The team of commercial sorcerers at Dawson, Ahriman & Dawson can help with any metaphysical engineering project, large or small (though by definition they all tend to be pretty large). They can also create massive great puddles of chaos that might one day swallow up the entire universe. Take, for example, the decision to recruit a certain bearded fellow whose previous work experience mainly involves reindeer and jingle bells. It might have seemed like a good idea at the time, but is he really the best person to save the world from Tiamat the Destroyer, who has literally gone ballistic?

Matt's in the prime of his life. So when his doctor tells him he only has months to live, he figures it's just really bad luck. But it's about to get a whole lot worse. When Matt's Earthly form finally expires, a truck-avatar system gives him the opportunity to become a hero on the paradise world of Gaia, a supposedly verdant, rich land teeming with plants and potential. What he finds instead is a place completely bereft of life. A literal dead planet. Thanks a lot, truck.

With a ragged peace in place, demons burn farmlands, violent Reivers roam the wilds and plague has spread beyond the Black Meadows. The country is on its knees. In a society that fears and shuns him, Aranok is the first magically-skilled draoidh to be named King's Envoy. Now, charged with restoring an exiled foreign queen to her throne, he leads a group of strangers across the ravaged country. But at every step, a new mystery complicates their mission.

A vibrant and powerful epic set against an alternate Bronze Age, this tale of gods, men and monsters, conspiracy and war, is a rich, compelling and original tale from a master of the historical and fantasy genres. The people caught up in toils of the gods are merely trying to survive. Victims of vicious whims, trapped by their circumstances or pushed beyond what the mortal frame can bear, a handful of god-touched mortals—a scribe, a warlord, a dancer and a child - are about to be brought together in a conspiracy of their own.

Camavor is a brutal land with a bloody legacy. Where the empire’s knights go, slaughter follows. Kalista seeks to change that. When her young and narcissistic uncle, Viego, becomes king, she vows to temper his destructive instincts, as his loyal confidant, advisor, and military general. But her plans are thwarted when an assassin’s poisoned blade strikes Viego’s wife, Isolde, afflicting her with a malady for which there is no cure. As Isolde’s condition worsens, Viego descends into madness and grief, threatening to drag Camavor down with him.

In this five-book LitRPG series, you’ll have monster battles, full scale war, quests for hidden artifacts, magic, crafting, cultivation progression, humor, and so much more.

In the 1800s, a sailing ship crashes off the coast of Norway. In the 1900s, a Zepellin explores an icy canyon in Antarctica. In the far future, a spaceship sets out for an alien artifact. Each excursion goes horribly wrong. And on every journey, Dr. Silas Coade is the physician, but only Silas seems to realize that these events keep repeating themselves. And it's up to him to figure out why and how. And how to stop it all from happening again.

Somewhere on the frontier between thought and reality exists the Discworld, a parallel time and place that might sound and smell very much like our own, but which looks completely different. Particularly as it’s carried though space on the back of a giant turtle (sex unknown). It plays by different rules. But then, some things are the same everywhere. The Disc’s very existence is about to be threatened by a strange new blight: the world’s first tourist, upon whose survival rests the peace and prosperity of the land.

The Pandominion: a political and trading alliance of a million worlds–except that they’re really just the one world, Earth, in many different realities. And when an AI threat arises that could destroy everything the Pandominion has built, they'll eradicate it by whatever means necessary, no matter the cost to human life.

The sun is bloated, diseased, dying perhaps. Beneath its baneful light, Shadrapar, last of all cities, harbours fewer than 100,000 human souls. Built on the ruins of countless civilisations, Shadrapar is a museum, a midden, an asylum, a prison on a world that is ever more alien to humanity. Bearing witness to the desperate struggle for existence between life old and new is Stefan Advani: rebel, outlaw, prisoner, survivor.