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I Wear the Black Hat
- Grappling with Villains (Real and Imagined)
- Narrateur(s): Chuck Klosterman
- Durée: 7 h et 2 min
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- Version intégrale
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Au global
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We live in a culture of casual certitude. This has always been the case, no matter how often that certainty has failed. Though no generation believes there's nothing left to learn, every generation unconsciously assumes that what has already been defined and accepted is (probably) pretty close to how reality will be viewed in perpetuity. And then, of course, time passes. Ideas shift. Opinions invert. What once seemed reasonable eventually becomes absurd, replaced by modern perspectives that feel even more irrefutable and secure - until, of course, they don't.
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- Durée: 2 h et 56 min
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New York Times best-selling author and cultural critic Chuck Klosterman presents a unique Audio Companion for Chuck Klosterman X, in which he contextualizes and reads from the collection of his best articles and essays, providing both a fascinating tour of the past decade and an ideal introduction to the mind of one of the sharpest and most prolific observers of our unusual times.
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- Durée: 12 h et 39 min
- Version intégrale
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Au global
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Performance
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Histoire
It was long ago, but not as long as it seems: The Berlin Wall fell and the Twin Towers collapsed. In between, one presidential election was allegedly decided by Ross Perot while another was plausibly decided by Ralph Nader. Landlines fell to cell phones, the internet exploded, and pop culture accelerated without the aid of technology that remembered everything. It was the last era with a real mainstream to either identify with or oppose. The ’90s brought about a revolution in the human condition, and a shift in consciousness, that we’re still struggling to understand.
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- Écrit par Karen W. Lam le 2023-01-16
Auteur(s): Chuck Klosterman
-
Raised in Captivity
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- Auteur(s): Chuck Klosterman
- Narrateur(s): Chuck Klosterman, Sloane Crosley, Chris Gethard, Autres
- Durée: 7 h et 11 min
- Version intégrale
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Au global
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Performance
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Histoire
Fair warning: Raised in Captivity does not slot into a smooth preexisting groove. If Saul Steinberg and Italo Calvino had adopted a child from a Romanian orphanage and raised him on Gary Larsen and Thomas Bernhard, he would still be nothing like Chuck Klosterman. They might be good company, though. Funny, wise and weird in equal measure, Raised in Captivity bids fair to be one of the most original and exciting story collections in recent memory, a fever graph of our deepest unvoiced hopes, fears and preoccupations.
Auteur(s): Chuck Klosterman
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Chuck Klosterman IV
- A Decade of Curious People and Dangerous Ideas
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- Narrateur(s): Chuck Klosterman
- Durée: 5 h et 6 min
- Version abrégée
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Au global
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Performance
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Histoire
Chuck Klosterman IV consists of three parts:
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Profiles and trend stories: Britney Spears, Val Kilmer, McDonalds, '70s rock band nostalgia cruises. With new introductions and asides.
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OK
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Eating the Dinosaur
- Auteur(s): Chuck Klosterman
- Narrateur(s): Chuck Klosterman, Ira Glass, Errol Morris, Autres
- Durée: 6 h et 39 min
- Version intégrale
-
Au global
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Performance
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Histoire
In Eating the Dinosaur, Klosterman is more entertaining and incisive than ever. Whether he's dissecting the boredom of voyeurism, the reason why music fan's inevitably hate their favorite band's latest album, or why we love watching can't-miss superstars fail spectacularly, Klosterman remains obsessed with the relationship between expectation, reality, and living history. It's amateur anthropology for the present tense, and sometimes it's incredibly funny.
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- Écrit par Alexandra Gignac le 2018-09-18
Auteur(s): Chuck Klosterman
Description
From New York Times best-selling author, "one of America's top cultural critics" (Entertainment Weekly), and "The Ethicist" for The New York Times Magazine, comes a new book of all original pieces on villains and villainy.
Chuck Klosterman has walked into the darkness. As a boy, he related to the cultural figures who represented goodness - but as an adult, he found himself unconsciously aligning with their enemies. This was not because he necessarily liked what they were doing; it was because they were doing it on purpose (and they were doing it better). They wanted to be evil. And what, exactly, was that supposed to mean? When we classify someone as a bad person, what are we really saying (and why are we so obsessed with saying it)?
In I Wear the Black Hat, Klosterman questions the very nature of how modern people understand the concept of villainy. What was so Machiavellian about Machiavelli? Why don't we see Batman the same way we see Bernhard Goetz? Who's more worthy of our vitriol - Bill Clinton or Don Henley? What was O.J. Simpson's second-worst decision? And why is Klosterman still obsessed with some kid he knew for one week in 1985?
Masterfully blending cultural analysis with self-interrogation and limitless imagination, I Wear the Black Hat delivers perceptive observations on the complexity of the anti-hero (seemingly the only kind of hero America still creates). I Wear the Black Hat is the rare example of serious criticism that's instantly accessible and really, really funny. Klosterman is the only writer doing whatever it is he's doing.
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