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The classic trilogy about murder, revenge and justice, as heard on BBC Radio 3 – plus a bonus documentary exploring Aeschylus's seminal Greek tragedy. A chilling tale of homecoming, violent death and bloody vengeance, The Oresteia dates back to the fifth century BC, but its themes still resonate today. At once a family saga, morality tale and courtroom drama, it recounts how two generations of the cursed House of Atreus become locked into a deadly cycle of atrocities....

When a jealous Zeus discovers that the compassionate Titan, Prometheus, has introduced the gift of fire to liberate mere mortals from oppression and servitude, he has Prometheus bound to a rocky prison in the Scythian desert, where the god discloses the reason for his punishment.

Aesop, an ancient Greek poet who was sold into slavery in the early sixth century B.C, relied on animal stories to convey his key points to his masters in court. Aesop's Fables are now classic, memorable morality plays in which amusing animal characters drive home thought-provoking morals to generations of listeners and modern day readers. They illustrate what was fundamental to Greek culture yet their appeal lies in logic we still understand.

Aeschylus’ historical tragedy Persians, with its dire warnings against the hubris of imperialist overreach, is as relevant today as it was when first presented to an Athenian audience in 472 BC. This new edition of the classic drama features a literal translation by Mark Will (translator of Fernando Pessoa’s Message) which reconstructs in contemporary English verse the epic cadences of the original Greek.

The final play of the Oresteia, called The Eumenides (Εὐμενίδες, Eumenídes), illustrates how the sequence of events in the trilogy ends up in the development of social order or a proper judicial system in Athenian society. In this play, Orestes is hunted down and tormented by the Furies, a trio of goddesses known to be the instruments of justice, who are also referred to as the "Gracious Ones" (Eumenides). They relentlessly pursue Orestes for the killing of his mother.

In The Oresteia, Aeschylus dramatizes the myth of the curse on the royal house of Argos. The action begins when King Agamemnon returns victorious from the Trojan War, only to be treacherously slain by his own wife. It ends with the trial of their son, Orestes, who slew his mother to avenge her treachery - a trial with the goddess Athena as judge, the god Apollo as defense attorney, and, as prosecutors, relentless avenging demons called The Furies.

The Oresteia is a trilogy of Greek tragedies written by Aeschylus concerning the end of the curse on the House of Atreus. The name derives from the character Orestes, who sets out to avenge his father's murder. The only extant example of an ancient Greek theater trilogy, the Oresteia won first prize at the Dionysia festival in 458 BC. When originally performed, it was accompanied by Proteus, a satyr play that would have followed the trilogy. Proteus has not survived, however. In all likelihood the term "Oresteia" originally referred to all four plays; today it generally designates only the ...

The earliest surviving works of ancient Greek literature, dating back to the early Archaic period, are the two epic poems the Iliad and the Odyssey. These two epics, along with the Homeric Hymns and the two poems of Hesiod, Theogony and Works and Days, comprised the major foundations of the Greek literary tradition that would continue into the Classical, Hellenistic, and Roman periods. This carefully selected collection contains: The Odyssey ; The Works and Days ; Theogony ; The Complete Poems of Sappho ; Medea ; Antigone ; Agamemnon ; The Choephori ; Eumenides.

Blood, gore, thrills, chills, and romance abound in these plays by three of the great Greek authors. Included are "Medea" by Euripides; "Antigone" by Sophocles; and "Agamemnon" by Aeschylus.

40 of Aesop's tales, specially adapted for young children. Read by Richard Briers, Jane Horrocks, Jonathan Pryce, Alison Steadman, Richard E. Grant, Lindsay Duncan and Brenda Blethyn.

Greek tragedy was a dramatic form that flourished for less than a full century. And yet it remains vibrant, alive, and productive today. And the form's masterpieces help us-as perhaps they helped their original audiences-grasp a fuller sense of the terror and wonder of life. Professor Vandiver has designed these 24 rich and rewarding lectures to give you a full overview of Greek tragedy, both in its original setting and as a lasting contribution to the artistic exploration of the human condition.

Agamemnon is the first part of the Oresteia trilogy by the Greek playwright Aeschylus. Each of the plays that form part of The Oresteia can stand alone, but they perfectly complement one other in a longer narrative. Agamemnon provides the seed of all the themes that are explored in part two, The Libation Bearers, and three, The Eumenides.

The Oresteia is a tragedy in three parts written by Aeschylus in the fifth century BCE. After a decade of warfare, Troy had fallen and Agamemnon, King of Mycenae, returned home. His wife, Queen Clytemnestra, had him killed to avenge the sacrifice of her daughter Iphigenia, to obtain the crown and to marry her lover Aegisthus. This murder leads to further bloodshed when their son Orestes in turn kills Clytemnestra and Aegisthus. The trilogy consists of Agamemnon, The Libation Bearers, and The Eumenides.

We live in an era rife with cultural conflict. The 21st century is by no means free of wars, terrorism, riots, famine, nor epidemics. We may attempt to solve the challenges of our times by uniting the humanistic disciplines of philosophy, science, and technology. Our modern reality requires a fundamental understanding of the problems beleaguering our existence. Science and literature are key tools for gaining this insight. The wisdom accumulated throughout the centuries by scientists, philosophers, and writers is a solid foundation on which modern man can build the future.

This collection contains the following works: Medea by Sophocles Antigone by Sophocles Agamemnon by Aeschylus Eumenides by Aeschylus The Choephori by Aeschylus The Tragedy of Othello, the Moor of Venice by William Shakespeare The Tragedy of Romeo And Juliet by William Shakespeare The Tragedy of Hamlet, Prince of Denmark by William Shakespeare The Tragedy of Macbeth by William Shakespeare A Midsummer Night's Dream by William Shakespeare The Tragedy of King Lear by William Shakespeare The Tragedy of Antony and Cleopatra by William Shakespeare.

Produced in 458 BC, Aeschylus' Choephori is the second play in the Oresteian trilogy. The bloodshed begun in the first play with the murder of Agamemnon by his wife Clytemnestra is here continued when Agamemnon's son Orestes avenges his father's death by killing Clytemnestra. It is not until the third and final play, Eumenides, that peace is restored to the family of the Atreidae. The introduction discusses the pre-Aeschylean 'Orestes' tradition in literature and art, as well as the place of Choephori within the Oresteia.

This Greek tragedy is based on the myth of Prometheus, a Titan who, in defiance of the gods, gives fire to mankind, an act for which he is subjected to perpetual punishment.The play consists almost entirely of speeches since the protagonist is chained throughout.

This collection contains the following works: Euripides: Medea Sophocles: Antigone Aeschylus: Agamemnon Aeschylus: Eumenides Aeschylus: The Choephori William Shakespeare: The Tragedy of Othello, the Moor of Venice William Shakespeare: The Tragedy of Romeo And Juliet William Shakespeare: The Tragedy of Hamlet, Prince of Denmark, William Shakespeare: The Tragedy of Macbeth, William Shakespeare: A Midsummer Night's Dream, William Shakespeare: The Tragedy of King Lear, William Shakespeare: Antony and Cleopatra.

This collection presents the works of the three fathers of ancient Greek tragedies: Aeschylus, Sophocles, and Euripides. The reader of this collection will be able to comprehend how the plots and conflicts populating classical tragedy developed. The principle theme of Aeschylus' tragedies is the idea of fate being omnipotent and the futility in struggling against it. The tragedies of Sophocles reflect the era of the Greeks' victorious war against the Persians, which opened up commercial prosperity through trade.

Agamemnon is the first of the three linked tragedies which make up The Oresteia trilogy by the ancient Greek playwright Aeschylus. Trilogy as a whole, originally performed at the annual Dionysia festival in Athens in 458 BCE, where it won first prize, is considered to be Aeschylus' last authenticated, and also his greatest, work. Agamemnon describes the homecoming of Agamemnon, king of Argos, from the Trojan War, and his return to his wife, Clytemnestra, who had been planning his murder (in concert with her lover, Aegisthus) as revenge for Agamemnon's earlier sacrifice of their daughter, Iphigenia.