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Agency

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Agency

Auteur(s): William Gibson
Narrateur(s): Lorelei King
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À propos de cet audio

 AN INSTANT NEW YORK TIMES BESTSELLER

“ONE OF THE MOST VISIONARY, ORIGINAL, AND QUIETLY INFLUENTIAL WRITERS CURRENTLY WORKING”* returns with a sharply imagined follow-up to the New York Times bestselling The Peripheral.

William Gibson has trained his eye on the future for decades, ever since coining the term “cyberspace” and then popularizing it in his classic speculative novel Neuromancer in the early 1980s. Cory Doctorow raved that The Peripheral is “spectacular, a piece of trenchant, far-future speculation that features all the eyeball kicks of Neuromancer.” Now Gibson is back with Agency—a science fiction thriller heavily influenced by our most current events.

Verity Jane, gifted app whisperer, takes a job as the beta tester for a new product: a digital assistant, accessed through a pair of ordinary-looking glasses. “Eunice,” the disarmingly human AI in the glasses, manifests a face, a fragmentary past, and a canny grasp of combat strategy. Realizing that her cryptic new employers don’t yet know how powerful and valuable Eunice is, Verity instinctively decides that it’s best they don’t.

Meanwhile, a century ahead in London, in a different time line entirely, Wilf Netherton works amid plutocrats and plunderers, survivors of the slow and steady apocalypse known as the jackpot. His boss, the enigmatic Ainsley Lowbeer, can look into alternate pasts and nudge their ultimate directions. Verity and Eunice are her current project. Wilf can see what Verity and Eunice can’t: their own version of the jackpot, just around the corner, and the roles they both may play in it.

*The Boston Globe Fiction Fiction de genre Fiction littéraire Politique et espions Politiques Science-fiction Techno-thrillers Thrillers et romans à suspense Suspense Espionnage Technologie Fantastique

Ce que les critiques en disent

“Engaging, thought-provoking and delightful… [Gibson] can always be counted on to show us our contemporary milieu rendered magical by his unique insights, and a future rendered inhabitable by his wild yet disciplined imagination.”—The Washington Post

“Superb... Each sentence is a hand-turned marvel of compact characterization, world-building and sardonic wit, all used to illuminate his vivid milieus…Gibson has an inexhaustible supply of tricks, new stories and new ways of telling them that make him the most consistent predictor of our present, contextualizer of our pasts and presager of our possible futures.”—Los Angeles Times

“An immersive thriller, fueled by an intelligent, empathetic imagination.”—The Boston Globe

“A sensual, remarkably visual ride, vigorous with displays of conceptual imagination and humour.” —The Guardian (UK)
“Gibson blurs the line between real and speculative technology in a fast-paced thriller that will affirm to readers that it was well worth the wait.”—Booklist

“His language (half Appalachian economy, half leather-jacket poet of neon and decay) is all about friction and the gray spaces where disparate ideas intersect. His game is living in those spaces, checking out the view, telling us about it.” – NPR.org

“In Agency Gibson offers another of his uncannily plausible imaginings of near-future life and technology…with Gibson’s trademark panache, the story rattles along with great pace and suspense.” –The Sunday Times (UK)
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Loved it, but it was a bit of a struggle to finish. The reader was clear and skillful but her accents and voices were artificial and too similar to each other. William Gibson's writing was brilliant but the unconventional format he chose made the narrative hard to follow at times.

loved it but it's flawed

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As in a typical Gibson story there is an AI. Also as is typical in a Gibson story, the AI is nominally female. I always wondered why he never just made them gender-less. I could never fathom why an AI would care one way or another, and if it did, it would probably a gender distinction far removed from what we understand as gender. At least in this book he gives a reason why the AI is nominally female.

Eunice is the AI. She is the commercial offspring of a military project. Verity is an app whisperer hired to test Eunice. There are some people from another timeline, various shady entities who are trying to disable Eunice and those that know about her, and the group that is protecting Verity from those people.

The story starts off very well. Eunice gaining sentience works well. The side plot of the background of the people from another timeline is interesting. Eunice being female plays into the narrator's voice. Lorelei King turns in a good performance and does well with the material. I would have given this book five stars but about a third of the way through the main protagonist, Verity, becomes less of a participant and more of a fragile, inanimate object to be protected. A lot of things happen around her, which although she is the focus of, she is not a real participant in. It is too bad Gibson couldn't find something for her to do, not even necessarily action, but even analysis, coding, anything.

A decent cyber romp

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The performance is great and it's a good concept but the way the story evolves was very lukewarm.

I didn't realize its a sequel so maybe reading the previous one helps get more engaged, but it wasn't legendary at all

Not what I expected story-wise

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William Gibson doing what he does best. Entertaining thought provoking all I could of asked for is more!

A fitting continuance from the peripheral

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still, happy to have a timely instalment of the good stuff

felt like a lot more blocking and precise movement than ideas or plot

pretty good, not his best

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