Showing results by narrator "Nicolette McKenzie" in All Categories

Judith is suddenly all alone in the world. Her husband, Jack, has left her - why, she doesn't really know. Her two sons are in Australia, and both her mother and her best friend Naomi have recently died. Embarking on a journey to Exmoor to meet the famous artist Robert Haussman, with an oddly assorted group of fellow-enthusiasts, Judith finds herself a prey to all sorts of irrational fears. Chief amongst them is the increasing conviction that Jack is dead. Why did he leave her? Where has he gone? And why does Robert Haussman exert such a strange influence on her?

A new patient appears on Sigmund Freud's roster. The initial session soon takes a dramatic turn when the man pulls a gun on Freud. The day before, he murdered his own father, and now he demands absolution from the Professor. While Anna contacts Karl and they both hold an emergency session right outside the therapy room in an effort to put an end to the hostage situation, Sigmund tries to use all means at his disposal to persuade the man to surrender before a disaster occurs.

Belinda's fought to be surrogate mother to her late, beloved sister's embryos. But Australian cowboy Flynn also has a claim on this precious life. This baby offers his only hope of redemption and he'll do anything to win custody, even propose marriage! It's an extreme solution, and Belinda must admit her wannabe husband is inconveniently gorgeous. Yet Belinda refuses. Could two little miracles change her mind?

As a teenager, Lucy McBride, is woken by the sound of classical music, and from that moment she devotes herself to the study of the cello. Her fascination later leads her to Venice, and to Fortuny, the master cellist. They begin an intense, ill-fated affair, but as emotions and desires tangle with hopes and dreams, they must struggle to decide how their symphony must end.

Shots echo through Vienna's streets at dawn. A sniper has holed up in a church tower and threatens to shoot anyone who dares to show themselves on the square below. Constable Karl Gruber can persuade Freud to help him find a diplomatic solution to the situation. Under time pressure and against strong resistance from Karl's police colleagues, Freud negotiates with the man who - just like Karl - fought in the front lines in World War I.

A mysterious homicide case leads to Constable Karl Guber to seek out psychoanalyst Sigmund Freud for the first time. The daughter of the director of the Wiener Burgtheater has been murdered under gruesome circumstances: the corpse has been drained of all its blood. Detective Gruber suspects that a vampire is on the loose in Vienna.

Eva Kershaw thought she would never marry and is happy living a quiet life with her dear friend Alice. But Alice is ill, and her nephew, Gus, has thrust himself into their household. Alice's dearest wish is that Eva should not make the same mistakes she did, and she alters her will so that Eva and Gus are strongly compelled to marry. Eva obliges to fulfil her dead friend's wishes. But Gus is not all he seems to be: he is not Alice's kind nephew but a robber, a confidence trickster, and not even Gus Blake. And Eva is in terrible danger....

The Great War opened up an exciting new career for Vi in London. But that was yesterday. Now the war's over, her husband is dead and she needs to pick up the pieces of her life. On her way home from work she meets a man who is in huge need of her help. Recently demobbed, Joss Bentley has no job or home and, with his wife dead, there's a new baby to care for - and, what's more, it's not his. As he searches grimly for its real father, he runs up against people who will use any means necessary to conceal dark secrets, and Vi finds herself faced with conflicting loyalties.

It is 1914, and Eveleen Hardcastle, now in in her early thirties, has married Richard. As the First World War breaks out, Eveleen, a sophisticated young woman, is left to manage the factory while Richard goes off to fight for his country. Eveleen's mother Mary has found happiness at last in her marriage to Josh. Her young granddaughter, Bridie, still lives at home, and is beautiful, but has a spirited, strong will which her grandmother finds hard to control.

When two little children are murdered and the suspect - the children's mother as well as one of Freud's patients - is arrested, the Professor is compelled into action: he is sure the suspect is innocent. Instead he suspects the children's father committed the murder. He is able to persuade Karl Gruber of his suspicions.

The Cemetery of the Nameless in Vienna is where those who take their own lives are buried - suicide victims who jumped into the Danube to kill themselves. But when the obvious victim of a murder washes up on the banks of the Danube, Karl initiates a homicide investigation. Supported by Anna and Sigmund, Constable Gruber heads into the world of prostitutes and pimps in Vienna's red-light district.

A bank is robbed in Vienna. The constables quickly arrive on the scene - one of the bank robbers is arrested while the others flee with the loot. Karl involves Sigmund in the questioning of the arrested man - the mentally unstable man is the only chance they have to find the other robbers and their spoils.

When an old prison is renovated, the fragile diary of one of the inmates is found. The entries contained detailed information about a series of unsolved murders from a long time ago. With Anna's support, Karl starts to interview former inmates of the prison while Sigmund tries to identify the killer on the basis of the diary entries.

In the modern economy, businesses must have heart. The marketing industry is broken. Consumers are tired of interruption, push, mass media, and the manipulation of marketing and advertising generally. They want to deal with honest, ethical companies that have heart and purpose and that care about serving all their stakeholders instead of their pockets. Conscious Marketing proves that marketing can really work if the paradigm is shifted radically.

For more than 50 years, Wendy McCarthy has been on the leading edge of Australian feminism, and her trailblazing advocacy and leadership have made her a widely respected and revered figure: a woman who shaped her times as much as she was shaped by them. Now, at 80 years of age, she shares her remarkable life and achievements. From sheltered country schoolgirl to relentless campaigner for abortion and contraception, from passionate teacher to lifelong advocate for education, Wendy smashed the glass ceiling again and again.

Ruth had fostered a lifelong love of reading, and from the moment she first encountered Pride and Prejudice in the 1940s she had looked to Jane Austen's heroines as her models for the sort of woman she wanted to become. She resolved to re-read Austen's six novels; to reflect on her life in relation to what she discovered in each of them. And as Ruth read between the lines of both the novels and her own life, she began to reclaim her voice.