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  • Animal Spirits

  • The American Pursuit of Vitality from Camp Meeting to Wall Street
  • Auteur(s): Jackson Lears
  • Narrateur(s): Joshua Saxon
  • Durée: 14 h et 7 min
  • 4,0 out of 5 stars (1 évaluation)

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Animal Spirits

Auteur(s): Jackson Lears
Narrateur(s): Joshua Saxon
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Description

In Animal Spirits, the distinguished historian Jackson Lears explores an alternative American cultural history by tracking the thinkers who championed the individual's spontaneous energies and the idea of a living universe against the strictures of conventional religion, business, and politics. From Puritan times to today, Lears traces ideas and fads such as hypnosis and faith healing from the pulpit and stock exchange to the streets and the betting table. We meet the great prophets of American vitality who spoke of the "god within-rendering us diseaseless incarnations of the great I Am."

Well before John Maynard Keynes stressed the reliance of capitalism on investors' "animal spirits," these vernacular vitalists established an American religion of embodied mind that also suited the needs of the marketplace. In the twentieth century, the vitalist impulse would be enlisted in projects of violent and racially charged national regeneration by Theodore Roosevelt and his legatees, even as African American writers confronted the paradoxes of primitivism and the 1960s counterculture imagined new ways of inspiriting the universe. Today, scientists are rediscovering the best features of the vitalist tradition-permitting us to reclaim the role of chance and spontaneity in the conduct of our lives and our understanding of the cosmos.

©2023 Jackson Lears (P)2023 Tantor

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  • Au global
    4 out of 5 stars
  • Performance
    3 out of 5 stars
  • Histoire
    4 out of 5 stars

solid and sprawling overview of vitalism

The book covers tremendous ground, discussing literature, economic theory, popular culture and social history, usually through the lens of specific influential figures. It means a ton of ground is covered but the larger argument and thematic through lines often end up hidden or lost as a result. There is a lack of explicit explanations of why the various individuals and stories are relevant to the main concerns of the author so specific instances often feel like digressions, even if they last a whole chapter.
I sometimes found myself interested by the narrative, but wondering what the point of it is.

The actual prose is tremendous - often funny and clever and always very accessible.

The narration is poor - there are many mispronohnciations and it is overall very flat. Worst of all, the editing is sloppy so at least a half dozen times lines that were misread and re-recorded are left in alongside the new take, leading to weird reputions of sentences or paragraphs.

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