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Oliver Sacks' The Man Who Mistook His Wife for a Hat tells the stories of individuals afflicted with fantastic perceptual and intellectual aberrations: patients who have lost their memories and with them the greater part of their pasts; who are no longer able to recognize people and common objects; who are stricken with violent tics and grimaces or who shout involuntary obscenities; whose limbs have become alien; who have been dismissed as retarded yet are gifted with uncanny artistic or mathematical talents.

To these seven narratives of neurological disorder Dr. Sacks brings the same humanity, poetic observation, and infectious sense of wonder that are apparent in his bestsellers Awakenings and The Man Who Mistook His Wife for a Hat. These men, women, and one extraordinary child emerge as brilliantly adaptive personalities, whose conditions have not so much debilitated them as ushered them into another reality.

Awakenings - which inspired the major motion picture - is the remarkable story of a group of patients who contracted sleeping sickness during the great epidemic just after World War I. Frozen for decades in a trance-like state, these men and women were given up as hopeless until 1969, when Dr. Oliver Sacks gave them the then-new drug L-DOPA, which had an astonishing, explosive, "awakening" effect. Dr. Sacks recounts the moving case histories of his patients, their lives, and their extraordinary transformations.

Oliver Sacks' compassionate, compelling tales of people struggling to adapt to different neurological conditions have fundamentally changed the way we think of our own brains, and of the human experience. In Musicophilia, he examines the powers of music through the individual experiences of patients, musicians, and everyday people. He explores how catchy tunes can subject us to hours of mental replay, and how a surprising number of people acquire nonstop musical hallucinations that assault them night and day. Yet far more frequently, music goes right....

Radiant Minds: The World of Oliver Sacks investigates consciousness, the brain, and the human experience, drawing inspiration from works by the neurologist and beloved author Oliver Sacks. Oliver cared for people with misunderstood neurological conditions at a time when many in the medical community had turned their backs on them.

An exploration of vision through the case histories of six individuals - including a renowned pianist who continues to give concerts despite losing the ability to read the score, and a neurobiologist born with crossed eyes who, late in life, suddenly acquires binocular vision, and how her brain adapts to that new skill.

Music can move us to the heights or depths of emotion. It can persuade us to buy something, or remind us of our first date. It can lift us out of depression when nothing else can. It can get us dancing to its beat. But the power of music goes much, much further. Indeed, music occupies more areas of our brain than language does - humans are a musical species.

Dr. Oliver Sacks argues the migraine cannot be understood simply as an illness, but must be viewed as a complex condition with a unique role to play in each individual's life.

Long before Oliver Sacks became a distinguished neurologist and best-selling writer, he was a small English boy fascinated by metals - also by chemical reactions (the louder and smellier the better), photography, squids and cuttlefish, H.G. Wells, and the periodic table. In this endlessly charming and eloquent memoir, the he chronicles his love affair with science and the magnificently odd and sometimes harrowing childhood in which that love affair unfolded.

When young orphan, Oliver Twist, is sold into an apprenticeship with an undertaker, he leaves behind years of miserable servitude and mistreatment at an English workhouse. Hoping to move on to better things, he decides to escape his new, equally dreary surroundings and head to London. It is there that the novel unravels as Oliver meets a host of larger-than-life characters, including The Artful Dodger, a high-ranking member of a juvenile pickpocketing gang, and their elderly leader, Fagin.

Dr. Oliver Sacks's books Awakenings, An Anthropologist on Mars and the best-selling The Man Who Mistook His Wife For a Hat have been acclaimed for their compassion in the treatment of patients affected with profound disorders. In A Leg to Stand On, it is Sacks himself who is the patient: an encounter with a bull on a desolate mountain in Norway has left him with a severely damaged leg. But what should be a routine recuperation is actually the beginning of a strange medical journey.

In Seeing Voices, Oliver Sacks turns his attention to the subject of deafness, and the result is a deeply felt portrait of a minority struggling for recognition and respect - a minority with its own rich, sometimes astonishing, culture and unique visual language, an extraordinary mode of communication that tells us much about the basis of language in hearing people as well.

Oliver Sacks is well known as an explorer of the human mind - a neurologist with a gift for complex, insightful portrayals of people and their conditions. However, he is also a card-carrying member of the American Fern Society, and since childhood has been fascinated by these primitive plants and their ability to survive and adapt in many climates. Oaxaca Journal is Sacks' spellbinding account of his trip with a group of fellow fern enthusiasts to the beautiful, history-steeped province of Oaxaca, Mexico.

Dubbed "the poet laureate of medicine" by The New York Times, Dr. Oliver Sacks is one of the great medical writers and storytellers of our time. He has transformed our understanding of the human mind and restored narrative to a central place in the practice of medicine. His best-selling books, including Awakenings, The Man Who Mistook his Wife for a Hat, and An Anthropologist on Mars, entertain, enlighten, and inspire his many fans around the world.

Oliver Sacks widmet sich in seinem neuen Werk dem Zusammenhang von visueller Wahrnehmung und Bewusstsein. Es gelingt ihm wieder, komplexe Dinge verständlich zu beschreiben. Das Außergewöhnliche: Sacks schildert, wie er selbst 2005 an einem bösartigen Tumor im Auge erkrankte. Er berichtet vom Leben mit dem Krebs und dem Verlust seiner visuellen Fähigkeiten. Doch er entdeckt auch "positive" Phänomene: milde Illusion, Halluzinationen, Veränderungen in der Wahrnehmung von Farben und Umrissen.

Un giorno, a New York, Oliver Sacks partecipa all'incontro organizzato da un batterista con una trentina di persone affette dalla sindrome di Tourette. Poi il batterista inizia a suonare, e tutti in cerchio lo seguono con i loro tamburi: come per incanto i tic scompaiono, e il gruppo si fonde in una perfetta sincronia ritmica. Presentando questo e molti altri casi con la consueta capacità di immedesimazione, Sacks esplora la "straordinaria forza neurale" della musica e i suoi nessi con le funzioni e disfunzioni del cervello.

Considerado uno de los grandes escritores clínicos del siglo, Oliver Sacks nos presenta en su último libro siete casos neurológicos que constituyen una profunda reflexión sobre la esencia de la identidad y los mecanismos del conocimiento. Un pintor que tras un accidente de coche deja de ver el color; un cirujano cuyos continuos tics y compulsiones sólo remiten cuando opera o pilota su aeroplano; un hombre que tras toda una vida de ceguera recupera la vista sólo para darse cuenta de que no sabe ver.

"El hombre que confundió a su mujer con un sombrero" se convirtió inmediatamente en un clásico y consagró a Oliver Sacks como "uno de los grandes escritores clínicos del siglo" (The New York Times). En este audiolibro, Oliver Sacks narra veinte historiales médicos de pacientes perdidos en el mundo extraño y aparentemente irremediable de las enfermedades neurológicas. Se trata de casos de individuos, aquejados por inauditas aberraciones de la percepción que han perdido la memoria, y con ella, la mayor parte de su pasado.

Lawrence Weschler sets Oliver Sacks' brilliant table talk and extravagant personality in vivid relief, casting himself as a beanpole Sancho to Sacks' capacious Quixote. We see Sacks rowing and ranting and caring deeply; composing the essays that would form The Man Who Mistook His Wife for a Hat; recalling his turbulent drug-fueled younger days; helping his patients and exhausting his friends; and waging intellectual war against a medical and scientific establishment that failed to address his greatest concern: the spontaneous specificity of the individual human soul.

Neurologist Oliver Sacks' 1985 book The Man Who Mistook His Wife for a Hat challenges the impersonal approach doctors took to patient care and paved the way for a new literary genre: popular science. At the time of its publication, neurologists and physicians relied mainly on clinical studies and their own expertise to set the course of treatment. Sacks found this inhumane and developed a very different approach, clearly demonstrated in The Man Who Mistook His Wife.