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The Reappearance of Rachel Price
- Narrated by: Sophie Amoss
- Length: 16 hrs and 34 mins
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Publisher's Summary
#1 NEW YORK TIMES BESTSELLER • From the author of the multimillion-copy bestselling A Good Girl’s Guide to Murder series and Five Survive comes a gripping mystery thriller following one teen’s search for the truth about her mother’s shocking disappearance—and even more shocking reappearance—during the filming of a true crime documentary.
Lights. Camera. Lies.
Eighteen-year-old Bel has lived her whole life in the shadow of her mom’s mysterious disappearance. Sixteen years ago, Rachel Price vanished and young Bel was the only witness, but she has no memory of it. Rachel is gone, long presumed dead, and Bel wishes everyone would just move on.
But the case is dredged up from the past when the Price family agrees to a true crime documentary. Bel can’t wait for filming to end, for life to go back to normal. And then the impossible happens. Rachel Price reappears, and life will never be normal again.
Rachel has an unbelievable story about what happened to her. Unbelievable, because Bel isn’t sure it’s real. If Rachel is lying, then where has she been all this time? And—could she be dangerous? With the cameras still rolling, Bel must uncover the truth about her mother, and find out why Rachel Price really came back from the dead . . .
From world-renowned author Holly Jackson comes a mind-blowing masterpiece about one girl’s search for the truth, and the terror in finding out who your family really is.
What the critics say
★ "Jackson delivers a commanding performance in this smart, meticulously crafted thriller."—Publishers Weekly, starred review
"Readers will be captivated by this twisty thriller and its uncompromising protagonist."—Kirkus Reviews
"A well-written exploration of mother-daughter relationships ensues, all while Jackson expertly lays the groundwork for a head-spinning mystery."—Booklist
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What listeners say about The Reappearance of Rachel Price
Average Customer RatingsReviews - Please select the tabs below to change the source of reviews.
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- Just okay
- 2024-04-17
Long, but twisty
The suspense in the book was good, plenty of twists as needed to keep attention. The characters were god awful. The front half of the book was hard to get through. There were loose ends all over the place. I think the ending was a bit unrealistic. Was not the thriller I expected from this author.
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Overall
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Performance
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- Tori
- 2024-04-15
Lots of twists and turns!
This was an interesting ride! I predicted one of the plot points but it didn’t quite intertwine into the plot the way I thought it would! Stars deducted because the attempt at a British accent from this narrator was terrible and there were parts of the plot I just found too unrealistic (but it was still a fun read overall)!
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- Terilyn Lemaire
- 2024-04-11
Awful. Just awful.
This book had so much promise - the premise and cover were so engaging. Unfortunately the synopsis and cover were its most redeeming elements. The main character - Bel - is insufferable. Jackson clearly wanted to paint her as a girl with deep attachment issues resulting from the early loss of her mother but failed to develop her character and so throughout the book, Bel is just a girl full of bitchy one-liners. None of the characters are developed enough in this book to have the climax - or the last 25% of the book - be engaging. Throughout, there are weird co-dependencies, romance and familial relationships that aren't fleshed out enough to be fully established or make sense (Bel and dad, Bel and Ash, Rachel and Charlie, Bel and Charlie, Bel and Carter, Charlie and Pat, Charlie and Jeff, and the list goes on) and then all of a sudden, in the last quarter of the book, everyone's happy to let people go and flip allegiances without a backward glance and not an ounce of PTSD. I liked the story of what happened to Rachel and why and how it all played out even though it wasn't even a little bit believable (it tried to be an eye for an eye but let's not pretend anyone would do that to Rachel for sixteen years to keep one truth hidden). Everything that came after the big reveal was the WORST. So long and ridiculous and gag-inducing. How many time can you try to poetically and dramatically use the words "she made her choice," "he chose wrong." Chose, choice, choice, choice, choose, choosing, "family first," over and over again with so much drama, gag, gag, gag. It's just so absurd. Also how many times can a character "sniff"? Too many to count. The writing is awful and is very try-hard, especially at the end. Jackson tries to wrap so much up in dramatic monologues that are ridiculous. Sophie Amoss is always good but this text made me not enjoy her. Don't waste your credit.
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