India, 1986: Mukta, a 10-year-old village girl from the lower-caste Yellama cult, has come of age and must fulfill her destiny of becoming a temple prostitute, as her mother and grandmother did before her. In an attempt to escape her fate, Mukta is sent to be a house girl for an upper-middle class family in Mumbai. There she discovers a friend in the daughter of the family, high-spirited eight-year-old Tara, who helps her recover from the wounds of her past.

Cannabis kingpin Burl Spoon has reigned over the Jackson County area for three decades, building a powerful backwoods empire. But behind a well-run organization, his personal life is crumbling—his daughter can’t stay clean; his son has hated him since coming out; and after enduring years of infidelity, his wife is straying too. The only person not on his payroll who still adores him is his six-year-old granddaughter, Chelsea.

Porter Beck is the sheriff in the high desert of Nevada, north of Las Vegas. Born and raised there, he left to join the Army, where he worked in Intelligence, deep in the shadows in far off places. Now he's back home, doing the same lawman's job his father once did, before his father started to develop dementia. All is relatively quiet in this corner of the world, until on old, retired FBI agent is found killed. He was brutally tortured before he was killed and clues at the scene point to a mystery dating back to the early days of the nuclear age.

In the Nigerian city of Enugu, young Nwabulu, a housemaid since the age of ten, dreams of becoming a typist as she endures her employers' endless chores. She is tall and beautiful and in love with a rich man's son. Educated and privileged, Julie is a modern woman. Living on her own, she is happy to collect the gold jewelry lovestruck Eugene brings her, but has no intention of becoming his second wife. When a kidnapping forces Nwabulu and Julie into a dank room years later, the two women relate the stories of their lives as they await their fate.

Wayétu Moore’s powerful debut novel, She Would Be King, reimagines the dramatic story of Liberia’s early years through three unforgettable characters who share an uncommon bond. Gbessa, exiled from the West African village of Lai, is starved, bitten by a viper, and left for dead, but still she survives. June Dey, raised on a plantation in Virginia, hides his unusual strength until a confrontation with the overseer forces him to flee. Norman Aragon, the child of a white British colonizer and a Maroon slave from Jamaica, can fade from sight when the earth calls him.

Isaac is at a crossroads in his young life. Growing up in Missouri, the son of a caustic, hard-driving father, he was conditioned to suppress his artistic pursuits and physical desires, notions that didn’t align with a traditional view of masculinity. But now, in late ’80s Chicago, Isaac has finally carved out a life of his own. He is sensitive and tenderhearted and has built up the courage to seek out a community. Yet just as he begins to embrace who he is, two social catalysts—the AIDS crisis and Rodney King’s attack—collectively extinguish his hard-earned joy.

It’s twenty years since Eva, a biracial woman, was adopted as an eight-year-old, and Cherry and Carlton "Sugar" McNeil have always been the only parents she’s wanted or needed. But when she’s dealt the double blow of Cherry’s death and her own suspension from work, Eva decides it’s time to discover who she was before she was theirs. Against Sugar’s advice, Eva joins a DNA database, desperate for a match that will unlock her identity. And when a positive hit comes, she’s excited to learn there are relations out there who might hold the key.

It is 1987, and a small Irish community is preparing for a wedding. The day before the ceremony, a group of young friends, including the bride and groom, are involved in an accident. Three survive. Three are killed. The lives of the families are shattered and the rifts between them ripple throughout the small town. Connor survived, but living among the angry and the mourning is almost as hard as carrying the shame of having been the driver. He leaves the only place he knows for another life, taking his secrets with him.

Mark and Giulia's life together began as a storybook romance. They fell in love at 18, married at 24, and were living their dream life in San Francisco. When Giulia was 27, she suffered a terrifying and unexpected psychotic break that landed her in the psych ward for nearly a month. One day she was vibrant and well adjusted; the next she was delusional and suicidal, convinced that her loved ones were not safe.

Mr. Shaitana is famous as a flamboyant party host. Nevertheless, he is a man of whom everybody is a little afraid. So when he boasts to Hercule Poirot that he considers murder an art form, the detective has some reservations about accepting a party invitation to view Shaitana's "private collection". Indeed, what begins as an absorbing evening of bridge is to turn into a more dangerous game altogether.

Lillian and Madison were unlikely roommates and yet inseparable friends at their elite boarding school. But then, Lillian had to leave the school unexpectedly in the wake of a scandal, and they’ve barely spoken since. Until now, when Lillian gets a letter from Madison pleading for her help. Madison’s twin stepkids are moving in with her family, and she wants Lillian to be their caretaker. However, there’s a catch: The twins spontaneously combust when they get agitated, flames igniting from their skin in a startling but beautiful way.

“The problem of the twentieth century is the problem of the color line,” writes Du Bois, in one of the most prophetic works in all of American literature. First published in 1903, this collection of 15 essays dared to describe the racism that prevailed at that time in America—and to demand an end to it. Du Bois’ writing draws on his early experiences, from teaching in the hills of Tennessee, to the death of his infant son, to his historic break with the conciliatory position of Booker T. Washington.

Wanting to be a dancer while growing up in a large military family made Christine Barker somewhat of a black sheep, but she followed her dreams to New York City, where—in a moment of almost unbelievable good fortune—she was chosen for the London cast of A Chorus Line. London, and then New York, in the '70s and '80s opened up Christine’s world. The creativity, culture, and nightlife were intoxicating, enough so to compel her older brother Laughlin to join her. Once there, the divorced father, veteran, and corporate lawyer met rising fashion star Perry Ellis.

Cat's Cradle is Vonnegut's satirical commentary on modern man and his madness. An apocalyptic tale of this planet's ultimate fate, it features a little person as the protagonist; a complete, original theology created by a calypso singer; and a vision of the future that is at once blackly fatalistic and hilariously funny.

Sydney Green is Brooklyn born and raised, but her beloved neighborhood seems to change every time she blinks. Condos are sprouting like weeds, FOR SALE signs are popping up overnight, and the neighbors she’s known all her life are disappearing. To hold onto her community’s past and present, Sydney channels her frustration into a walking tour and finds an unlikely and unwanted assistant in one of the new arrivals to the block - her neighbor, Theo. But Sydney and Theo’s deep dive into history quickly becomes a dizzying descent into paranoia and fear.