The year is 2038, and the formerly bustling town of Three Rivers, Texas, is a surreal wasteland. Under the authoritarian thumb of its tech industrialist mayor, Pablo Henry Crick, the town has outlawed reading and forced most of the town’s mothers to work as indentured laborers at the Big Tex Fish Cannery, which poisons the atmosphere and lines Crick’s pockets. Scraping by in this godforsaken landscape are best friends Prosperina and Neftalí—the latter of whom, one of the town’s last literate citizens, hides and reads the books of the mysterious renegade author Jazzmin Monelle Rivas.

Sea Isle was supposed to be the fresh start Dr. Emilia McRoy dreamed of. Far from the busy emergency room across the Atlantic in Seattle, she hoped to settle down and begin this new chapter as a small-town doctor to the quirky residents who immediately welcomed her. When she stumbles across a dead body, she starts to think that she may not be as Scot free of the drama and intrigue as she initially thought.

England, 1925. After years shut away from the world, former detective Lord Edgington of Cranley Hall plans a grand ball to celebrate his seventy-fifth birthday. But when someone starts bumping off members of his scheming family, the old man enlists his teenage grandson to help find the killer, before one of them is next.

Hours later, the man’s cold body lies in the city mortuary, alongside the woman he couldn’t save. And his sister, unconventional nurse Gemma Tate, tracks down troubled police inspector Sebastian Bell to unravel the truth. Sebastian has enough pressure to solve the murder of an aristocratic heiress without Gemma meddling in his case. But the cryptic sentences she brings him from her brother’s notebook could be a crucial lead. If only they knew what “milky way” meant.

Former stand-up comic Juno Mulligan has been suffering a serious sense-of-humour failure. Not only has she lost the love of her life, but she’s having to relocate to the (admittedly idyllic) village of Inkbury to watch out for her elderly mother, who she’s genuinely worried might be marrying a wife-killer. She hopes that her old friend, disgraced-journalist-turned-novelist Phoebe Fredericks can help her crack the case of whether her mother’s perma-tanned, iceberg-smiled, three-times-a-widower fiancé is hiding a murderous past.

Fiona, Sue, and Daisy, three retired ladies who volunteer at the local charity shop, Dogs Need Nice Homes, can’t believe their favorite customer is dead. Eighty-six-year-old Sarah Brown was found murdered in her hallway by her delivery man, a domino clutched in her hand—with a name scratched on it. When another person is found dead with a domino in their hand, and with the police making no progress, the ladies will need to help unmask a serial killer. At least they have Fiona’s scruffy-haired terrier cross to assist them.

Homicide is always an abomination, but there is something exceptionally disturbing about the victim discovered in a high, lonely place: a corpse with a mouth full of sand, abandoned at a crime scene seemingly devoid of tracks or useful clues. Though it goes against his better judgment, Navajo tribal police lieutenant Joe Leaphorn cannot help but suspect the hand of a supernatural killer.

A nightmarish danger threatens from the other side of reality. . . . Armed with only a frying pan and her common sense, young witch-to-be Tiffany Aching must defend her home against the monsters of Fairyland. Luckily she has some very unusual help: the local Nac Mac Feegle—aka the Wee Free Men—a clan of fierce, sheep-stealing, sword-wielding, six-inch-high blue men.

“Question your assumptions; lean far into the unknown. Question it all.” So says Adyashanti in The Most Important Thing, Volume 1 - an invitation to look past the surface of our personal stories to discover the timeless truths within. Across eight hours of intimate talks, Adyashanti encourages you to open to the possibility of grace, embrace those aspects of life that call you to serve, and discover the innate vitality in every single moment.

Connie Chung is a pioneer. In 1969 at the age of 23, this once-shy daughter of Chinese parents took her first job at a local TV station in her hometown of Washington, D.C. and soon thereafter began working at CBS news as a correspondent. Profoundly influenced by her family’s cultural traditions, yet growing up completely Americanized in the United States, Chung describes her career as an Asian woman in a white male-centered world.