used terms in any discussion of contemporary art is the word avant-garde. Indeed it often seems to be taken for granted that valid contemporary art and avant-garde art are synonymous.

An anthology of essays and reviews by the eminent art historian and writer, Edward Lucie-Smith. The articles cover a broad span, from the Italian Renaissance of Giotto and Antonello da Messina, Leonardo, and Michelangelo, progressing to Rubens, Velázquez, and Ingres, with essays on William Hogarth, John Constable, and John Everett Millais for British art. With the experience of his landmark publications on modern art, which remain in print, the author sweeps the listener on a fabulous journey of perception.

The Anatomy Series of 2001 was made in a quantity of eighty panels, taking three weeks to complete. The set considered the landscape of the human physical system. The panels were worked on flat, painting twelve at a time in rotation. They were laid out on an old framed work which also served as a container for the pool of colour washed over the textured surface. Two inch square wooden cubes were used to stack the panels in small towers to dry out.

Cv/VAR no.100 publishes an interview with the American artist Jim Dine, recorded by cell phone from Wales to the artists Paris studio on May 11th, 2010. In this, he discusses his beginnings as an artist, his work with Claes Oldenburg and the Happenings, the Pinocchio series, 52 Books at Pace Gallery, New York, and the relationship of drawing to his graphic work.

The monograph publishes a study of Rembrandt van Rijn and JMW Turner at the National Gallery and Tate Britain in exhibitions of their later works.

There is an increasing tendency to set up body artists and performance artists - the two categories are often interchangeable - as the real heroes and heroines of the contemporary avant-garde. In fact, we need to look much further back for its beginnings. The first body art performer, as well as the first professional bodybuilder, was the showman, Eugene Sandow (1867-1925). Though Sandow’s heyday occurred before the birth of the Modern Movement, there are compelling reasons for giving the primacy to him.

Edward Lucie-Smith examines Hans Holbein's famous series of prints, The Dance of Death, together with associated works, such as various artistic variations on the theme of Death and the Maiden. In addition, Lucie-Smith looks at some famous images made on the theme of war, notably the prints of Jacques Callot and the bitter social studies of Goya y Lucientes.

This is a recorded conversation with Manchester-born artist Hughie O'Donoghue, first published in Cv Journal of the Arts v2/3 September 1989. He discusses his ideas about painting and evaluates key works such as Sleeper and recent landscape The Irish Sea.

Interview with John Murdoch, director of the Courtauld Gallery, Somerset House, London, recorded in 1993, describes the formation of key Impressionist works by Sam Courtauld in the early twentieth century.

Cv/VAR series 52 features an interview with American artist James Turrell recorded at Michael Hue Williams London in June 1996.